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Spring
2008 |
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Remember:
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Welcome
New member inquiries should be directed to Peter Piaskoski,the credentials chair. Join us!
Conference Info & Rotation Schedule
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What's
Happening in Your Region?
Central-Fox
Valley Region
Carol Pemrich Hauser, Central-Fox Valley Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304
iwritepoetry03@aol.com
Georgina Meulemans, Central-Fox Valley Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com
Ia Bolz organized “A Night Of Fairy
Tales, Fables And Bedtime Stories With
A Twist (For Children 21 To 121)” at
Barnes & Noble Booksellers in Appleton
on February 18th. She and several area
creative writers read their original satirical
or political/social fairy tales, fables and
bedtime stories based on the storytellers
of yore (ie. Grimm Brothers, Aesop, etc.).
Ia will host “The Rhyme And The Rhyme
Of Poetry” at The Menasha Public Library
on April 15th as part of “April—National
Poetry Month.” She, with WFOP poets
Jon Corelis, Krista Klanderman and
Barbara Hines will explain their poetry
process as well as read their poetry.
Cathryn Cofell’s poem “Contraction”
received an honorable mention in
Comstock Review’s Muriel Craft Bailey
Memorial Award Contest. She has had
additional work accepted by the
Comstock Review, Conceit Magazine,
Just Like a Girl: A Manifesta! (GirlChild
Press), Milestones for American Women:
Our Defining Passages, and Women.
Period. (Spinsters Ink). Cofell
participated in readings at The Neville
Public Museum in Green Bay, the Coffee
Cabin in Wautoma, and the Waukesha
Public Library
East Region
Shelly Hall, East Regional Co-VP
1703 Elder Street #207
Waukesha, WI 53188
shellylou58@aol.com
Annie Parcels, East Regional Co-VP
2148 Ludington Avenue
Wauwatosa, WI 53226
bigtreesandwater2@yahoo.com
Mary Jo Balistreri placed second in
poetry in the Jade Ring Contest and she
received an honorable mention for her
prose piece in the Nostalgia category.
She received third place and an honorable
mention in the Ekphrastic poetry contest
for Florida State Poets’ Association.
CJ Muchhala has poems in the online
zine Triplopia (triplopia.org); in
No Direct Route Home, a postcard project
by Poetry Jumps Off the Shelf, Woodrow
Hall Editions; and in the 2008 Wisconsin
Poets’ Calendar. Short stories appeared
in the fall fiction issue of Pearl (pearlmag.com) and the fall issue of
Worcester Review which has nominated
the work for a Pushcart. Her poems were
also part of the art/poetry exhibit
Threaded Metaphors: Part I & II, which
had a 3-month run in Milwaukee’s Historic
Third Ward.
Janet Leahy, New Berlin, received
honorable mention for her poem “Not
My Mother’s Classroom” in the Illinois
State Poetry Society 2007 contest.
Ladybug magazine has accepted a
children’s poem by Charyl Zehfus. Her
profile of a prominent Wisconsin wildlife
rehabilitator will appear in the March/
April issue of Wisconsin Trails.
Charles P. Ries joined the editors of
five on-line literary journals on February
1, 2008 at the American Association of
Writers and Writing Programs in New
York for a panel discussion titled,
“Habitable Planets and Black Holes:
Mapping the Expanding Cyber-Universe
of the New Literary Media.” That same
evening he joined his panelists at the
KGB Bar, 85 East 4th Street, N.Y.C. for a
reading. Charles’ article on submission
standards in the small press has appeared
in: Free Verse, Laura Hird, Lummox,
Outsider Writers, The Creativity
Connection, Ibbetson Street, and
Working Writers. Two of his poems
appeared in The Wilderness House
Literary Review and Anthology. His
poetry reviews have or will appear in:
Small Press Review, New Works Review,
Sein Und Werden, Poesy, Beatlick News,
and Chiron Review. His short story,
“The Boy King” will appear in the
Wisconsin River Valley Journal/
Borderland. His poetry has or will appear
in: The League of Laboring Poets, Strong
Verse, and Poetry Dispatch.
Anjie Greene-Martin read her poetry
on Saturday, January 19th at AllWriters’
Workplace and Workshop in Waukesha
at the AllWriters’ Birthday Celebration.
