Summer 2009
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President's Message
      Yesterday (April 30th) on NPR, Martin Espada stated that McCarthyism pretty much killed political poetry in the U.S. He went on to explain that while there are still poets writing political verse, there are no large publishers carrying their voices to the masses, and that small presses don’t have the distribution to do so.
      Whatever you may think of Espada’s politics, his concern about the silencing of dissident voices is undoubtedly valid. Without dissent, the body politic becomes a tyrant and civilization stagnates. Unfortunately, as Randolph Bourne explains in “War Is the Health of the State” (a Google search for that essay is well worth your while), we humans have a natural inclination to submerge our individual identities in groups, particularly in times of crisis–and there’s always a crisis somewhere. This makes me think that community pride should always be suspect. For one thing, it’s just too easy. For another, we all know “Pride goeth before destruction, and an haughty spirit before a fall.”
      That caution noted, I must admit that there are certainly reasons to feel pride in the community of Wisconsin arts, and particularly in the WFOP. The organization accomplishes quite a lot in support of poetry. Let me mention just a few things your dues help to achieve.
      First, there are many member benefits. Did you know that as a member you can have your own page on the WFOP Web site? Further, you can include announcements in the weekly email update and the quarterly Museletter mailing. Of course, those two publications also provide you with poetry news regarding your region. Your dues also fund the annual Triad contest. In addition, the WFOP helps to sponsor other poetry happenings, from contributing to the state’s Poet Laureate fund (and filling a seat on the PL Commission), to supporting this year’s first Lorine Niedecker Wisconsin Poetry Festival. Last year, the WFOP contributed $1000 to help Madison’s slam poetry team travel to a national slam competition. This year, we’ve donated a like amount to fund continuation of Free Verse magazine, and we’ve made a $100 contribution to support the School of Arts in Rhinelander (SOAR). I’d also mention that while conference fees pay the bulk of our spring and fall conference expenses, your dues help to defray the cost of speakers and allow us to provide free passes to members who might otherwise be unable to attend those conferences.
      These are just a few of the benefits your dues help to provide. Thank you.
      I’d like to mention now a few other ways you can help to support the organization. Certainly you can donate financially to support WFOP efforts, if you like; the new Web store (wfop.org/store) has options for contributing to particular programs, or you can send a check by mail. More importantly, however, we can always use volunteers at events–contact your regional VP for details. (You can find the VPs listed at the bottom of this page.) In addition, simply promoting the mission of the organization helps, so mention the WFOP to your friends and colleagues. Show them the “poetic license” you received as a member, and consider sponsoring a friend. (WFOP members can sponsor a new member for only $20).
      Another great way to help is to purchase old calendars (they’re available at quite a discount) and ask to leave them in waiting rooms at doctors’ offices or in coffee houses. We also welcome you to donate your own poetry chapbooks for sale on the WFOP site (which additionally promotes your poetry, of course).
      Finally, whenever possible, join us at one of the two yearly conferences. Taking part in the fellowship at those events, reading your poetry in the Friday night open-mic session and the Saturday Roll Call, and attending the general business meeting, all help to strengthen the organization.
      Today Britain has installed a new Poet Laureate, Carol Ann Duffy, a triple dark horse candidate in that she’s the first female, openly bisexual, and Scottish person to the post. Apparently she considered turning down the appointment, to avoid feeling constrained by the politics of the position. Instead, she chose to take on the challenge of remaining edgy even under the increased public scrutiny. As poets, that is the mission to which we’re all called—to be a voice to the public, reminding our civilization of things it might otherwise trample, whether that be the posies or the dispossessed. Thank you for the role you play in that mission, and for your membership in the WFOP
.

Sincerely,
Les

Next deadline: August 7, 2009
Send Museletter contributions to the Editor:
Christine Falk
9556 Upper 205th Street West
Lakeville, MN 55044
(952) 985-5375

thefalks@frontiernet.net

SEND US YOUR E-MAIL ADDRESS if you haven't already, so we can update the WFoP database. Your address will only be used for communication among members.

Museletter Delivery Options
     To read or download the Museletter from our website, check the Museletter web page (this one) quarterly, or request e-mail notice. By choosing the e-mail option, members will be removed from the bulk-mail list and will not receive a hard copy of the Museletter (but can download and print it themselves). This will provide fastest delivery, at a significant savings to the Fellowship.
     Members may also opt to receive the Museletter by first-class mail rather than bulk mail. There is no charge to members, but this will increase mailing costs to the Fellowship.
     Notify the Museletter editor if you wish to exercise one of these options. The "default" delivery method will be bulk mail.


Keep Your E-mail Info Up-to-Date
     In recent years, e-mail communications have increased within the WFOP membership. The list of e-mail addresses is kept in the main membership database. On occasion, announcements are e-mailed to the entire membership. Each time this happens, some e-mails get bounced back to the sender. The main reason this occurs is that the database manager has not been notified that an e-mail address has changed. If you have not received e-mails from the WFOP in recent months, most likely we do not have your most recent address. If you change your e-mail address, please contact Chris Falk at thefalks@frontiernet.net and let her know of the change so it can be corrected in the membership database. This will ensure that you receive all electronic correspondences.

