Spring 2008
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President's Message
     A novelist friend of mine likes to say that inside every writer’s head are two voices. One is the creative child; the other the critical parent. The job of the creative child is to look at things in new ways and express them in new words. The job of the critical parent is to polish those words, edit them for style, proofread them for correctness, and get them published somewhere.
      Some poets have called that child mind the muse. Certainly it often has to be coaxed into coming out to play. That’s because it knows the critical parent is just waiting to naysay whatever words it may utter. Think of a time when you’ve had “writer’s block.” Isn’t the situation always an interior dialogue of “Maybe I could start with …,” and the immediate response, “No, that’s stupid”? That’s why so many writers advise, “Just start getting words down on paper; once the words start flowing, the block is broken.” But there is another way to break through, and that’s to insist that the critical parent leave the room. The correct response to “No, that’s stupid,” is “Shut up and go away; it’s not your turn; I’m gonna have some fun here.”
      (This is also why business consultants teach that the first rule of group brainstorming sessions is to forbid the word “No.” Judgment comes after brainstorming, not during.)
      Of course, the flipside of the situation comes once the child mind has “finished” (i.e., run out of steam). It may be unwilling to let go of its precious babies. Again, we can all remember a time in our lives when writing meant spilling our feelings onto paper, and any critique of those words stung like a paper cut.
      Without that critique, however, a poem is nothing but a raw gemstone. In the editing for the most advantageous angles, the polishing for clarity and style, and the setting in correct spelling and punctuation, we transform the raw gemstone into a beautiful gem, ready to be displayed (and maybe sold!). Some people seem to have a natural talent for that sort of editing. For most of us, however, a critique group is invaluable. It is by hearing what other people have to say about one of our babies—by watching their reactions to it—that we learn to determine whether it is ready for public display or needs some dressing up (or maybe ought to be kept at home, away from public view).
      We’re all familiar with Wordsworth’s famous definition of poetry as “the spontaneous overflow of powerful feelings … recollected in tranquility.” In terms of my novelist friend’s two voices, then, Wordsworth’s “spontaneous overflow of powerful feelings” is clearly the child mind. The “recollected in tranquility” part equates to the “critical parent,” judging the quality of expression of that recollection, and improving it where it may. Wordsworth recognized that both minds have their separate roles in the writing process. By putting that lesson into practice, we can both save ourselves grief and improve the quality of our work.

Sincerely,
Lester Smith

Next deadline: May 2, 2008
Send Museletter contributions to the Editor:
Christine Falk
9556 Upper 205th Street West
Lakeville, MN 55044
(952) 985-5375

thefalks@frontiernet.net

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Make Sure Your E-mail Address is Up-to-Date
     In recent years, e-mail communications have increased within the Wisconsin Fellowship of Poets membership. The listing of e-mail addresses is kept within the main membership database. On occasion, announcements are sent out by e-mail to the entire membership. It seems that each time this happens, some e-mails get bounced back to the sender. The main reason this occurs is that the database manager has not been notified that an e-mail address has changed. If you have not received e-mails from the WFOP in recent months, most likely we do not have your most recent address. If you change your e-mail address, please contact Chris Falk at thefalks@frontiernet.net and let her know of the change so it can be corrected in the membership database. This will ensure that you are receiving all electronic correspondences.

Welcome
to the following new members who have joined since the last Museletter issue.

Sharon Auberle Sister Bay
Fabu Carter Brisco Madison
Mary Lee Croatt Whitefish Bay
Mary Durlin Green Bay
Judith Gaskell Madison
Judith Harway Shorewood
Ronnie Hess Madison
Cathryn Hooverson La Crosse
Gary Jones Sister Bay
Jeanne Kuhns Sturgeon Bay
Barbara Lee Madison
Sharon Mauldin Green Bay
Penny McCanles Wauwatosa
Hugh Mechesney Wisconsin Rapids
Patricia Moorehead North Lake
Marion Moran Baraboo
Kathleen Neer Matteson, IL
Tad PhippenWente Port Washington
Rose Ann Stewart Sun Prairie
Betsy Strand Dodgeville
Mary Ticknor Rhinelander
Judy Wucherer Menomonee Falls

New member inquiries should be directed to Peter Piaskoski,the credentials chair. Join us!

Membership List Available
Fellowship members are entitled to receive a list of members at a cost of $2.00 to cover postage. Please send cash, or check payable to Chris Falk. Receiving the list via e-mail is free. E-mailed lists will be sent as a .pdf which requires Adobe Reader, available as a free download from www.adobe.com. In order to receive the list, members must now sign the agreement and submit it with each request (copy and paste to e-mail it).

Conference Info & Rotation Schedule

"Fellowship" T-Shirts, Sweatshirts & Mugs Available
Sport your Fellowship membership proudly, and support us as well! The WFOP logo now graces T-shirts, sweatshirts and coffee mugs. The "T" is a basic-white model, silkscreened front and back in black. L and XL for $10; XXL costs $11. The sweatshirt, screened yellow-on-blue, goes for $20. The mug, at $5, is white ceramic with fired-on black printing. To purchase, contact membership chair Peter Piaskoski at kppi2105@sbcglobal.net or call (414) 332-9113.

Poet Laureate Fund Still Needs Your Support
Thanks to your donations, the Wisconsin Poet Laureate Fund has reached $9,300. At $10,000 it becomes a permanently endowed fund, generating 5% ($500)-a-year interest to help with gas, copying, phone, food & other expenses as the Laureate travels the state promoting poetry. Requests pour in for the Laureate to visit schools, give readings and appear at dedications and ceremonies. The only financial assistance the Laureate receives is $2,000 allocated annually by the state for travel reimbursement. Wisconsin’s Poet Laureate represents us all. Please write a check to the Community Foundation for the Fox Valley Region and mail your donation to: Poet Laureate Fund, c/o Jane Hamblen, 3515 Sunset Drive, Madison, WI 53705.