Harvey Taylor has produced a CD
called Points of View. It consists of
twenty-five poems recorded with music.
For ordering information, see the Poetry
Publications section elsewhere in the
Museletter.
W (Wayne) Frank, former Milwaukee
Alderman, playwright and poet
announced that the Southeast
Review (U. of Florida) and Barbaric Yawp published his poems in January. The
titles are “The Horses of Hua Hin” and
“The Tribesmen, The Texan and the
Cobra.”
Mid-Central Region
Joan Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net
Many thanks to the WFOP panel at the
Fall Conference in Marshfield on
November 10th. Panel members Susan
Kileen, Mariann Ritzer, and Richard
Roe gave a lively presentation packed
with useful tips on “Speaking Skills that
Make Delivery as Memorable as the
Poems.” Joan Wiese Johannes served
as moderator.
Special thanks also to Bruce
Dethlefsen and his band, Anna Ran
Away, who performed on Friday night at
the Conference following the open mike.
The dance was a popular addition to the
weekend.
Michael Kriesel served as Conference
Coordinator, Barbara Cranford assembled the Conference program
booklet, Joan Wiese Johannes coordinated the volunteers, and Lucy
Rose Johns faciliated the readings. Our
region was happy to see such an excellent
turnout for this conference in Central
Wisconsin. Thanks to all who attended.
Julie Eger won the Poetry Jade Ring
Contest sponsored by the Wisconsin
Regional Writers’ Association.
Barbara Cranford conducted poetry
workshops in Hancock in October and
January.
Joan Wiese Johannes taught a
Cadence of the Earth workshop for
Earthwonders at
Glenwood Valley Lodge near Baraboo
the weekend of February 8th-10th.
Jeffrey Johannes and Joan Wiese
Johannes were published in SIMUL, a
poetry anthology by Lutherans.
Linda Aschbrenner participated in the
Wisconsin Publishers’ Showcase during
the Wisconsin Book Festival in Madison.
Free Verse and Marsh River Editions,
published by Linda Aschbrenner, were
featured in the September issue of The
Quill Driver, the publication of the
Council for Wisconsin Writers. Linda
Aschbrenner read her poetry on local
cable television in February.
Joan Wiese Johannes, Jim Pollock,
Cathy Conger, and Michael Kriesel had
work in Free Verse #92, #93, and/or #94.
Poets winning and placing in Free Verse #92, #93, or #94 contests were Barbara
Cranford, Jeffrey Johannes, Joan Wiese
Johannes, and Jim Pollock. Michael
Kriesel served as a judge for issue 93.
All poets are invited to attend the Final
Friday open mike. Readings are held the
last Friday of the month at 7:00 p.m.,
January through October, at
Thimbleberry Books, 166 S. Central
Avenue, Marshfield.
Readings are also held the first
Thursday of each month at 7:00 p.m. at
the Coffee Cabin, W7829 State Highway
73/21 at Village East Plaza, Wautoma.
In January Barbara Cranford held her
26th poem-making workshop at her home.
Lately she has had poems accepted for
Timber Creek Review, Sheepshead Review, Hummingbird, Pegasus and Free Verse.
Michael Kriesel received an Honorable Mention in the North
American Review’s 2008 Hearst Contest for his double
abecedarium “Secret Women.”
Lincoln Hartford presented a program, Celebrating Abraham
Lincoln, at the Hatch Library in Mauston on February 7th and
at the Village Booksmith in Baraboo on February 8th.
Northeast Region
Carol
Pemrich Hauser, NE Regional Co-VP |
Georgina
Meulemans, NE Regional Co-VP 1049 Main Street Wrightstown, WI 54180 meulemans@itol.com |
On Saturday, January 19th, a number
of poets read their works at Peninsula Art
School’s “Word Meets Art” event.
WFOP readers were Anita Beckstrom,
Cynthia Johnson, Barbara Larsen, David
Clowers, Estella Lauter, Hanne Gault,
June Nirschl, Phil Hansotia, Jude
Genereaux, Ralph Murre, Judy Roy,
Mary Durlin, Nancy Rafal, and Thomas
Toerpe. Peninsula Art School is located
in Fish Creek.