Welcome
to the following new members who have joined since the last Museletter issue.

Trillian Bergmann

Poynette
Logan Corlett Sussex
Joanne Cunningham Brookfield
Marcie Eanes Racine
John Fons Madison
Carly Heyman Pound
Maryann Hurtt Elkhart Lake
Jerome Jagielski Fontana
Robyn Kohlwey Grafton
Madison Larson-Rolf Pewaukee
Bennett LeDuc Chippewa Falls
Betty Les Madison
Isabel Markowski Eau Claire
Melissa McGraw Wauwatosa
Samuel McLaughlin Fort Atkinson
Rachel Meyer Kenosha
Mariah Ross Coleman
Barb Schmeling Rhinelander
Linda Schumacher Edgerton
Natalie Turner Eau Claire
Haley West Horicon
Holly Zehfus Sheboygan

New member inquiries should be directed to Gillian Nevers, the Membership Chair, at 2022 Jefferson Street, Madison, WI 53711, (608)255-5080, nevers@wisc.edu. Join us!

Membership List Available
Fellowship members are entitled to receive a list of members at a cost of $2.00 to cover postage. Please send cash or check payable to Chris Falk. Receiving the list via e-mail is free. E-mailed lists will be sent as a .pdf which requires Adobe Reader, available as a free download from www.adobe.com. In order to receive the list, members must now sign the agreement and submit it with each request (copy and paste to e-mail it).

Remember:
If you move or change your e-mail address, please notify the Museletter editor. Bulk mail is not forwarded, so you will not receive your Museletters. E-mail is the only way members are notified of Museletter deadlines.


Spring 2010 Election Slate
      As vice-president I am responsible to elicit a roster of officers for the spring 2010 slate of officers. Secretary and treasurer slots have had members volunteer to serve.
     Lester Smith and I ask any other members interested in serving as president or vice-president to contact me for further information.
     The Fellowship has had significant growth of members and offers many enriching events to promote poetry. The generosity time, talents, and efforts of W.F.O.P. members allows for our continued vitality.

Michael Belongie


Poet Laureate Calendar of Events
     Wisconsin’s new Poet Laureate, Marilyn Taylor, will be participating in several activities this spring. Mark your calendar and check out some of the events.
June 10 to 13, 2009
Panelist and Critical Seminar participant: West Chester University 15th Annual Poetry Conference, West Chester, PA.
October 4–9, 2009
Workshop facilitator: "Beginnings, Middles, and Ends." Session II. Bjorklunden Seminar Center of Lawrence University, Baileys Harbor.
August 1, 2009
Workshop 3:00-5:00 p.m. followed by a reading, 7:30-8:30 p.m. Northern Lakes Center for the Arts, Amery.
October 10, 2009, 9:00–2:00
Workshop facilitator: "How Good Poems End." Allwriters Studio, Waukesha.
September 15, 2009, 7:00 p.m.
Reading: Boswell Books, 2559 N. Downer Avenue at Webster Place, Milwaukee.
October 23 and 24, 2009
Keynote reading and workshop: Chippewa Valley Book Festival, Eau Claire.
September 16, 2009, 1:00–3:00 p.m.
Reading and Workshop facilitator: Living in Retirement program. Neville Museum Auditorium, UW-Green Bay.
November 13–15, 2009
Presentation and reading: Wisconsin Fellowship of Poets Fall Conference, Stevens Point.
September 20 to 25, 2009
Workshop facilitator: "Beginnings, Middles, and Ends." Session I. Bjorklunden Seminar Center of Lawrence University, Baileys Harbor.
November 18, 2009, 9:00 a.m.
Keynote Speaker: State High School Creative Writing Festival, University of Wisconsin-Whitewater.
October 3, 2009, 7:00 p.m.
Reading participant: Niedecker Poetry Festival, Ft. Atkinson.
 

What's Happening in Your Region?
Central-Fox Valley Region

Bill Gillard, Central-Fox Valley Regional VP
1478 Midway Road
Menasha, WI 54952-1224
bill.gillard@uwc.edu

       Cathryn Cofell’s poem “What to Give Her” was selected for the John Lehman Poetry Award from Wisconsin People & Ideas. The poem was published in the spring issue of the magazine with "B-Movie Victims." A selection of five poems published in 2008 were also selected as an Honorable Mention for the 2008 Lorine Niedecker Poetry Award from the Council for Wisconsin Writers. She was a volunteer for Fox Cities Bookfest, hosting a Café Conversation on the poetry of Simon Armitage and was emcee at the festival’s open mic.


