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Bramble: Summer 2017 is also a print issue.

 

Greetings from the Editor

Hanging On

Welcome to the third issue of Bramble. As WFOP’s president, I am excited about this new venture and thrilled that it is now being offered as a print journal as well as online. As guest editor, I appreciate the opportunity to read poems from around the state. 

Jan Photo.jpg

We are approaching high summer here in northern Wisconsin where summers don’t last long. We hang on to each day and store memories away to keep us warm come winter. The poems chosen for this issue all touch on the theme of “hanging on” in some way: hanging on to memories, loved ones, freedom, even those habits we can’t let go of. If you haven’t submitted to Bramble yet, please give it a try.      

If your work was not selected this time, please try again. Acceptance is tricky; it depends on available space, connection to theme, and the editor’s preferences. Please “like” our WFOP and Bramble pages on Facebook to keep in touch. Poetry is often a solitary endeavor, so the more we connect with each other the better.          

Jan Chronister
Guest Editor

 

A Note from C Kubasta, Managing Editor

C Kubasta

C Kubasta

In addition to our “hanging on” poems, we’re excited to share a reprint from Kelly Morse’s award-winning chapbook Heavy Light (Two of Cups Press). Morse’s chapbook was selected by Amy Lemmon for the WFOP’s Chapbook Prize this spring, and her poems engage with a range of forms, meditating on the experiences of pregnancy, birth, motherhood and identity.

We are also pleased to share essays by David Southward and Abayomi Animashaun that address the practice of poetry in two very different ways. Animashaun writes about the experience of editing an anthology, gathering voices to bring into being a poetic community, and sharing that community on the page and beyond. Southward writes about making a commitment to one’s self – and the ways that poetry can be deeply personal and intimate. 



Egg Drop

Kelly Morse

From Heavy Light (Two of Cups Press)
2017 Wisconsin Fellowship of Poets Chapbook Prize
Order here

 
Kelly Morse

Kelly Morse

Kelly Morse's chapbook Heavy Light (Two of Cups Press, 2016) recently won the Wisconsin Fellowship of Poets Chapbook Competition, and received an honorable mention for the Eric Hoffer Book Award. Her creative work appears in Gulf Coast, Mid-American Review, The Cincinnati Review, Brevity, and elsewhere. Kelly holds an MFA from Boston University, is a Robert Pinsky Global Fellow, and has been awarded residencies at the Vermont Studio Center, the Kimmel Harding Nelson Center for the Arts, and the Mineral School.

 
 

Freeze

Joyce M Latham

The winter of the ice-capped yard,
where even the dogs were imperiled
on their four padded paws, the doctor
tested my heart with chemicals and scanners

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600

Joyce M Latham

If I were in a boat
riding low in the water
with 600 other people
I would be afraid.

Read More

Burdocks

Patricia Carney

Pelt of fur or cotton cuff,
all but Velcro
to the burly burr,
utilitarian, all-purpose,

Read More

Chopsticks

Annette Grunseth

You brought home gifts
from your tour of duty
as if from a pleasure trip,
a mini-camera for Dad,

Read More

OneBerry

1929

Mary Jo Balistreri
 
They crashed with the stock market on a Friday-failed bank.
Credited with a trunk of paper promises,
he forfeited himself. After a nervous breakdown,
relief was a jug of wine.

Read More

Letter to My Mother

Gary Jones

On my last antiquing trip I bought a vintage ballpeen hammer
like the one we used to crack hickory nuts when I was a boy.
The earthenware red Hall casserole for baked beans I found earlier,
and your yellow milk pitcher from a small shop on the East coast.

Read More

I Hung On

Erna Kelly

to my mother’s toes as she swam
on her back, taking me down
to the narrow end of a mountain creek
then up again.

Read More

Pain of Passage

Patti Herman

I sit on the seventh floor, east wing,
on the eve of my birthday
listening to the quiet noises
of the machines keeping you alive.

Read More

The Orphan

Andrèe Graveley

I heard Loreena, the hospice aid
who had shaved my dad three days a week
for a month, say in a quiet, intimate voice
It’s okay, Rick. It’s time to go be with your wife.

Read More

OneBerry

Hummingbird

Jeannie E Roberts                    
                     
            ― Inspired by Frida Kahlo's painting, Self-Portrait with Thorn Necklace and Hummingbird /Autorretrato con collar de
espinas y colibri
, 1940, oil on canvas
  
Something pierces  
with penetrating force―
blood and pain
and brokenness.

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Ornaments

Lucy Tyrrell
 
More joyful than tinsel, the birds in the tree,
Soft breaths of ornaments—fluttering wings—
Alight to taste crab apples, ripened not sweet.
As simple as stems, a festive hope brings.

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Home

Rob Ganson

Below the emerald iron
vertebra, between the
gingerbread, the gardens
the boreal, lies prairie

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Oil

Cathryn Cofell

Because no boy wants a poster of a Schwinn on his bedroom wall
Because crude wants company
Because of car seats and fifth wheels and six on a volleyball team
Because coffee and cigarettes and Power Ball need a reason

Read More

Breaking News

Jody Murad Curley

We say we are holding on
as days turn into weeks.
When months become years,
it's clear we are losing our grip.

Read More

OneBerry.PNG

Wolf at the Door

Sheryl Slocum

Cold wind
            huffs at the gap
between window
            and casing.

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A Widow's Wish

Alessandra Foster

Hold fiercely to
this winter's night
that nestles like the softest snow
in the empty spaces of a life.

Read More

Everywhere I See Plague Signs

Ronnie Hess

I.

An X drawn on a door,
men in carts carrying away the dead:

at a dinner party, a stranger announces the end
of her chemotherapy. I count those I know.

Read More

Hold the Line

Jim Landwehr    

It starts so innocently
“…please hold”
And before I can say
“I don’t want to"

Read More

Stood Up at the Sheboygan County Fair

Joan Wiese Joannes

Crazy for being so lonely
she pulls tufts of sweetness
from a cotton candy tutu
as big as Dolly Parton’s hair

Read More

Berries


My Mayflower Compact

By David Southward

CLICK IMAGE TO READ

On the Anthology as Community

By Abayomi Animishaun

CLICK IMAGE TO READ

 
Starlite Grasses

Cover Art: Diana Randolph

Wild Iris in Starlit Grasses, oil on canvas 

More about Diana Randolph
Diana Randolph, Drummond, writes and paints at her Once in a Blue Moon Studio, which will be open to the public Aug. 11 - 13 during the CHARAC (Cable Hayward Area Art Council) art crawl. She created the Bramble cover art which is also included in her poetry/art book, Beacons of the Earth and Sky (Savage Press) www.dianarandolph.com.

Managing Editor: C Kubasta
Layout/Design: Tori Grant Welhouse
Bramble Logo: Bobbie Lovell