wish you were here

F.J. Bergmann

BIO: Jeannie Bergmann is a web designer and artist. She maintains
madpoetry.org, a local poetry website, as well as the WFoP site, bookthatpoet.com and others. Her personal site is fibitz.com. She also offers a poetry submissions service, PoemFactotum.com. She has had poems in the Beloit Poetry Journal, Blue Fifth Review, Margie #1 & 2, the North American Review, Rosebud, Southern Poetry Review, Tattoo Highway, Wind, on asininepoetry.com as Easter Cathay, and her Flash translation Lace was shown at the 2002 Electronic Literature Symposium. In 2003 she received the Mary Roberts Rinehart National Poetry Award; in 2004 she won the Pauline Ellis Prose Poetry Prize with "Wall."

PUBLICATIONS:
Aqua Regia, Parallel Press 2007; $10.00
Steaming A Head, chapbook, 2004; $6.00
Sauce Robert, co-winner of 2003 Pavement Saw Press chapbook contest; $6.00
An Elaborate Arrangement of Paper Flowers in a Large Baroque Épergne
, darkly comic fantasy, 2000; $7.50
Life on Mars, epic sci-fi poem, 2000; $7.50

Please add $1.00 postage per order.
Orders may be placed through PayPal account fibitz@hotmail.com.

W5679 State Road 60
Poynette, WI 53955

(608) 635-3966
demiurge@fibitz.com

www.fibitz.com

Rants on Poetic Policy and Practice: http://fibitz.livejournal.com/

    POEMS:

Gender Characteristics

so we had a few drinks
and I was telling him stuff about
my childhood and after a while he said
that sounds like penis envy to me did you
ever wish you had a penis and I said no
but I wish I had an ovipositor so I could
parasitize my enemies and infest them
with my larvae and he decided
to sit somewhere else
in a different bar.

published in Pavement Saw #7

Grand Tour

First the atlas began to fret, and wheedled in a low voice. Then one
of the Lonely Planet books egged on the National Geographics
until they ruffled their pages in hysteria and the Michelin Guides
started slapping their covers rhythmically against the bookends.

When the Club Med brochures folded themselves into airfoils
and began dive-bombing us, we made a break for the carport,
dragging our hastily-packed luggage behind us, a litter
of outdated and dilapidated maps snapping at our heels.

We found that all roads lead to more roads, with similar
billboards. We drive all day long. Each evening
we arrive at a different city before its gates close
and rent a room filled with clear water.

The video camera runs all night, and prepares
a nutritious breakfast. If a museum opens early,
we spend the morning gliding from room
to room, leaving nothing as we found it.

Even the guards have uniforms of a different hue
when we are finished with them, and all the visitors
have come to believe that Surrealism is the manifesto
of a concealed desire for economic instability and wear
faint greenish halos which they will never see.

Winner of 2003 Mary Roberts Rinehart National Poetry Award
published on Blue Fifth Review Summer 2003