Winter 2007
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President's Message
      When you meet new people and they ask, “So what do you do?” do you hesitate to answer, “I’m a poet”? Do friends and family shake their heads at the collection of poetry books on your shelves? Do they repeat to you the story of the fiddling grasshopper and the hardworking ants? If so, you’re not alone.

      In his First Epistle of the Second Book of Horace, Imitated, Alexander Pope writes:

Of little use the man you may suppose
Who says in verse what others say in prose;
Yet let me show, a poet’s of some weight,
And (though no soldier) useful to the state.

      Obviously, despite his considerable reputation at the time, 1733, Pope knew that poetry was considered frivolous compared to “prose”—which I feel safe to take as representing both politics and business—and soldiery—which always supports those two arms of a society. The fact that Pope was paraphrasing Horace’s Satirae I from 35 BC demonstrates pretty clearly that the treatment of art as an afterthought is nothing new or unusual.

      In argument, Pope (and by extension, Horace) continues:

What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What’s long or short, each accent where to place,
And speak in public with some sort of grace.

      He goes on to point out other ways in which verse plays a central role in a culture: conveying values from one generation to the next, undermining tyrants by treating them to public scrutiny, and providing shared words for the common celebrations of life.

      As we near the holidays, with its honored poems and carols, and its traditions of gift giving, I believe there are two ways in which we, as poets, can dedicate our works as gifts to our culture. The first is to write poems that challenge the groupthink of business-as-usual—poems that provide other people the words by which to understand their own frustrations with our society, and the courage to speak those frustrations. The second is to write poems in praise of beauty, drawing people’s eyes and minds away from the hectic pace of a runaway culture, reminding them of alternatives to their workaday world.

      Pope certainly believed that poetry is serious business, something essential to human experience, not merely peripheral to it. So let us devote ourselves well to this honorable avocation, until at last “The blessing thrills through all the labouring throng, / And Heaven is won by violence of song.”

Sincerely,
Lester Smith

Next deadline: February 1, 2008
Send Museletter contributions to the Editor:
Christine Falk
9556 Upper 205th Street West
Lakeville, MN 55044
(952) 985-5375

thefalks@frontiernet.net

SEND US YOUR E-MAIL ADDRESS if you haven't already, so we can update the WFoP database. Your address will only be used for communication among members.

Museletter Delivery Options
     To read and download the Museletter from our website, request e-mail notice, with a link to the Museletter web page. By choosing this option, members will be removed from the bulk-mail list and will not receive a hard copy of the Museletter except the one they download and print themselves. This will provide the fastest delivery, at a significant savings to the Fellowship.
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     Notify the Museletter editor if you wish to exercise one of these new options. The "default" delivery method will be bulk mail.

Remember:
If you move or change your e-mail address, please notify the Museletter editor. Bulk mail is not forwarded, so you will not receive your Museletters. E-mail is the only way members are notified of Museletter deadlines.

Make Sure Your E-mail Address is Up-to-Date
     In recent years, e-mail communications have increased within the Wisconsin Fellowship of Poets membership. The listing of e-mail addresses is kept within the main membership database. On occasion, announcements are sent out by e-mail to the entire membership. It seems that each time this happens, some e-mails get bounced back to the sender. The main reason this occurs is that the database manager has not been notified that an e-mail address has changed. If you have not received e-mails from the WFOP in recent months, most likely we do not have your most recent address. If you change your e-mail address, please contact Chris Falk at thefalks@frontiernet.net and let her know of the change so it can be corrected in the membership database. This will ensure that you are receiving all electronic correspondences.

Welcome
to the following new members who have joined since the last Museletter issue.

Sharon Foley
Whitefish Bay
Evelyn Gildrie-Voyles Madison
Kelly Green Centuria
Bob Hanson Neshkoro
Marie Tonnon Green Bay

New member inquiries should be directed to Peter Piaskoski,the credentials chair. Join us!

Membership List Available
Fellowship members are entitled to receive a list of members at a cost of $2.00 to cover postage. Please send cash, or check payable to Chris Falk. Receiving the list via e-mail is free. E-mailed lists will be sent as a .pdf which requires Adobe Reader, available as a free download from www.adobe.com. In order to receive the list, members must now sign the agreement and submit it with each request (copy and paste to e-mail it).

Conference Info & Rotation Schedule

"Fellowship" T-Shirts, Sweatshirts & Mugs Available
Sport your Fellowship membership proudly, and support us as well! The WFOP logo now graces T-shirts, sweatshirts and coffee mugs. The "T" is a basic-white model, silkscreened front and back in black. L and XL for $10; XXL costs $11. The sweatshirt, screened yellow-on-blue, goes for $20. The mug, at $5, is white ceramic with fired-on black printing. To purchase, contact membership chair Peter Piaskoski at kppi2105@sbcglobal.net or call (414) 332-9113.