East Region

Janet Leahy, East Regional Co-VP
13480 W. Fountain Drive
New Berlin, WI 53151-3968
leahyja@earthlink.net

Carolyn Vargo, East Regional Co-VP
6147 West Stack Circle
Milwaukee, WI 53219-3054
vargocj@execpc.com

     Threaded Metaphors: Text & Textiles, Part 3: On the Edge. An all-new exhibit of the work of fiber artists inspired by poetry and poets inspired by fiber art opened at Charles Allis Art Museum, 1801 N. Prospect Ave., Milwaukee, on Wednesday, May 13, 2009, with a free reception from 5:30-8:30 p.m. WFOP poets CJ Muchhala, Helen Padway, Mara Ptacek, Margaret Rozga, Carolyn Vargo, and Phyllis Wax read their new ekphrastic poems between 6-7 p.m. Artists Mary Ellen Heus, Judith Zoelzer Levine, Elizabeth Lewis, Margaret Magill, Connie Tresch, and Pat Zalewski spoke informally about their pieces and the creative process involved in responding to poetry through art. This was the third exciting collaboration in the Threaded Metaphors series. The 12 poems, 10 quilted pieces and 2 weavings are shown adjacent to the pieces that inspired them, a true collaboration between object and text, inspiration and creativity, each interwoven with the other. Don’t miss it! The exhibit runs through July 26, 2009. Museum hours are Wednesday through Sunday, 1-5 p.m. Admission is $5.00 adults, $3.00 seniors, veterans & students. The exhibit is free to members of the Allis Museum, active military personnel and children. For more information, call (414) 278-8295 or log on to cavtmuseums.org.
      Thomas J. Erickson’s poem, “Ghazal for a Crow”, was accepted for publication in the 2009 edition of The Los Angeles Review.
      Charles P. Ries has had his interview with four small press editors that first appeared in Free Verse also accepted for publication in Poetry Dispatch, Gloom Cupboard, Working Writers, Creativity Connection, and Ibbetson Street. His review of Bruce Dethlefsen’s new book of poetry, Breather, has appeared or been accepted for publication in Gloom Cupboard, Ibbetson Press, Word Riot, Pen Himalaya, Outsider Writers, Creativity Connection, ESC!, Small Press Review, Quill and Parchment, The World Audience Review, Notes From the Underground, Axe Factory, Poetry Dispatch, and The Wisconsin River Journal. His poetry has been accepted for publication in Gloom Cupboard’s forthcoming print edition, as well as Canary, Heavy Bear Three, Concrete Meat, and Radiant Turnstile. His 2003 electronic chapbook, I’d Rather Be Mexican, has been accepted for print publication by Cervena Barva Press. He also was the Master of Ceremony for the First Annual Barbara Bache-Wiig Poetry Month Reading in Waukesha, as well as a live reading at the Bad Genie Rock Lounge in Milwaukee.
      John Campbell had poems published in the annual anthology of Goose River Press, Waldoboro, Maine. A poem of his entitled, “Finders Keepers” that won $25 in a Free Verse contest a few months ago will be in the 2009 anthology which comes out around Christmastime.


Mid-Central Region

Joan Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net

      Poets from the Mid-Central Region attending the Spring Conference were Linda Aschbrenner, Bruce Dethlefsen, Lincoln Hartford, Joan Wiese Johannes, Jeffrey Johannes, Lucy Rose Johns, Linda Lee Konichek, and Michael Kriesel.
       Michael Kriesel was awarded the first place WFOP Muse Prize and trophy for his poem “Hidden Snow.”
       Linda Aschbrenner received a lifetime membership to WFOP in appreciation for her support of poetry by founding, editing, and publishing Free Verse, Issues 1 through 100.
       Bruce Dethlefsen read from his new book, Breather, at McMillan Memorial Library in Wisconsin Rapids on April 9th. He will also be featured at the Original Voice series on July 2nd at the Coloma Hotel.
       Barbara Cranford conducted a poetry workshop in Hancock in May. Poets included in the anthology Write Away! edited by Barb Cranford read at the Thimbleberry book store in Marshfield on May 29nd, and will read at the McMillan Memorial Library in Wisconsin Rapids on Thursday, June 11th, at 7 p.m. Current WFOP poets included in the anthology are Linda Aschbrenner, Barb Cranford, Julie Eger, Phil Hansotia, Mary Lou Judy, Linda Lee Konichek, Lou Roach, Kris Rued-Clark, and Sue Twiggs.
       Joan Wiese Johannes and Jeffrey Johannes were the featured readers on April 2nd at the Coloma Hotel in Coloma, and on April 30th at the Neville Public Museum in Green Bay.
       Beverly Scott and Michael Kriesel have poems featured in the advertising flier for the 2010 Wisconsin Poets’ Calendar.