What's Happening in Your Region?
Central-Fox Valley Region

Carol Pemrich Hauser, Central-Fox Valley Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304
iwritepoetry03@aol.com

Georgina Meulemans, Central-Fox Valley Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com

      Ia Bolz organized “A Night Of Fairy Tales, Fables And Bedtime Stories With A Twist (For Children 21 To 121)” at Barnes & Noble Booksellers in Appleton on February 18th. She and several area creative writers read their original satirical or political/social fairy tales, fables and bedtime stories based on the storytellers of yore (ie. Grimm Brothers, Aesop, etc.). Ia will host “The Rhyme And The Rhyme Of Poetry” at The Menasha Public Library on April 15th as part of “April—National Poetry Month.” She, with WFOP poets Jon Corelis, Krista Klanderman and Barbara Hines will explain their poetry process as well as read their poetry.
       Cathryn Cofell’s poem “Contraction” received an honorable mention in Comstock Review’s Muriel Craft Bailey Memorial Award Contest. She has had additional work accepted by the Comstock Review, Conceit Magazine, Just Like a Girl: A Manifesta! (GirlChild Press), Milestones for American Women: Our Defining Passages, and Women. Period. (Spinsters Ink). Cofell participated in readings at The Neville Public Museum in Green Bay, the Coffee Cabin in Wautoma, and the Waukesha Public Library


East Region

Shelly Hall, East Regional Co-VP
1703 Elder Street #207
Waukesha, WI 53188
shellylou58@aol.com

Annie Parcels, East Regional Co-VP
2148 Ludington Avenue
Wauwatosa, WI 53226
bigtreesandwater2@yahoo.com

      Mary Jo Balistreri placed second in poetry in the Jade Ring Contest and she received an honorable mention for her prose piece in the Nostalgia category. She received third place and an honorable mention in the Ekphrastic poetry contest for Florida State Poets’ Association.
       CJ Muchhala has poems in the online zine Triplopia (triplopia.org); in No Direct Route Home, a postcard project by Poetry Jumps Off the Shelf, Woodrow Hall Editions; and in the 2008 Wisconsin Poets’ Calendar. Short stories appeared in the fall fiction issue of Pearl (pearlmag.com) and the fall issue of Worcester Review which has nominated the work for a Pushcart. Her poems were also part of the art/poetry exhibit Threaded Metaphors: Part I & II, which had a 3-month run in Milwaukee’s Historic Third Ward.
       Janet Leahy, New Berlin, received honorable mention for her poem “Not My Mother’s Classroom” in the Illinois State Poetry Society 2007 contest.
       Ladybug magazine has accepted a children’s poem by Charyl Zehfus. Her profile of a prominent Wisconsin wildlife rehabilitator will appear in the March/ April issue of Wisconsin Trails.
       Charles P. Ries joined the editors of five on-line literary journals on February 1, 2008 at the American Association of Writers and Writing Programs in New York for a panel discussion titled, “Habitable Planets and Black Holes: Mapping the Expanding Cyber-Universe of the New Literary Media.” That same evening he joined his panelists at the KGB Bar, 85 East 4th Street, N.Y.C. for a reading. Charles’ article on submission standards in the small press has appeared in: Free Verse, Laura Hird, Lummox, Outsider Writers, The Creativity Connection, Ibbetson Street, and Working Writers. Two of his poems appeared in The Wilderness House Literary Review and Anthology. His poetry reviews have or will appear in: Small Press Review, New Works Review, Sein Und Werden, Poesy, Beatlick News, and Chiron Review. His short story, “The Boy King” will appear in the Wisconsin River Valley Journal/ Borderland. His poetry has or will appear in: The League of Laboring Poets, Strong Verse, and Poetry Dispatch.
       Anjie Greene-Martin read her poetry on Saturday, January 19th at AllWriters’ Workplace and Workshop in Waukesha at the AllWriters’ Birthday Celebration.
       Harvey Taylor has produced a CD called Points of View. It consists of twenty-five poems recorded with music. For ordering information, see the Poetry Publications section elsewhere in the Museletter.
       W (Wayne) Frank, former Milwaukee Alderman, playwright and poet announced that the Southeast Review (U. of Florida) and Barbaric Yawp published his poems in January. The titles are “The Horses of Hua Hin” and “The Tribesmen, The Texan and the Cobra.”