Poet Laureate Fund Still Needs Your Support
Thanks to your donations, the Wisconsin Poet Laureate Fund has reached $9,300. At $10,000 it becomes a permanently endowed fund, generating 5% ($500)-a-year interest to help with gas, copying, phone, food & other expenses as the Laureate travels the state promoting poetry. Requests pour in for the Laureate to visit schools, give readings and appear at dedications and ceremonies. The only financial assistance the Laureate receives is $2,000 allocated annually by the state for travel reimbursement. Wisconsin’s Poet Laureate represents us all. Please write a check to the Community Foundation for the Fox Valley Region and mail your donation to: Poet Laureate Fund, c/o Jane Hamblen, 3515 Sunset Drive, Madison, WI 53705.

What's Happening in Your Region?
Central-Fox Valley Region

Carol Pemrich Hauser, Central-Fox Valley Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304
iwritepoetry03@aol.com

Georgina Meulemans, Central-Fox Valley Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com

      Ia Bolz continues to host the poetry open mic at Harmony Cafe in Appleton called “Gourmet Organic Poetry: Rhymes & Prose With A Java Flow” every second Wednesday of the month and the poetry open mic at Generations Coffeehouse in Neenah every second Saturday of the month, both 7-9 pm. All poets are welcome! Ia organized and hosted the 2007 Art/Poetry Ramble this fall. It was the third annual. Poets read their art-inspired poetry at Wild Apple Glass Studio & Gallery in Menasha, The Art Affair Gallery in Neenah, Coventry Glassworks & Gallery and Studio 213, both in Appleton. Among the poets who participated were WFOP poets Jon Corelis, Barbara Germiat and Patty Miler. She thanks all poets who participated.


East Region

Cary Fellman, East Regional VP
303 E. Clay Street #301
Milwaukee, WI 53217
cary4612@sbcglobal.net

      Kathleen M. Klein was one of the featured poets who read at the fourth annual West Allis Arts A'Fair on September 15th. She read five of her poems that have been published in WFOP calendars. The fair is sponsored by the West Allis Arts and Culture Task Force and featured poets, artists and musicians who live in West Allis. Kathleen is a member of the Hart Park Writers’ Group that is facilitated by Carol Ortmann.
      The final issue of The Capers was published this week. This has been an alumni association newsletter for graduates of the Milwaukee County General Hospital School of Nursing as well as those that followed its demise (MCH, MCGH, MCMC, AND MSOE nursing programs). Ruth Sellnow’s piece entitled “The Lady With a Lamp” was published in the newsletter. Ruth’s class had given a bust of Florence Nightingale to the school as a graduation gift. She lives on at MSOE along with the principles of modern nursing she instituted in the 19th century. MSOE will continue to have an alumni association.
      
Charles P. Ries’ article on submission standards appeared first in Free Verse and on-line in Laura Hird.Com. It has or will also appear in: Creativity Connection, Working Writers, Ibbetson Street Review, Outsider Writer and Word Riot. He has two poems appearing in The Wilderness House Literary Review Anthology and three poems appear in the Guerrilla Poets Reader Anthology. His reviews have or will appear in: Small Press Review, New Works Review, Outsider Writers, and The Moon. His poetry has or will appear in: League of Laboring Poets, Strong Verse and Poetry Dispatch. His article, “Loving Your Way Through Divorce” has been accepted in the Chicken Soup for the Divorced Soul Series.
       Sister Irene Zimmerman’s poems have or will appear in Free Verse, St. Anthony Messenger, and Review for Religious. Her poems won Third Place in ByLine Magazine’s Sense of Place Contest and Honorable Mention in four other contests sponsored by ByLine. Her poems also received Honorable Mention in two contests sponsored by Free Verse. Her poem “Legacy” was awarded Third Place in the Poets’ Choice Category of WFOP’s Fall Triad Contest.


Mid-Central Region

Joan Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net

      is recovering from hosting the Fall Conference. Bruce Dethlefsen's band, Anna Ran Away, was awesome! Your webmaster still has a blood blister on one toe.