Northeast Region

Sarah Rose Thomas, Northeast Regional VP
970 School Place
Green Bay, WI 54303
psychopsychosarah@yahoo.co
m

      The Unitarian Universalist Fellowship of Door County has initiated the Dickinson Poetry Series on the second Wednesday of each month at 7:00 p.m. at 10341 Water Street in Ephraim. Each evening will feature one poet followed by an open mic. Summer readings will feature Cynthia B. Johnson (read May 13th), Hanne Gault (June 10th), David Clowers (July 7th), Tom Toerpe (August 12th). Readings are open to the public. Check uufdc.org for additional information.
      Kathryn Gahl’s poem and essay appear in A Call to Nursing, a humanities anthology published by Kaplan (2009). She participated in a reading at the Windhover Center of the Arts, Fond du Lac, on Thursday, May 7th. Gahl, a recent poetry finalist at the journals Lumina and Chatauqua, was also a finalist in the James Richey Short Story Contest. Her recently released Life Drawing Class (The Cottage Corollary, 2009) weaves published poems with original watercolors. It is available through the WFOP on-line store.
      Michael Kriesel’s sestina “Hidden Snow” won the 2009 WFOP Muse Prize at the Spring conference in Oconomowoc April 25th. His article on the Wisconsin Justified Poem appears in the current issues of Rosebud, Wisconsin People & Ideas, Chiron Review, Small Press Review, and Free Verse. His poem “Over The Rainbow” was a finalist in North American Review’s 2009 Hearst Competition, and appears in the April issue. He has poems in recent or forthcoming issues of Rosebud, Wisconsin People & Ideas, Free Verse, Nerve Cowboy, and Chiron Review.
      Barbara Larsen, Estella Lauter, and Sharon Auberle were featured as poets who have either recently published or are working on new books at the April 18th Poetry Month reading at the Sister Bay/Liberty Grove Library. These poets joined others as featured readers during the May 17th service at the Unitarian Church in Sister Bay.
       The Wallace Poetry group sponsored the 10th annual Poetry/ Art show at the Meadows Gallery, Scandia Village, in Sister Bay during the month of May. The theme was “Journeys.” There was a tea and reading of the poems by the participants on May 20th. WFOP members involved are: Joan Traver Apple, Sharon Auberle, Anita Beckstrom, Loraine Brink, Hanne Gault, Phil Hansotia, Barbara Larsen, Estella Lauter, June Nirschl, and Judy Roy.


Northwest Region

Jan Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com

      The annual Seeley Poetry Slam will take place on Saturday, July 11th (in Seeley, Wisconsin). This event has cash prizes, one of which is sponsored by WFOP. It is part of the Namekagon Arts Festival. For more information, please contact Jan Chronister at janchronister@yahoo.com.
      Jan Chronister has had poems accepted for publication in Talking Stick Volume 18, Heart, and will have a poem on a postcard in the latest series produced by Poetry Jumps Off the Shelf, Lines in the Sand. Jan is teaching a Poetry Tuneup class through WITC-Ashland beginning June 22nd. More information is available at witc.edu.