Mid-Central Region

Joan Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net

      Many thanks to the WFOP panel at the Fall Conference in Marshfield on November 10th. Panel members Susan Kileen, Mariann Ritzer, and Richard Roe gave a lively presentation packed with useful tips on “Speaking Skills that Make Delivery as Memorable as the Poems.” Joan Wiese Johannes served as moderator.
       Special thanks also to Bruce Dethlefsen and his band, Anna Ran Away, who performed on Friday night at the Conference following the open mike. The dance was a popular addition to the weekend.
       Michael Kriesel served as Conference Coordinator, Barbara Cranford assembled the Conference program booklet, Joan Wiese Johannes coordinated the volunteers, and Lucy Rose Johns faciliated the readings. Our region was happy to see such an excellent turnout for this conference in Central Wisconsin. Thanks to all who attended.
       Julie Eger won the Poetry Jade Ring Contest sponsored by the Wisconsin Regional Writers’ Association.
       Barbara Cranford conducted poetry workshops in Hancock in October and January.
       Joan Wiese Johannes taught a Cadence of the Earth workshop for Earthwonders at Glenwood Valley Lodge near Baraboo the weekend of February 8th-10th.
       Jeffrey Johannes and Joan Wiese Johannes were published in SIMUL, a poetry anthology by Lutherans.
       Linda Aschbrenner participated in the Wisconsin Publishers’ Showcase during the Wisconsin Book Festival in Madison. Free Verse and Marsh River Editions, published by Linda Aschbrenner, were featured in the September issue of The Quill Driver, the publication of the Council for Wisconsin Writers. Linda Aschbrenner read her poetry on local cable television in February.
       Joan Wiese Johannes, Jim Pollock, Cathy Conger, and Michael Kriesel had work in Free Verse #92, #93, and/or #94. Poets winning and placing in Free Verse #92, #93, or #94 contests were Barbara Cranford, Jeffrey Johannes, Joan Wiese Johannes, and Jim Pollock. Michael Kriesel served as a judge for issue 93.
       All poets are invited to attend the Final Friday open mike. Readings are held the last Friday of the month at 7:00 p.m., January through October, at Thimbleberry Books, 166 S. Central Avenue, Marshfield.
       Readings are also held the first Thursday of each month at 7:00 p.m. at the Coffee Cabin, W7829 State Highway 73/21 at Village East Plaza, Wautoma.
       In January Barbara Cranford held her 26th poem-making workshop at her home. Lately she has had poems accepted for Timber Creek Review, Sheepshead Review, Hummingbird, Pegasus and Free Verse.
       Michael Kriesel received an Honorable Mention in the North American Review’s 2008 Hearst Contest for his double abecedarium “Secret Women.”
       Lincoln Hartford presented a program, Celebrating Abraham Lincoln, at the Hatch Library in Mauston on February 7th and at the Village Booksmith in Baraboo on February 8th.


Northeast Region

Carol Pemrich Hauser, NE Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304

iwritepoetry03@hotmail.com

Georgina Meulemans, NE Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com

      On Saturday, January 19th, a number of poets read their works at Peninsula Art School’s “Word Meets Art” event. WFOP readers were Anita Beckstrom, Cynthia Johnson, Barbara Larsen, David Clowers, Estella Lauter, Hanne Gault, June Nirschl, Phil Hansotia, Jude Genereaux, Ralph Murre, Judy Roy, Mary Durlin, Nancy Rafal, and Thomas Toerpe. Peninsula Art School is located in Fish Creek.
       WFOP sponsored the two o’clock hour of the Woodland Pattern Poetry Marathon in Milwaukee on Saturday, January 26th. Nancy Rafal was the hour’s announcer and she and Michael Farmer represented the northeast region. Many of the hundred or so readers were WFOP members.


Northwest Region

Jan Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com

      Kelly Green read from his work at the Café Wren in Cumberland on January 11th. Green was also the featured reader at a Sweetheart Poetry Reading at Peter&Annie’s in Cumberland on February 12th.
       Jan Chronister’s poem “Diamonds are Forever” won this year’s Diane Glancy Award for Poetry from Bemidji State University. The poem will be published in the 2008 Dust & Fire Anthology coming out in March

submitted by Jan Chronister, Northwest Regional VP

       Diana Randolph, Drummond, will be teaching an “Exploring Mandalas” class again at the School of the Arts at Rhinelander, July 21-25, 2008. Participants will write in journals and create art, based on the mandala, the Sanskrit word for circle, expressing their inner selves outwardly after some guided imagery meditations. For more information take a look at dcs.wisc.edu/lsa/soa. Diana has a poem and a painting image included in the chapbook titled Verbal—Visual, A Collection of Poems from Poets of the Northwoods published in November by CHARAC—Cable-Hayward Area Arts Council and the Park Theater Project.
       Camille Maurice, Rhinelander facilitated The Joy of Poetry for the Institute of Learning in Retirement at Nicolet College for the 8th semester. The class focused on metrical poetry, studied the poetry of Thomas Hardy, engaged in word play and shared poetry of all kinds including original works by class participants.