WFOP sponsored the two o’clock hour
of the Woodland Pattern Poetry
Marathon in Milwaukee on Saturday,
January 26th. Nancy Rafal was the hour’s
announcer and she and Michael Farmer represented the northeast region. Many
of the hundred or so readers were WFOP
members.
Northwest Region
Jan Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com
Kelly Green read from his work at the
Café Wren in Cumberland on January
11th. Green was also the featured reader
at a Sweetheart Poetry Reading at
Peter&Annie’s in Cumberland on
February 12th.
Jan Chronister’s poem “Diamonds
are Forever” won this year’s Diane
Glancy Award for Poetry from Bemidji
State University. The poem will be
published in the 2008 Dust & Fire
Anthology coming out in March
submitted by Jan Chronister, Northwest Regional VP
Diana Randolph, Drummond, will be
teaching an “Exploring Mandalas” class
again at the School of the Arts at
Rhinelander, July 21-25, 2008. Participants
will write in journals and create art, based
on the mandala, the Sanskrit word for
circle, expressing their inner selves
outwardly after some guided imagery
meditations. For more information take a
look at dcs.wisc.edu/lsa/soa.
Diana has a poem and a painting image
included in the chapbook titled Verbal—Visual, A Collection of Poems from Poets
of the Northwoods published in
November by CHARAC—Cable-Hayward
Area Arts Council and the Park Theater
Project.
Camille Maurice, Rhinelander
facilitated The Joy of Poetry for the
Institute of Learning in Retirement at
Nicolet College for the 8th semester. The
class focused on metrical poetry, studied
the poetry of Thomas Hardy, engaged in
word play and shared poetry of all kinds
including original works by class
participants.
South Region
Frank Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net
South-Central Region
James Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com
Greetings from wintry Wisconsin! Such
a winter I have not seen in twenty years.
Like Henry David Thoreau, I am an inveterate
“inspector of snowstorms” and often these
excursions have produced poetry. This
winter season has also seen much activity
from our South-Central members.
Halloween (and snow had already fallen by
then, if you recall) was celebrated in
Madison with a poetry reading at the Froth
House by the revived University Heights
Poetry Club, renamed the Regent
Neighborhood Poetry Club, which first met
over 100 years ago on this night. Readers
included Robin Chapman, Alice D’Alessio,
Ronnie Hess, Daniel Kunene, Kathy Miner,
Richard Roe, Sandy Stark, Judith
Strasser. When the UHPC held its first
meeting on October 31, 1896, British poetry
was read, in particular Robert Burns’ “Tam
O’Shanter.” For 65 years, the UHPC was a
vital cultural organization, holding frequent
readings at houses across the
neighborhood. Members included
university professors and business and
community leaders. The group’s readings,
which were not confined to poetry, ranged
from Greek and Roman classics and
Shakespeare to 19th century works.
November 4th saw a poetry reading by
Angela Rydell at Avol’s Bookstore.
Angela continues (along with Laurel
Yourke) to offer a variety of poetry and
writing workshops in the Madison area.
On November 8th, a new South-Central
member, Sarah Busse, read her poetry along
with a musical performance by Kris Adams.
A fine evening it was.
Also In November Garrison Keillor read
a poem by WFOP member R. Virgil Ellis on the Writer’s Almanac radio program.
All the snow in December seemed to
have put a damper on our member’s
activities, including my own, but January
has exploded with our poets out and about.
I hope that by now you have heard the
great news that the City of Madison has
passed a resolution formalizing the Poet
Laureate Program and the Mayor of
Madison has proclaimed Fabu will be the
new Poet Laureate. An inauguration
South-Central Region
Central-Fox Valley Region
celebration (with poetry, of course) was
held for Fabu on Sunday, January 20th at
the Madison Central Library. Richard
Roe and Daniel Kunene were among
those offering poetic tributes to Fabu.
January 20th was also the start of the
Annual Winter Festival of Poets at Avol’s
Bookstore, which will run through mid-
March. This year’s poets include Kathy
Miner, Peg Sherry, Jean Tomasko,
Catherine Jagoe, Daniel Kunene, Fabu,
Andrea Potos, Sandy Stark, Nydia Rojas,
James P. Roberts, Kimberly A.