submitted by Jan Chronister, Northwest Regional VP


South Region

Frank Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net


South-Central Region

James Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com

       As my old compadre, the late actor Ben Johnson always used to say: “this has been one downright ‘high-lacious’ spell.” So much going on, so little time. Nevertheless, here’s the round-up for all you poetry cowpokes. Giddyup, little dogies... And if I missed some stray critters, let me know.
       James P. Roberts was the featured reader at the Edgar Allan Poe Bicentennial celebration at the Village Booksmith in Baraboo on January 9th. He read “The Cask of Amontillado” and also brought some Amontillado to share with the audience (bricks and mortar were optional).
       Lincoln Hartford read pieces celebrating the Abraham Lincoln bicentennial and was joined by jazz/gospel singer J. P. Olson on February 6th at the Village Booksmith in Baraboo.
       On February 12th there was a reading at Avol’s Bookstore in Madison featuring Mark Kraushaar, winner of The Felix Pollak Prize in Poetry for Falling Brick Kills Local Man, and WFOP stalwarts Richard Roe and Richard Merelman.
       On Friday, February 13th was held the 15th Annual Love & Lust Poetry and Song, featuring Andrea Potos, Katrin Talbot, and others, along with the women’s acapella group, Ancestra, at A Room of One’s Own Bookstore in Madison.
       Robin Chapman continues to stay busy. She read poems of love and mathematics from recent anthologies at the Chaos and Complex Systems Seminar, University of Wisconsin–Madison on February 17th, appeared on WORT’s Radio Literature program on February 26th and read from her latest book Abundance on February 27th at A Room of One’s Own in Madison where she was joined by Jesse Lee Kercheval reading fiction from The Alice Stories.
       Katrin Talbot continues to mix her poetry with music and photography in conjunction with Sundance Cinemas and Edenfred. On February 26th she read poetry at a reception held at Bistro 608 and later the same evening joined Paul Rowe, baritone, presenting an evening of song, including Georges Enescu’s 7 Chansons de Clement Marot, a beautiful song cycle based on love poems of Marot’s from the 1500s, with a photoessay by Katrin at Mills Concert Hall, UW-Madison.
       Friday, March 6th was a very special night: “Poems for the Wicked.” Members of the Wisconsin Fellowship of Poets, F.J. Bergmann, C.X. Dillhunt, Ronnie Hess, Catherine Jagoe, Mark Kliewer, Richard Merelman, Gillian Nevers, Adam Gregory Pergament, James P. Roberts, Eve Robillard, Richard Roe, Angela Rydell, Shoshauna Shy, Sandy Stark, Richard Swanson, Katrin Talbot, Jeanne Tomasko, Timothy Walsh, Linda Woito, Laurel Yourke, and Susan Elbe (reading for the late Judith Strasser) read original poems that delved into themes depicted in Something Wicked This Way Comes, on view in the main galleries of the Madison Museum of Contemporary Art in Madison.
       On March 12th there was a reading by John Lehman, joined by members of the Prairie Fire Poetry Quartet—Robin Chapman, Richard Roe, and Shoshauna Shy—in a program titled “Stage Left” to celebrate the launch of his new book titled Acting Lessons at Avol’s Bookstore in Madison.
       David Scheler read on Friday, March 13th (ooh, scary!) at the Village Booksmith in Baraboo. He was joined by Wisconsin Poet Laureate, Marilyn Taylor.
       March 22nd featured a poetry reading by Bruce Dethlefsen, author of Breather, and Robin Chapman, author of Abundance, at Avol’s in Madison.
       March 24th saw a poetry reading by Jan Chronister, author of Target Practice, Jeanie Tomasko, and Steve Tomasko at Avol’s in Madison.
       April 26th featured a poetry reading by Madison Poet Laureate Fabu and The Hibiscus Collective at Avol’s Bookstore.
       April 30th and May 1st saw WFOP members James P. Roberts, Mark Lilleleht, Josephine Zell, F.J. Bergmann, Judith Zukerman, Katrin Talbot, and Palmer Haynes read poetry and participate in group sessions at the Mount Horeb Middle School Poetry Cafe. Thanks to Tracey Gross for continuing this splendid program.
       Alice D’Alessio won a first prize in the Earth’s Daughters chapbook contest. Her book will be out later in 2009.

Submitted by James P. Roberts, South-Central Regional VP

      Shoshauna Shy read at the Windhover Center for the Arts in Fond du Lac with Ron Czerwien, at Avol’s with the Prairie Fire Poetry Quartet to celebrate John Lehman’s book launch, and at Room of One’s Own for the launch of Eating Her Wedding Dress: Poems About Clothing, released by Ragged Sky Press. She also was part of a presentation with the Prairie Fire Poetry Quartet at the Minhas Craft Brewery in Monroe. Poems selected for the latest Poetry Jumps Off the Shelf project on the theme “Lines in the Sand” are now in production on postcards and will be available this summer.
      Ronnie Hess has poems forthcoming in Poetica, Albatross, Tipton Poetry Journal, and Poetry Jumps off the Shelf.
      Sara Parrell was an invited reader at Womanmade Gallery in Chicago on May 17th from 2-4 p.m. for the opening of the “Celebrating the Body” exhibit.


West-Central Region

Sandra Lindow, West-Central Regional VP
320 W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com

       Robins are back and the Chippewa Valley is dizzy with daffodils.
       March 12th, Dina St. Louis held a reading of Zebra, her new poetry collection.
       March 22nd, Bill Wiese participated in the White Pine Spring Equinox Open Mic at the Raw Deal in Menomonie.
       March 25th, twenty-five sets of Chippewa Valley artists and poets celebrated the beginning of the fourth Vision and Word collaborative project. Dina St. Louis, Candace Hennekens, and Yvette Flaten participated in the Eau Claire Regional Arts Series Jazz at Five series at the State Theater in Eau Claire.
       During spring break, Sandra Lindow moderated a poetry panel and read poetry at the International Conference of the Fantastic in the Arts in Orlando, Florida. Memorial Day she will be reading poetry at WisCon Science Fiction Convention in Madison. July 2nd she will be giving a poetry workshop at CONvergence in Minneapolis. Two of her speculative poems, “Of Lycanthropy and Lilacs” and “The Hedge Witch’s Upgrade” will be published in upcoming issues of Asimov’s.
       Bruce Taylor’s poem, “The Artist,” based on the original Korean of Han Yongwun, was published in The Ecco Anthology of International Poetry, edited by Ilya Kaminsky and Susan Harris, Words Without Borders, March 2009.
       The spring issue of UW–LaCrosse’s literary journal, Steam Ticket, published David Blackey’s poem, “What To Do When Geese Attack.”

submitted by Sandra Lindow, West-Central Regional VP

New Triad Contest, Muse Contest and Literary Fund Chairs Named
      Thank you to Susan Kileen for chairing the Muse Prize for Excellence in Poetry contest, the Triad Contest and the Literary Fund over the past few years. Susan is stepping down from these positions and new chairs have been named.