South Region

Frank Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net


South-Central Region

James Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com

      Greetings from wintry Wisconsin! Such a winter I have not seen in twenty years. Like Henry David Thoreau, I am an inveterate “inspector of snowstorms” and often these excursions have produced poetry. This winter season has also seen much activity from our South-Central members. Halloween (and snow had already fallen by then, if you recall) was celebrated in Madison with a poetry reading at the Froth House by the revived University Heights Poetry Club, renamed the Regent Neighborhood Poetry Club, which first met over 100 years ago on this night. Readers included Robin Chapman, Alice D’Alessio, Ronnie Hess, Daniel Kunene, Kathy Miner, Richard Roe, Sandy Stark, Judith Strasser. When the UHPC held its first meeting on October 31, 1896, British poetry was read, in particular Robert Burns’ “Tam O’Shanter.” For 65 years, the UHPC was a vital cultural organization, holding frequent readings at houses across the neighborhood. Members included university professors and business and community leaders. The group’s readings, which were not confined to poetry, ranged from Greek and Roman classics and Shakespeare to 19th century works.
       November 4th saw a poetry reading by Angela Rydell at Avol’s Bookstore. Angela continues (along with Laurel Yourke) to offer a variety of poetry and writing workshops in the Madison area.
       On November 8th, a new South-Central member, Sarah Busse, read her poetry along with a musical performance by Kris Adams. A fine evening it was.
       Also In November Garrison Keillor read a poem by WFOP member R. Virgil Ellis on the Writer’s Almanac radio program.
       All the snow in December seemed to have put a damper on our member’s activities, including my own, but January has exploded with our poets out and about. I hope that by now you have heard the great news that the City of Madison has passed a resolution formalizing the Poet Laureate Program and the Mayor of Madison has proclaimed Fabu will be the new Poet Laureate. An inauguration South-Central Region Central-Fox Valley Region celebration (with poetry, of course) was held for Fabu on Sunday, January 20th at the Madison Central Library. Richard Roe and Daniel Kunene were among those offering poetic tributes to Fabu.
       January 20th was also the start of the Annual Winter Festival of Poets at Avol’s Bookstore, which will run through mid- March. This year’s poets include Kathy Miner, Peg Sherry, Jean Tomasko, Catherine Jagoe, Daniel Kunene, Fabu, Andrea Potos, Sandy Stark, Nydia Rojas, James P. Roberts, Kimberly A. Blanchette, Lenore Coberly, Rusty Russell, Gillian Nevers, Richard Merelman, Karen Updike, Fran Rall, Ron Czerwein, Susan Elbe, Alice D’Alessio, Mark Kliewer, Jackie Langetieg, Angela Rydell, John Lehman, Lynn Patrick Smith, Sarah Busse, Jeannie Bergmann, R. Virgil Ellis, Jeri McCormick, Josephine Zell, Brent Christianson, Wendy Vardaman, Tim Walsh, Robin Chapman, C.X. Dillhunt, Margaret Benbow, Richard Swanson, Sara Parell, and Sir Richard Roe. As I did last year, I am again putting together a series of chapbooks featuring work by these poets. A set of 8 chapbooks from the 2007 readings is $5.00. Each of this year’s chapbooks is $1.00. All proceeds will be used to defray costs of attending the Spring 2008 WFOP Conference (see Registration Form and accompanying articles in this issue). The chapbooks will also be for sale at the Spring Conference. Hope to see you all there!
       January 26th saw a caravan of South- Central poets descend upon Woodland Pattern Book Center in Milwaukee for their Annual Poetry Marathon and Benefit. James P. Roberts, Ronnie Hess, Richard Roe, Judith Zukerman, and Ron Czerwien were among the more than 100 poets who participated.
       Gillian Nevers had a poem, “Standing Child,” recently accepted for publication in Silk Road, a Literary Review.
       I’m happy to report that South-Central member Pamela E. Spencer was awarded 1st Honorable Mention in the 2007 WFOP Triad Contest—Kay Saunders Memorial New Poet Award for her poem “The Signs Read—No Digging.”
       Richard Swanson has had poems published recently in Pass Port, Free Verse, and The League of Laboring Poets. Rosebud will publish his “Paparazzi Moments,” about the Pope owning a Ferrari, in its forthcoming issue.
       Susan Elbe has won the Oneiros Press 7th Annual Broadside Competition. Her poem “Where Good Swimmers Drown” will be published in early 2009 in a limited edition letter press broadside where she will be in very good company: Albert Goldbarth, Lawrence Ferlinghetti, Michael Ondaajte, and other fine poets.
       And, lastly, James P. Roberts has finally succeeded in having a poem, “In The Capuchin Crypt Coffeeshop” accepted by Tales of the Unanticipated—after nearly fifteen years of submitting!

submitted by James P. Roberts, South-Central Regional VP

      In 2007 F.J. Bergmann’s poetry appeared in Alehouse, ars poetica, Atlanta Review, DIAGRAM, Foliate Oak, M Review, Margie, Mythic Delirium, Opium, Poetry Midwest, Press 1, the Spec House of Poetry sonnet anthology, Stone Table Review, Unpleasant Event Schedule, Ward 6 Review, and Wheelhouse. She won the Tattoo Highway #15 Picture Worth 500 Words contest, and was nominated for a Pushcart Prize by VOX. She also had an article published in the 2008 Poet’s Market. In 2008, she won the Asinine Poetry Erotic Parody contest, and her poems have appeared in Aberrant Dreams, Helix, Mad Hatters’ Review, qarrtsiluni, Serpentarius, and Strange Horizons. Her latest chapbook, Constellation of the Dragonfly, is forthcoming from Plan B Press in April.
      Several poets from the Portage-Poynette area have had poems printed in recent Free Verse magazines. They include Lorelee Sienkowski in Issue #90, Idella Anacker with five poems in Issue #92, and Lou Roach with four poems in Issue #92, and one in Issue #94. Anacker, Roach and Sienkowski had poems in the 2008 Wisconsin Poets’ Calendar.
       Shoshauna Shy participated in the poetry panel titled “Across the Divide” at the Wisconsin Book Festival in Madison, and presented the program “From Pen to Page” with John Lehman at Einstein Middle School in Appleton sponsored by Conkey’s Bookstore. She also finished production on the latest “Poetry Jumps Off the Shelf” project in which close to 2,000 postcards were created combining poetry on the theme of “No Direct Route Home” with original abstract art by Midwestern artist, Sarah Spencer.