Blanchette, Lenore Coberly, Rusty
Russell, Gillian Nevers, Richard
Merelman, Karen Updike, Fran Rall,
Ron Czerwein, Susan Elbe, Alice
D’Alessio, Mark Kliewer, Jackie
Langetieg, Angela Rydell, John Lehman,
Lynn Patrick Smith, Sarah Busse,
Jeannie Bergmann, R. Virgil Ellis, Jeri
McCormick, Josephine Zell, Brent
Christianson, Wendy Vardaman, Tim
Walsh, Robin Chapman, C.X. Dillhunt,
Margaret Benbow, Richard Swanson,
Sara Parell, and Sir Richard Roe. As I
did last year, I am again putting together
a series of chapbooks featuring work by
these poets. A set of 8 chapbooks from
the 2007 readings is $5.00. Each of this
year’s chapbooks is $1.00. All proceeds
will be used to defray costs of attending
the Spring 2008 WFOP Conference (see
Registration Form and accompanying
articles in this issue). The chapbooks
will also be for sale at the Spring
Conference. Hope to see you all there!
January 26th saw a caravan of South-
Central poets descend upon Woodland
Pattern Book Center in Milwaukee for
their Annual Poetry Marathon and
Benefit. James P. Roberts, Ronnie Hess,
Richard Roe, Judith Zukerman, and
Ron Czerwien were among the more
than 100 poets who participated.
Gillian Nevers had a poem, “Standing
Child,” recently accepted for publication
in Silk Road, a Literary Review.
I’m happy to report that South-Central
member Pamela E. Spencer was awarded
1st Honorable Mention in the 2007 WFOP
Triad Contest—Kay Saunders Memorial
New Poet Award for her poem “The
Signs Read—No Digging.”
Richard Swanson has had poems
published recently in Pass Port,
Free Verse, and The League of Laboring Poets. Rosebud will publish his “Paparazzi
Moments,” about the Pope owning a
Ferrari, in its forthcoming issue.
Susan Elbe has won the Oneiros Press
7th Annual Broadside Competition. Her
poem “Where Good Swimmers Drown”
will be published in early 2009 in a limited
edition letter press broadside where she
will be in very good company: Albert
Goldbarth, Lawrence Ferlinghetti,
Michael Ondaajte, and other fine poets.
And, lastly, James P. Roberts has
finally succeeded in having a poem, “In
The Capuchin Crypt Coffeeshop”
accepted by Tales of the Unanticipated—after nearly fifteen years of submitting!
submitted by James P. Roberts, South-Central Regional VP
In 2007 F.J. Bergmann’s poetry
appeared in Alehouse, ars poetica,
Atlanta Review, DIAGRAM, Foliate Oak,
M Review, Margie, Mythic Delirium,
Opium, Poetry Midwest, Press 1, the
Spec House of Poetry sonnet anthology,
Stone Table Review, Unpleasant Event
Schedule, Ward 6 Review, and
Wheelhouse. She won the Tattoo
Highway #15 Picture Worth 500 Words
contest, and was nominated for a
Pushcart Prize by VOX. She also had an
article published in the 2008 Poet’s
Market. In 2008, she won the Asinine
Poetry Erotic Parody contest, and her
poems have appeared in Aberrant
Dreams, Helix, Mad Hatters’ Review,
qarrtsiluni, Serpentarius, and Strange
Horizons. Her latest chapbook, Constellation
of the Dragonfly, is forthcoming from
Plan B Press in April.
Several poets from the Portage-Poynette area have had poems printed in
recent Free Verse magazines. They
include Lorelee Sienkowski in Issue
#90, Idella Anacker with five poems in
Issue #92, and Lou Roach with four poems
in Issue #92, and one in Issue #94.
Anacker, Roach and Sienkowski had
poems in the 2008 Wisconsin Poets’
Calendar.
Shoshauna Shy participated in the
poetry panel titled “Across the Divide”
at the Wisconsin Book Festival in
Madison, and presented the program
“From Pen to Page” with John Lehman at Einstein Middle School in Appleton
sponsored by Conkey’s Bookstore. She
also finished production on the latest
“Poetry Jumps Off the Shelf” project in
which close to 2,000 postcards were
created combining poetry on the theme
of “No Direct Route Home” with original
abstract art by Midwestern artist, Sarah
Spencer.