Triad Contest Chairs
Jackie Langetieg and Alice D’Alessio

Muse Contest Chairs
Brenda Hansen and Jane Osypowski

Literary Fund Chair
Jackie Langetieg

      Thank you to those who have stepped forward to take these positions.


Keep Your Dues Current
      Please remember that membership dues are payable by January first of every year. We no longer offer a "grace period" after nonpayment of dues. Members must be current with their dues to enjoy membership benefits such as:

  • the opportunity to be published in the Museletter's Poetry Page
  • listing of recent publications in the Museletter
  • free chapbook ad, and reduced advertising rates for other ads in the Museletter
  • eligibility to enter the Triad poetry contest
  • reduced entry fee for the Muse contest
  • free member web page on the Fellowship's web site
  • and, of course, the Museletter itself.

Don't Forget the New Dues Option
      Members may pay $100 for a five-year membership. That's five years worth of membership for four years' dues. Please take advantage of this savings. The Fellowship also saves money by reduced mailing cost for all those payment reminders and lapsed memberships.


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Museletter Poetry Page

The First Time
Editor: Marilyn Taylor

FIRST STROKES

words slide across the page like cadmium blue
so watered just a hint of sky peeks
from behind the umber crags of distant steeps
and floods the valley in apple green
while silence wisps heather-breath through
chestnut branch and rustles crimson leaf.

             —P. Jordan Spencer, Carefree AZ & Madison

 

FIFTIES COOL

I first lit up at age 14
practiced with my friends
but could not overcome
the difficulty of appearing
sophisticated
while nauseous
my friends moved on
learned to dangle
a cigarette from their lips
exhale smoke
through their nose
they carried a pack
in a purse
the smell of smoke
on their clothes
I on the other hand
quit trying
it was just too much
of a drag

             —Janice Hysell, Somers




ENTERING THE REALM OF GARDENING

In May we dug through sod and roots
a fifty-foot plot
and then it rained.

The clumps sprouted
memory grass; the worms
ate and pooped, and the old roots
searched for each other to tie the soil together.

My husband left that June
and I went back to work. By July
a dormant corn stalk broke through
to shade the rhubarb that wouldn’t die.

In August the dirt hardened to concrete. Wisps
of sedge and clover covered the ground
like a bad beard. Rabbits stopped in wonder
and our vegetarian crows died of hunger.

By fall, we’d harvested three ears
of miniature corn—enough for a stir fry;
plowed the garden flat, bought a dog, built his house
and laid in concrete blocks over May’s lost intentions.

—Jackie Langetieg, Verona

 

WHAT COULD BE VERSE?

The first time that I ever wrote a sonnet,
’Twas filled with grand Romantic affectation,
As tho’ perhaps Shelley or Keats had done it
And I had merely taken poor dictation.

And so I tried to write free verse instead,
Which left me feeling somewhat loose and sore
As if, instead of a four-poster bed,
I’d slept in random rags tossed on the floor.

Up next, I thought maybe my talents tended
Toward more sentenced verse—the prosy poem.
But how to tell when such a thing was ended?
If there are secrets to it, I don’t know ’em.

So back to fourteen lines my hand has come,
And five fixed feet remains my rule of thumb.

             —Lester Smith, Delavan


WELCOME TO THE HUMAN BODY

In the first week of medical school
I shuffled down a formaldehyde-corridor
lined with jars of anatomical specimens
and entered a hall with cadavers on marble tables.
A man’s body, possibly in his sixties, a small frame
with half-shut eyes, bloated abdomen and
wasted hands lay ready for dissection.
I wondered who he was and how he got there?
I found it hard to make that first incision.

Cunningham’s Manual ignored these thoughts
and moved straight to lay open the chest and
abdomen and had us tracing aorta, femoral artery,
nerves of the brachial plexus down to the hands.
Dissection by day and Gray’s Anatomy at night.
I no longer noticed the formaldehyde, or the face
with the half-shut eyes—my books had taken over.
In the next few weeks the old man was changing
me even as he was losing himself in the process
.

—Phil Hansotia, Ellison Bay

There was a girl named Nan,
whose limerick didn’t scan.
Although she endeavored
to be quite clever,
she wasn’t
.

             —Nancy Bernstein, Milwaukee

 

 

Theme for Fall issue:
See below for more specific submission information.

Deadline:
Friday, August 7, 2009

AT FIRST, POEMS CAME OUT OF NOWHERE

You back down the driveway.
Just as the rear bumper enters the road
and you’re ready to give it some gas,
a poem zips past. Too fast.

You drive to the end of the block,
begin to turn left. A verse runs
the stop sign and you’re left gasping
for words. After parking your car,
you walk to the intersection,

look both ways, step off the curb when
a Hummer of a poem spins you around,
then suddenly reverses, leaving you
stranded, waving your pen like a fishing rod.