West-Central Region

Sandra Lindow, West-Central Regional VP
320 W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com

      Though there may well be six more weeks of winter in the Chippewa Valley, writing continues to be a hot topic. Thursday, February 7th, the Writer’s Group at the library was videotaped for TV viewing. March 14th the group will be meeting at Candace Hennekens’ farm in Fall Creek to judge the Shawano County Young People’s Writing Contest.
       Wednesday, April 9th there will be a reading at the Eau Claire Public Library in honor of Poetry Month. Those participating will include Steve Betchkal, Yvette Flaten, Linda Frank, Candace Hennekens, Peg Lauber, Sandra Lindow and Dina St. Louis. The theme will be “Songs for Healing.”
      Yvette Flaten has had a poem accepted by Avocet and two poems accepted by Red Silk.
      Sandra Lindow has had Touched By the Gods, her sixth poetry collection, accepted by Sam’s Dot Publishing. She has had two poems accepted by Hummingbird magazine and two poems accepted by Asimov’s.
       On February 8th, Dina St. Louis taught poetry at Eau Claire’s South Middle School.
       Peg Lauber’s poem “Not With Ice” is on the Museletter poetry page.

submitted by Sandra Lindow, West-Central Regional VP

       Gamze and Patrick T. Randolph wish the WFOP a Happy New Year and hours of verse unfolding fun! Patrick’s poetry will be featured this spring on the University of WI-La Crosse campus for a benefit for the Music Department. His poetry also will be highlighted in The American Drivel Review.
       Jane-Marie Bahr, Menomonie, has a poem in the winter issue of Wisconsin People & Ideas.

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Markets
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Museletter Poetry Page
Illness
Editor: Wendy Vardaman

NOT WITH ICE

The battle is not with ice.
I am not a strong-prowed icebreaker
in the Arctic or the Alaska passages
breaking it up ahead of me;
the battle is with heat, much
more than the passion of a kiss—

it is lying face down
on the basalt doorstep of hell,
Cerberus gnawing my face,
his hors d’oeuvres. it is my fingernails
sliding, shredded, over the lip
of a volcano following the lava down;

it is the beat of the heart through
veins and arteries magnified,
so loud in my ears I can’t hear
anything else, each pulse, pain,
stern teacher with a ferule in hand
hitting the desk, or the hand cracking
the whip taken from the wall
to do more than threaten
seventy times seven or even
seventy billion: to give it.

I slip into a hot sea, but the rocking
of the thick waves gives
no comfort, not even the illusion
of a female Titan’s hands under me,
no sobbing of the sea here either
to soothe my ear straining to hear,
over the heavy beating, a mother’s
song assuring me someone
is coming, someone hears.

             —Peg Lauber, Eau Claire

 

SURGEON’S WISDOM

After the brain
surgery
I am told
“You will not
be able
to write
for a few days”
“I will” I reply
in return

Reading later
I realize
he may
have been right

“My last task
lost my lost
My my last
my last salt
and my mast
fast past past”

I am not sure
what I have
written about
And just what
was my very last
task?

             —Kathleen Grieger, Menomonee Falls



BAL TRAVESTI

Stripped of meaning, melanoma delights the ear
with humming consonants, gentle vowels, lilting rhythm.
It evokes a centuries-old Italian dance,
Renaissance nobility clad in velvet pantaloons,
embroidered tunics, feathered caps.
Bejeweled contessas curtsy as
rainbow silks and satins caress delicate ankles,
whisper of hidden delights.

From afar, dance and dancers are exquisite,
scintillating grace in tempo lento.
Scrutiny reveals the scurry
of lice in elaborately coiffed, powdered hair,
the musk of unwashed flesh
blended with attar of rose.

             —Judy Roy, Baileys Harbor

Theme for Spring issue:
Foreign Destinations

Deadline:
Friday, May 2, 2008

NERVE DAMAGE

Tell them that, he says,
as I give him the story of old friends
who ask in the bread aisle
what’s become of her and him.
Tell them I am nowhere, he says,
but right here where they left me,
positioning her broken neck
just so on the pillows and in reach
of the life she demands each day—
the cane, the coffee, the crisp cigarettes,
an unused bit of charcoal and paper—
feeding her morphine
a bit more often than he should
because she begs and begs,
because he needs it just as much.

The hardest part, he tells me,
is she still sleeps in our bed
up the stairs at the back of the house,
him carrying her dead weight,
his own wounds giving her up
again and again. That room
has become too small
, he says,
but none of this is his to give away
so he stares all night
from a chair in the hall,
waits for the school bus to pass,
waits for the thud of news
and past due notices
before he rises, before
he carries the day back down.

             —Cathy Cofell, Appleton
previously published in
Fox Cry Review

 

IF ONLY

I steer the wretched needle
past your veins and bones,
the morphine sweetly cruising
down unmapped corridors.

I stand helpless when you sway
with your father’s cane in hand
each tap ricocheting
against my aching heart.

Outside your bedroom door,
I close my eyes
and see you well again.

Blowing me kisses,
tucking me in.

             —Susan Kileen, Watertown


WINTER AFTER SURGERY

Snow holds the tree branches
in a cold lover’s embrace
unwilling to let go until the Spring thaw.
I folded my hands
and prayed to the image
of Christ on the Cross
while entombed in the hospital room.
The anesthetic led me into dreamless
sleep where all the pain was borne upon another.

I awoke to find a hole
in my side in the exact place
where the soldier had thrust his spear.
Red fluid flowed gently down
a plastic tube into a bottle
where it may be used
as a future Eucharist.
The brilliant cold sun of winter
keeps sentry over my recovery.

             —James P. Roberts, Madison
             Originally published in
Spirit Fire
             (Hawk & Whippoorwill Press, 2003)

 

SICK DAYS

Huddled on the couch,
her cheeks are pale
beach rocks in the morning.

And red hangers fall
to the curbside below,
off-hook, piled
under a hoary oak.

There my dog limps
like he's never limped before—
kicked from poisoned salmon
flopping on the shore.

Stiff, the vet says, as scaffold boards.

Our little girl is four.

The dog licks her fevered cheeks—
the dried white linen.

She’s at 104.

Home with me.
Needing mommy.