West-Central Region
Sandra Lindow, West-Central Regional VP
320 W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com
Though there may well be six more
weeks of winter in the Chippewa Valley,
writing continues to be a hot topic.
Thursday, February 7th, the Writer’s
Group at the library was videotaped for
TV viewing. March 14th the group will
be meeting at Candace Hennekens’ farm
in Fall Creek to judge the Shawano County
Young People’s Writing Contest.
Wednesday, April 9th there will be a
reading at the Eau Claire Public Library in
honor of Poetry Month. Those
participating will include Steve Betchkal,
Yvette Flaten, Linda Frank, Candace
Hennekens, Peg Lauber, Sandra Lindow and Dina St. Louis. The theme will be
“Songs for Healing.”
Yvette Flaten has had a poem accepted
by Avocet and two poems accepted by
Red Silk.
Sandra Lindow has had Touched By
the Gods, her sixth poetry collection,
accepted by Sam’s Dot Publishing. She
has had two poems accepted by
Hummingbird magazine and two poems
accepted by Asimov’s.
On February 8th, Dina St. Louis taught
poetry at Eau Claire’s South Middle School.
Peg Lauber’s poem “Not With Ice” is
on the Museletter poetry page.
submitted by Sandra Lindow, West-Central Regional VP
Gamze and Patrick T. Randolph wish
the WFOP a Happy New Year and hours
of verse unfolding fun! Patrick’s poetry
will be featured this spring on the
University of WI-La Crosse campus for
a benefit for the Music Department. His
poetry also will be highlighted in The
American Drivel Review.
Jane-Marie Bahr, Menomonie, has a
poem in the winter issue of Wisconsin
People & Ideas.
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Write SF Poetry for Fame and Fortune— Science-fiction poetry—even the non-Vogon flavor—has frequently been mocked as the dregs of the literary universe. After all, no one reads that stuff, just as no one reads speculative fiction—the Lord of the Rings and Harry Potter books were dismal failures, quickly forgotten ... As a reader, speculative fiction has always been my favorite form of entertainment. “Speculative” is a catch-all term incorporating science fiction, fantasy (these two frequently lumped together as SF&F), horror, and the uncategorizable works in between, frequently referred to as “crossover” or “interstitial.” “Magic realism” seems to be what it’s called only when the imaginary element is not too obtrusive for general consumption, or when a “real,” i.e., mainstream, author writes speculative fiction. Largely because of the lurid pulps of the ’40s and ’50s, SF, like mysteries, fell into disrepute and was seen as nonintellectual entertainment. Unlike a good deal of literature today, SF is still entertaining—but the intellect is there. It’s one thing to base your writing on what you know, where events, circumstances, and characters are there for the plucking; it’s another to have to conjure up something that no one has imagined before. A recent, relevant article is at wired.com/techbiz/people/magazine/16-02/ st_thompson/. I began seriously submitting poetry for publication in 2002. Initially, I didn’t write much SF poetry, and was disappointed by the quality of poetry I saw at the time in the SF journals—it seemed to be as out-of-date in style (compared to poetry being published in literary journals) as speculative fiction was ahead of its literary counterpart in originality. As time went by, I began writing more blatantly-SF-themed poetry—and getting it published in mainstream literary journals. At this point, it occurred to me that I might take a look at the SF journals again, print, and online, and begin submitting there as well. I have enjoyed a fair amount of recent acceptances by these journals. I did not initially realize, however, that so many of them pay. Not a lot, but some of them run to $10-20 per poem; and, cumulatively, I’ve taken in nearly $150** in the last two or three months. While this won’t cover the bills, it’s way more than the total sum I’ve been paid for nearly 200 poems published in literary journals in the last 5 years. I’m not including contest winnings—which are a different animal—or contributor’s copies in either total (contributor’s copies are a normal perk of publication, and are not appropriately considered to be payment). Why are SF journals paying markets for poetry? Why are most literary journals not? The answer lies in the word “market.” SF is consumer-driven. For years, its writers, whose work has received little academic recognition, have had payment as virtually their only incentive to publish. MFAs or PhDs don’t generally rest on these publications, nor do academic positions or tenure. An SF editor’s selections are ultimately made by which writers become popular with readers, as the number of readers (determined by subscriptions or online visitors) drives the advertising that is the main funding for non-academic—non-“literary”—journals. I’m not saying that the quality of a publication is in any way commensurate with