Home again, you pull into the drive,
dash for the keyboard, fingers poised, and wait.
And wait. Suddenly a poem

roars around the corner,
crashes through the window
and into some other waiting laptop.

             —CJ Muchhala, Shorewood

 

FIRST FEAST

Do you remember the first dinner with guests?
How you set the dining room table
(not the card table in the kitchen)
with the better dishes? full place settings?
Do you remember the time you spent
planning the menu—your mother's
mushroom appetizers, your mother-in-law's
silken mashed potatoes—the latter the perfect complement to your first full-sized
golden and crisped stuffed turkey?
Do you remember being warmed
by candle glow and a now-forgotten wine
as you scooped out the apple and currant
dressing, just before lifting the skin
away from the neck and pulling out
the bag of giblets still intact?
I do.

             —June Nirschl, Baileys Harbor

 

FIRST TROUT

Barely sixteen, on family vacation,
sojourner north of corn field flatness,
he’s found a thickety creek with muscular current.

Throws a worm in, expecting nothing.

Boom. The brookie lunges deep, thrashes up
floppity floppity on the surface, and sighs, heaving,
dotted sides radiant in the boy’s shaking hand.

Later, supplicant trout given back, it’s in his chest,
churning and wild, the floppity floppity.

             —Richard Swanson, Madison

 

BEFORE VICTORIA’S SECRET

The first time I tried on
an over-the-shoulder-boulder-holder
the murky dressing room
in the department store contained
a decrepit curtain to shelter me and
the sales lady in sweet perfume,
her veiny hands securing the
hook-and-eye closure, then
yanking those straps
of cotton with concentric circles
that pointed to a future
trying to restrain me

             —Kathryn Gahl, Two Rivers

 

PANTOUM, THE FIRST

The pantoum will now be my signature poem.
At my age, I repeat myself anyway
And I get credit for 16 lines while only having to write 8.
Who came up with this great idea?

At my age, I repeat myself anyway.
Did I already say that?
I’d really like to thank the person who came up with this.
Why, it’s as if the poem writes itself.

Did I say that already?
Believe me, it will be only pantoums from now on.
This one is virtually writing itself.
I have hit the mother lode!

My specialty is pantoums from now on.
I do so love that 16/8 part.
I have definitely hit the mother lode.
The pantoum, from this day forward, my signature poem.

—Laurie Risch, Oconomowoc

 

THE FORGOTTEN CHILD—HAITI

The first time I saw hunger
her brown smiling face devoured
the rest of her body with
its deep indentations and
graceful lamentations.

She balanced her small brother
on one hip and her world on
the hem of her tattered skirt.

Her dark eyes were pools
of distrust and longing
as she carefully dissected
the garbage heap outside
the village wall.

For many long years now
she has become my
nighttime playmate as her
image dances and stalks
my wasting dreams.

             —Susan Anderson, Baraboo

A Message from the Poems By Our Membership Editor
      Just a sincere word or two of gratitude to all who submitted to the Poetry Pages this time around. There were many fine poems in this particular batch—possibly because the “First Times” theme seemed to elicit some wonderfully engaging subject-matter. In several instances it was exceedingly hard to say no—but because our esteemed editor has so cruelly limited the amount of space available to me, I had no choice but to obey.
      It’s my hope that you’ll enjoy this selection—but I wish I also could have included the one about an open-mic reading, and the one about a “hope chest”, and the one about a kayak, and the one about the ducks in spring, among at least a dozen others. You know who you are. Meanwhile, thanks again for submitting—and I hope you’ll do it again for the Fall issue!

Poems By Our Membership Pages
Theme & Guidelines for Fall 2009 Issue
1. Submit no more than two poems per member, please.
2. Title of poem, name of poet and home town of poet must appear on the submission itself.
3. E-mail submissions are preferred, either as attachments or in the body of the e-mail. Send to mlt@uwm.edu
4. Snail-mail submissions are also acceptable. Send to: Marilyn Taylor, 2825 E. Newport Ave., Milwaukee, WI 53211
THEME: HAPPY UN-BIRTHDAY!
For the Fall Poetry Pages, your challenge is to research the year of your birth. Did anything particularly memorable take place? Did something historic happen? How was the world of that year different from the world of today? Write a poem that mentions the specific year and includes references to at least some of the actual events, facts or details that you discover about that year—and use them however you’d like. Form, tone, and point of view are entirely up to you. Maximum length, 24 lines—excluding title and stanza breaks
.
Membership status must be current to be considered for publication on these pages.