             —Peter Whalen, Greendale

Poems by Our MembershipNOTE NEW E-MAIL ADDRESS
Please send poems along with an SASE to the new editor, Wendy Vardaman, 2336 Monroe St., Madison, WI 53711. You may also send your poems via email (no attachments please) to
wvardaman@hotmail.com. Only submissions containing an SASE or email address will be considered. Previously published poems for which the author retains the rights are acceptable. Please indicate which journal/book in which poem has been published. Membership status must be current to be considered for publication on these pages.

Write SF Poetry for Fame and Fortune—
Success Can Be Yours as a Vogon* Rapper!

by F.J. Bergmann

Science-fiction poetry—even the non-Vogon flavor—has frequently been mocked as the dregs of the literary universe. After all, no one reads that stuff, just as no one reads speculative fiction—the Lord of the Rings and Harry Potter books were dismal failures, quickly forgotten ...

As a reader, speculative fiction has always been my favorite form of entertainment. “Speculative” is a catch-all term incorporating science fiction, fantasy (these two frequently lumped together as SF&F), horror, and the uncategorizable works in between, frequently referred to as “crossover” or “interstitial.” “Magic realism” seems to be what it’s called only when the imaginary element is not too obtrusive for general consumption, or when a “real,” i.e., mainstream, author writes speculative fiction.

Largely because of the lurid pulps of the ’40s and ’50s, SF, like mysteries, fell into disrepute and was seen as nonintellectual entertainment. Unlike a good deal of literature today, SF is still entertaining—but the intellect is there. It’s one thing to base your writing on what you know, where events, circumstances, and characters are there for the plucking; it’s another to have to conjure up something that no one has imagined before. A recent, relevant article is at wired.com/techbiz/people/magazine/16-02/ st_thompson/.

I began seriously submitting poetry for publication in 2002. Initially, I didn’t write much SF poetry, and was disappointed by the quality of poetry I saw at the time in the SF journals—it seemed to be as out-of-date in style (compared to poetry being published in literary journals) as speculative fiction was ahead of its literary counterpart in originality. As time went by, I began writing more blatantly-SF-themed poetry—and getting it published in mainstream literary journals. At this point, it occurred to me that I might take a look at the SF journals again, print, and online, and begin submitting there as well.

I have enjoyed a fair amount of recent acceptances by these journals. I did not initially realize, however, that so many of them pay. Not a lot, but some of them run to $10-20 per poem; and, cumulatively, I’ve taken in nearly $150** in the last two or three months. While this won’t cover the bills, it’s way more than the total sum I’ve been paid for nearly 200 poems published in literary journals in the last 5 years. I’m not including contest winnings—which are a different animal—or contributor’s copies in either total (contributor’s copies are a normal perk of publication, and are not appropriately considered to be payment). Why are SF journals paying markets for poetry? Why are most literary journals not?

The answer lies in the word “market.” SF is consumer-driven. For years, its writers, whose work has received little academic recognition, have had payment as virtually their only incentive to publish. MFAs or PhDs don’t generally rest on these publications, nor do academic positions or tenure. An SF editor’s selections are ultimately made by which writers become popular with readers, as the number of readers (determined by subscriptions or online visitors) drives the advertising that is the main funding for non-academic—non-“literary”—journals.

I’m not saying that the quality of a publication is in any way commensurate with what it pays its writers; just that it seems to correspond with the presence of “real” readers, rather than insiders and competitors from the writing world. And while I felt honored to have Billy Collins pick a poem of mine for an anthology, I got a special glowy feeling from an online post that said “usually I hate poetry, but this Bergmann ...” Why don’t more poetry publications make an effort to reach the general public? At present, literary journals appear to be preaching to the choir.

Literary journals did pay, once upon a time. And there were far fewer of them, and they included many more non-academics among the number of their subscribers. What happened? It seems that as MFA-in-Creative-Writing programs sprouted everywhere, so did the journals that appeared to be associated with them, directly or indirectly. Publication has become increasingly desirable and important to the disparate number of applicants for the few available academic jobs in the field—as has editorship of a journal, however short-lived. The soaring ratio of graduate MFAs to positions available shows no sign of diminishing, and the proliferation of online journals coupled with their acceptance as publication credits put the kiss of death on any necessity for academic journals to pay contributors or even to bother maintaining a subscriber base.

“Aesthetic standards” and the we-don’t-have-to-grovel-to-filthy-lucre concept seem to be increasingly used as a justification for a) inept or nonexistent marketing, b) ditto for solicitation of advertisers, c) ditto for grant-writing, d) laziness as a substitute for all of the above, and e) who cares what a non-academic reading public might enjoy. Sadly, academic funding is supporting these practices, rather than pulling the rug out from under unmarketable publications. The main marketing ploy these days is to guilt-trip submitters into buying the journal in question (and just for the record, I subscribe to several literary journals that have never accepted my work).

Many academic literary presses make little pretence of attempting to sell their publications to anyone outside of the ranks of their submitters or literary-conference-preaching-tothe- choir. The bulk of literary journals appear to be the equivalent of trade journals, read only by practitioners within the field. What happened to writing poetry for an appreciative public? A paying public. Of non-writers. SF is doing it. Rap is doing it, fercryin'outloud. Why has literary academia grown a soul above marketing?

At one time, charging a reading fee to be considered for publication was considered absolutely unethical, and no reputable press would engage in it. Ominously, that is changing—perhaps in self-defense, as journals and presses are buried in an avalanche of more submissions than can be dealt with by the personnel available. It’s sad to produce— and sadder still to allow the use of—creative works without compensation; it’s as if you were an artist, with beautiful oil paintings, contenting yourself with standing on the street corner and giving them away to passersby. It’s appalling to be expected to pay to try to give away one’s creative work.