what it pays its writers; just that it seems to correspond with the presence of “real” readers, rather than insiders and competitors from the writing world. And while I felt honored to have Billy Collins pick a poem of mine for an anthology, I got a special glowy feeling from an online post that said “usually I hate poetry, but this Bergmann ...” Why don’t more poetry publications make an effort to reach the general public? At present, literary journals appear to be preaching to the choir. Literary journals did pay, once upon a time. And there were far fewer of them, and they included many more non-academics among the number of their subscribers. What happened? It seems that as MFA-in-Creative-Writing programs sprouted everywhere, so did the journals that appeared to be associated with them, directly or indirectly. Publication has become increasingly desirable and important to the disparate number of applicants for the few available academic jobs in the field—as has editorship of a journal, however short-lived. The soaring ratio of graduate MFAs to positions available shows no sign of diminishing, and the proliferation of online journals coupled with their acceptance as publication credits put the kiss of death on any necessity for academic journals to pay contributors or even to bother maintaining a subscriber base. “Aesthetic standards” and the we-don’t-have-to-grovel-to-filthy-lucre concept seem to be increasingly used as a justification for a) inept or nonexistent marketing, b) ditto for solicitation of advertisers, c) ditto for grant-writing, d) laziness as a substitute for all of the above, and e) who cares what a non-academic reading public might enjoy. Sadly, academic funding is supporting these practices, rather than pulling the rug out from under unmarketable publications. The main marketing ploy these days is to guilt-trip submitters into buying the journal in question (and just for the record, I subscribe to several literary journals that have never accepted my work). Many academic literary presses make little pretence of attempting to sell their publications to anyone outside of the ranks of their submitters or literary-conference-preaching-tothe- choir. The bulk of literary journals appear to be the equivalent of trade journals, read only by practitioners within the field. What happened to writing poetry for an appreciative public? A paying public. Of non-writers. SF is doing it. Rap is doing it, fercryin'outloud. Why has literary academia grown a soul above marketing? At one time, charging a reading fee to be considered for publication was considered absolutely unethical, and no reputable press would engage in it. Ominously, that is changing—perhaps in self-defense, as journals and presses are buried in an avalanche of more submissions than can be dealt with by the personnel available. It’s sad to produce— and sadder still to allow the use of—creative works without compensation; it’s as if you were an artist, with beautiful oil paintings, contenting yourself with standing on the street corner and giving them away to passersby. It’s appalling to be expected to pay to try to give away one’s creative work. I met another poet at a science-fiction convention a couple of years ago, and we began chatting. When I mentioned with some pride a rather well-known literary journal in which I’d recently been published, she looked contemptuous. “I would never send them anything,” she said. “Why not?” I said, puzzled. “Because they don’t pay,” she replied. “I’ve been published in ...,” and she rattled off a few names. Curious, I looked them up: these places generally paid very little, and were either not-at-all respected or unknown; many have since gone under, largely due to their inability to sustain contributor payments. At the time, I thought she was shortsighted and foolish to waste her efforts on bottom-feeding publications that would garner her little or no credible recognition. Now I think she may have a point. What would happen if all poets stopped sending submissions to any place that doesn’t pay them something to use their poems? Would poetic academia implode under its own weight? Would the world miss us? * * * *According to Douglas Adams’ The Hitchhiker’s Guide to the Galaxy, Vogon poetry is the most execrable in the known universe, and can be used as a torture device. Perhaps future employment for poets will be available at Guantánamo. **For the curious:
Links to previous Museletter articles by F.J. Bergmann at fibitz.com/poemfactotum/submit.html. |
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Wisconsin Poet Laureate News Wisconsin Poet Laureate Commission Receives Grant Call for Applications for the Wisconsin Poet Laureate |
Workshops, Contests, Etc. Scholarship Offered to School of the Arts—Rhinelander Please send to:
Lester Smith, WFOP President,
PO Box 12,
Elkhorn, WI 53121 Central Wisconsin Prairie Chicken Festival |
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