—Marilyn Taylor


Open Letter to the Members of the Wisconsin Fellowship of Poets

Dear Friends and Fellow Writers:

      We are profoundly grateful for the financial gift WFOP made to Free Verse at the spring conference. The membership’s generosity helps us face the financial pressures of publishing a magazine as we carry over many previously paid subscriptions. It also demonstrates the broad support of Wisconsin poets, as we consider applying for funds from a variety of other sources. We can’t create a successful Free Verse without you! We hope that everyone will consider a subscription. Just $25 will get you a year of poetry—with interviews of Todd Boss and Matthea Harvey coming up, as well as numerous features and poems by a wide range of Wisconsin poets and others. We hope you will join us! Equally important, we need your submissions. We see Free Verse as a calling card from Wisconsin—our letter to the world, to quote Miss Dickinson, and we are only as strong as your strongest work. We will start reading submissions September 1st. A few words about what we’re seeking:

      POEMS: Please send three-five poems in the text of an email, with a bio which includes your connection to Wisconsin, and/or the broader region, if any, and a brief publication history. We are committed to continuing Linda Aschbrenner’s tradition of welcoming poets who have not previously published their work. We hope to feature newcomers with each issue.

      PROSE: We are always looking for people to write book reviews for us. We want to foster ongoing conversations within the pages of Free Verse and one of the best ways to do that is by asking Wisconsin writers to consider and review the work of other Wisconsin writers. If you have a book or chapbook out, send us a review copy! We are also seeking broader essays and reflective pieces on the writing life, poems, poets, and your experiences as a writer. We hope to print these pieces as we can, to give us all a chance to share our passions and ideas, and hopefully provide a good introduction to a broader readership of what this poetry thing is all about.

      Email your submissions in the text of an email to fvqueries@gmail.com, with your name and the word “submission” in the subject line. If you must send hard copy, send with SASE c/o Sarah Busse, Co-Editor, Free Verse, 14 Pebble Beach Cir, Madison, WI 53717. We will both read all submissions. We will try to keep our response time to 8 weeks. Lastly, there are a variety of ways to get involved beyond subscribing and submitting. Please see the flier also included in this Museletter for more ideas. We look forward to hearing from you!

Sarah Busse, Co-Editor; Wendy Vardaman, Co-Editor

13 Ways of Helping Free Verse (and they don’t all involve money!)
Sarah Busse & Wendy Vardaman, co-editors, fvqueries@gmail.com

  1. Subscribe! (printable form)
  2. Submit your best work: poetry and prose about poetry. Open September 1, 2009.
  3. Buy a gift subscription.
  4. Ask your local library to subscribe, or donate a subscription to them!
  5. Donate: $10 or $20 can make a difference.
  6. Share Free Verse freely: with a friend; at your doctor’s office; at the coffee shop or the staff break room; with your local high school, community college, four-year college; bring a copy to your book club; going to a conference? take along a few copies (we’ll give them to you!)
  7. Tell creative writing and English departments we are planning to feature student writing. Tell professors we’re interested in their work, too—poems and prose.
  8. Advertise with us—your workshop, your book, your business … (printable form)
  9. Volunteer! (printable form)
  10. Write reviews & send us a review copy of your book—we will list on our “Books Received” page and make the copy available to reviewers!
  11. Ask us to present at your festival, workshop or class. We’re available!
  12. Join our new email list: sign up!
  13. Watch for our website—meanwhile help spread the word about us on listservs that you belong to, blogs, Facebook, etc.

See print Museletter or .pdf for Fiscal Third Quarter Financial Report


Museletter Advertising Rates
Books for Sale in Poetry Publications
section..................... $5.00 per listing
(This price is not discounted to Members. Discount is built into the one free listing per book, per year)

Business Card ....... $25.00
Quarter Page ........ $50.00
Half Page.............. $100.00

Prices are for camera-ready advertisements. Specialty designs or advertisement setups at a price to be determined. Contact Museletter editor if interested in purchasing advertisements.


Door County Retreat for Rent
South Nest

Three bedroom, two bath house near Cana Island. A quiet, restful, woodland retreat located in the boreal forest just off County Q. Woodburning fireplace, convenient location for all of northern Door County. 8734 E. Moonlight Bay Drive, Baileys Harbor, WI 54202-0340. (920) 839-2191 or mrsticket@dcwis.com Rates: $50/night/room or $125/whole house/night.
"Fellowship" T-Shirts, Sweatshirts & Mugs Available
Sport your Fellowship membership proudly, and support us as well! The WFOP logo now graces T-shirts and coffee mugs. The "T" is a basic-white model, silkscreened front and back in black. L and XL for $10; XXL costs $11. The mug, at $5, is white ceramic with fired-on black printing. To purchase, contact membership chair Gillian Nevers at (608) 255-5080 or nevers@wisc.edu.

Wisconsin Poets' Calendar
B.J. Best and Charles Nevsimal,
2010 co-editors

Calendar Info Page
Order Form


Conference Rotation Schedule

Spring 2009
April 24-25
South

Fall 2009
November 13-15
East-Milwaukee

Spring 2010
April 23-24
Northeast
Fall 2010
November 5-6
Central-Fox Valley