I met another poet at a science-fiction convention a couple of years ago, and we began chatting. When I mentioned with some pride a rather well-known literary journal in which I’d recently been published, she looked contemptuous. “I would never send them anything,” she said.

“Why not?” I said, puzzled.

“Because they don’t pay,” she replied. “I’ve been published in ...,” and she rattled off a few names. Curious, I looked them up: these places generally paid very little, and were either not-at-all respected or unknown; many have since gone under, largely due to their inability to sustain contributor payments. At the time, I thought she was shortsighted and foolish to waste her efforts on bottom-feeding publications that would garner her little or no credible recognition. Now I think she may have a point.

What would happen if all poets stopped sending submissions to any place that doesn’t pay them something to use their poems? Would poetic academia implode under its own weight? Would the world miss us?

*   *   *

*According to Douglas Adams’ The Hitchhiker’s Guide to the Galaxy, Vogon poetry is the most execrable in the known universe, and can be used as a torture device. Perhaps future employment for poets will be available at Guantánamo.

**For the curious:
$33 Aberrant Dreams
$10 Helix
$2 House of Speculative Poetry
$5 Illumen
$5 Mythic Delirium
$20 Paradox
$20 Serpentarius
$20 Strange Horizons
$14 Tales of the Unanticipated
$15 Weird Tales
$2 Scifaikuest
shim
$146 Total

Links to previous Museletter articles by F.J. Bergmann at fibitz.com/poemfactotum/submit.html.


Wisconsin Poet Laureate News

Wisconsin Poet Laureate Commission Receives Grant
      The Wisconsin Poet Laureate Commission is pleased to announce that it has received a grant of $2500 from the Wisconsin Arts Board. This grant was awarded through the Partnership Program to support the Commission in its selection of the state’s third Poet Laureate later this year. The funds will also help our new Laureate give poetry readings, visit schools, and attend public functions.
       Currently the state budgets $2000 annually for travel expenses for the Poet Laureate. The grant is part of an Arts Board program to create strategic partnerships with regional and statewide arts service organizations.
       With this investment of public funds, the WAB helps Wisconsin’s nonprofit arts and culture sector generate over $418 million at the local level. Nationally, the nonprofit arts and culture sector provides a 7:1 return on this kind of public investment.
       This grant indicates that the Wisconsin Poet Laureate Commission provides the highest level of quality in its programs, administration, and statewide outreach. Wisconsin is home to thousands of artists who are vital to the state’s cultural richness. The WAB and Poet Laureate Commission are committed to supporting their creative talent and encouraging presentations so the public can see the results of its investment firsthand.
       For more information, contact: Linda Ware, Chair Wisconsin Poet Laureate Commission (linda.ware@uwc.edu).

Call for Applications for the Wisconsin Poet Laureate
Purpose of Post
To promote the influence of poetry and to serve as a herald for Wisconsin’s poets and their work. To enrich the lives of Wisconsin’s citizens by sharing and encouraging the gift of poetry.
Term of Service
The term of service is two years, to commence in September 2008. The Poet Laureate will also help select the new Poet Laureate and will help the incoming Poet Laureate transition into her or his role.
Term Expectations
•Contribute to the growth of poetry in the state.
•Plan and attend statewide literary events (a minimum of four suggested per year).
•Perform at government, state and civic events as requested by the Governor’s office, school systems and/ or non-profit organizations (a minimum of four suggested per year).
•Visit most of the various regions of the state at least once during term.
•Prepare and provide expense reports for reimbursement to the Governor’s office on a timely basis.
•Prepare and provide a written report of activities at least twice yearly or upon request of the Poet Laureate Commission.
Recognition
•Gubernatorial proclamation at a Capitol-sponsored event.
•The Poet Laureate will be reimbursed for travel and operating expenses, not to exceed state expense reimbursement guidelines. Additional funding may include honorariums from sponsoring organizations or grants as available. No poet should have to decline the Laureate position due to financial constraints.
•Press coverage related to performances.
•Each year of the two-year appointment, a one-month stay at Edenfred, a creative arts residency in Madison owned by the Terry Family Foundation.
•Special gubernatorial recognition for other finalists (Commended Poets).
Application Criteria
•Admirable and proven level of skill in writing poetry.
•An admirable and proven history of having published individual poems and/or books.
•Demonstrated excellence in promoting awareness or enjoyment of poetry in Wisconsin.
•Must be 18 or over.
•Must be a resident of Wisconsin for at least one year prior to the application deadline.
•Must have reliable transportation and be available to travel throughout the state.
•A general call for applications is made. The application will be available on artsboard.wisconsin.gov and other state arts organization web sites, or by submitting a self-addressed stamped envelope to: Wisconsin Arts Board 101 East Wilson Street First Floor Madison, WI 53702


Workshops, Contests, Etc.

Scholarship Offered to School of the Arts—Rhinelander
One of the Fellowship’s members has generously offered to sponser a $250.00 scholarship to be used toward tuition and expenses at the School of the Arts—Rhinelander (SOAR). Applicants must be WFOP members. The Board will select the recipient at the Spring Conference. The recipient will be announced on Saturday, April 26th. A check will be presented at that time. The recipient must attend SOAR in 2008 and present receipts to WFOP to verify participation. He or she may take any classes at SOAR. 2008 is the second year this member has sponsored the SOAR scholarship. Last year Brenda Hansen was the recipient. In order to apply please send the following in one envelope:
•Name, address, and contact information
•A statement of roughly 100 words describing what you hope to achieve at SOAR and whatever else you consider important in supporting your request for this scholarship
•A sample of your writing (three pages or so)

Please send to: Lester Smith, WFOP President, PO Box 12, Elkhorn, WI 53121
Application postmark deadline is April 1, 2008.

Central Wisconsin Prairie Chicken Festival
Earth Day Weekend—April 18-20, 2008
A Celebration of Grasslands for Birders and Bookies.
The 3rd Annual Central Wisconsin Prairie Chicken Festival (CWPCF) which includes the Wisconsin Center for the Book (WCB) Literary Bash will take place on Earth Day Weekend, April 18- 20, 2008. A Nature Art Crawl which will benefit CWPCF & WCB is planned for Friday, April 18th from 5:30-7:30 p.m. at the Rapids Mall complex. The Nature Art Crawl themes will have an emphasis on Grasslands/Wisconsin grassland bird species, nature and environmental “green” themes. Fees which are consistent with all table/selling spaces throughout the festival are $25 for informational tables or $25 plus 20% of sales for any vendor, profit or non-profit, who is selling products/services. Saturday, April 19th, a Literary Bash with Poetry Trail/Readings/ Book Sales will take place at Mead Wildlife Area in Milladore. For more information about the weekend, contact Mary “Casey” Martin, (715) 459-4322, casey@homebrewpress.com.


FINANCES
First Quarter Financial Report**

October 1, 2007 through December 31, 2007

General Account:  submitted by Nancy Rafal, treasurer
Balance
October 1, 2007                  $55,713.06
Income: Dues
$1,700.00
  Woodland Pattern Marathon-contr.
$300.00
  ’07 Fall Conference Income
$3,803.00
  5 for 4 CD Interest
$67.19
  FOTPI reimbursement-cardstock
$153.50
  Total Income
$6,023.69
Expenses: Museletter
$1,070.60
  WI Dept. of Financial Institutions

$10.00

  N. Rafal-postage/supplies

$26.00

  J. Chronister-VP expenses

$74.42

  W. Clark-conf. speaker & books
$400.00
  Panel Speakers-conference
$300.00
  ’07 Fall Conference-Band
$250.00
  ’07 Fall Conference Refunds
$779.00
  Woodland Pattern Marathon Sponsorship
$350.00
  Student Contest—printing
$441.98
  ’07 Fall Conference-Marshfield Holiday Inn
$4,996.00
  ’07 Fall Conference-HI Banquets
$2,292.04
  ’08 Fall Conf. Dep.-Marshfield Holiday Inn
$525.00
  Membership Cards Diecut Cardstock
$307.00
  Check Printing-2 boxes
$31.55
  Total Expenses
$11,853.59

Outstanding checks ($378.00)

Closing Statements Balance as of December 31, 2007   $50,261.16

General Account Balance December 31, 2007   $49,883.16*

*$25,000 of this is invested in three interest-bearing CDs: one $5,000 CD (22 months) for the General Account to help bridge the gap created by “5 for 4,” and two $10,000 CDs (13 months) the interest of which goes to the Literary Fund for our contest prizes.


Literary Fund Account:  submitted by Susan Kileen, Literary Fund Co-Chair
Balance
October 1, 2007                        $1,608.29
Income:  
$0.00
  Total Income
$0.00
 Expenses: Postage
$106.76
  Envelopes
$6.79
  Triad-Mailings
$5.24
  Triad Prizes
$280.00
  Muse Posters
$21.00
  Check Order
$18.25
  Total Expenses
$438.04

Closing Statement Balance on December 31, 2007           $911.71

Literary Fund Balance on December 31, 2007      $1,170.25


Calendar Account:  submitted by Michael Farmer, Calendar Business Manager
Balance
October 1, 2007            $2,219.60
Income:
Calendar Sales
$2,351.42
  Total Income
$2,351.42
Expenses: Postage
$213.21
 
Total Expenses
$213.21
Calendar Account Balance December 31, 2007  $4,357.81

General Fund
$49,883.16
Literary Fund
$1,170.25
Calendar Fund
$4,357.91
Total
$55,411.22

Fiscal year is April 1 to March 31 to coincide with our federal tax filing; the quarterly designations are now as follows:

First Quarter April 1 — June 30
Second Quarter July 1 — September 30
Third Quarter October 1 — December 31
Fourth Quarter January 1 — March 31

submitted by Nancy Rafal, treasurer

Wisconsin Poets' Calendar
Calendar Info Page
Order Form

Conference Rotation Schedule

Spring 2008
April 25-26
South-Central
VP James P. Roberts
Fall 2008
November 7-8
Northwest
VP Jan Chronister
Spring 2009
April 24-25
South

Fall 2009
November 6-7
East-Milwaukee

Spring 2010
April 23-24
Northeast
Fall 2010
November 5-6
Central-Fox Valley


Book Design &
Professional Editing Services
Christine Falk
952.985.5375
datadesign@frontiernet.net

Museletter Advertising Rates
Books for Sale in Poetry Publications
section..................... $5.00 per listing
(This price is not discounted to Members. Discount is built into the one free listing per book, per year)

Business Card ....... $25.00
Quarter Page ........ $50.00
Half Page.............. $100.00

Prices are for camera-ready advertisements. Specialty designs or advertisement setups at a price to be determined. Contact Museletter editor if interested in purchasing advertisements.


Remember!
The next Museletter DEADLINE
is
May 2, 2008
How to reach the Museletter Editor:
Christine Falk
9556 Upper 205th Street
West Lakeville, MN 55044

(952) 985-5375
email: thefalks@frontiernet.net