Northeast Region

Carol Pemrich Hauser, NE Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304

iwritepoetry03@hotmail.com

Georgina Meulemans, NE Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com

      Ralph Murre’s readings from his book, Crude Red Boat, have lately taken him to Green Bay, Appleton, and Wautoma. Some of his poems have recently been published in Hummingbird, Clark Street Review, Peninsula Pulse, Knock, Passport Journal, and Cliffs Soundings. Six of his poems appear in the anthology Other Voices, from Cross + Roads Press. He continues to publish his blog, “Arem Arvinson Log”, at http://caparem.blogspot.com.
      There was an article about Judy Roy in the Peninsula Pulsealong with several of her poems. She has had other poems printed in Free Verse. Judy had three poems and two quilts in a joint exhibit which was on display at the Sister Bay Library. Judy and June Nirschl read at Conkey’s in Appleton in October.
      Mary Jo Stich received an honorable mention in ByLine’s Personal Essay Contest. She also received an honorable mention for a poem entered in The Waukesha Writer’s Workshop 2007 Bo Carter Contest.
      Linda Nett-Duesterhoeft had a poem entitled, “The One Who is Named”, published in the 2007 Fox Cry Review. She read at the Fox Valley University reading of Fox Cry Poems on October 22nd.
      Barbara Larsen won an honorable mention in the Peninsula Pulse annual Hal Grutzmacher contest in August. Another poem and an essay appeared in a later edition. Two poems and the announcement of a poetry contest being sponsored by Larsen appeared in Issue #93-2007 of Free Verse magazine. She has been commissioned to write a poem for two voices for the community Thanksgiving dinner in Sister Bay in November.
      WFOP poets June Nirschl, Estella Lauter and Ralph Murre took 1st, 2nd and 3rd place respectively in the Peninsula Pulse Writers Exposé Contest. Ellen Kort served as judge. Poems were published in the August 5th issue of the Pulse.


Northwest Region

Jan Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com

      Rob Ganson was the featured reader at the October Second Sunday reading in Drummond on October 14th. Rob read from his new chapbook Float like a Butterfly, Sing like a Tree. The November Second Sunday event was held on November 11th and was co-sponsored by the Cable Hayward Arts Council. Several WFOP poets had their work interpreted by visual artists and read their poems at the Park Theatre in downtown Hayward, accompanied by slides of the artwork. The poems and artwork are exhibited at the Northwoods Community Clinic in Hayward.
       Jan Chronister received a first Honorable Mention for her poem “Trilliums” from the Brainerd (MN) Writers’ Alliance.

submitted by Jan Chronister, Northwest Regional VP

       Diana Randolph, Drummond, shared poetry prior to the featured poet, Rob Ganson of Washburn, at the Second Sunday Poetry reading in October at the Drummond Public Library. She has a poem included in the Verbal/Visual Exhibit at the Northwoods Community Health Center in Hayward, Wisconsin which will continue until January 2008. She also created a pastel landscape painting inspired by another poet’s writing for the exhibit. Diana read her own poem that is in that exhibit at the Verbal/Visual poetry reading in November at the Park Theater in Hayward.


South Region

Frank Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net


South-Central Region

James Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com

      John Lehman (Rosebud), and poet-essayist Judith Strasser joined Wisconsin poet laureate Denise Sweet and others for a special Wisconsin Public Television program that aired on August 9th.
      John Lehman (publisher) & Shoshauna Shy (poet) gave a presentation on “Tools for Publishing Success” at the Village Booksmith in Baraboo on August 10th. Yours truly attended and had a good time.
      Elayne Clipper Hanson read some of her poetry at the Zona Gale Day Celebration in Portage on August 18th at the graveside services at 10 a.m. at Silver Lake Cemetery.
      September saw a poetry reading by Susan Elbe, author of Eden in the Rearview Mirror, and Shoshauna Shy, author of What the Postcard Didn’t Say, September 18th at Avol’s Bookstore.
      Catherine Jagoe read from her new Parallel Press chapbook, Casting Off, at Avol’s Bookstore on September 30th.
      Wisconsin officially named October as “Robin Chapman month” in honor of all of her activities this year which included the following: Robin Chapman and Susan Elbe read at The Windhover Center in Fond du Lac as part of The Foot of the Lake Poetry Collective Series on October 2nd. Then, as part of the Wisconsin Book Festival, Robin read her work along with the 2007 Literary Fellowship recipients at the Madison Public Library Main Branch on October 12th. Once again the Lake Effect Poets held a joint reading at the Overture Center in Madison on October 13th. Joining Robin Chapman were Susan Elbe, Catherine Jagoe, Judith Strasser, and Alison Townsend. Finally, Robin and Susan Elbe joined Barbara Crooker, Marilyn Taylor, and Cathryn Cofell for poetry and chocolate at the Waukesha Public Library on October 19th. Yum-yum!
      John Lehman and Shoshauna Shy were at it again, providing the “Tools For Publishing Success” on October 6th, this time at Books & Company in Oconomowoc.
      Laurel Yourke held a workshop “Becoming Your Own Muse” on October 6th and 7th at the Pyle Center in Madison.
      Angela Rydell followed that with a three-week workshop on “Opposites Attract: Using Contrast in Your Poetry” which was held on October 10th, 17th, and 24th, also at the Pyle Center.
      Back to the Wisconsin Book Festival, where, by the way, I was sadly unable to attend any of the programs this year. Mene, mene, tekel upharsin. R. Virgil Ellis and Andrea Potos participated in a panel, “Domestic Tranquility” moderated by Max Garland, at the Wisconsin Historical Museum on October 13th. Not to be outdone, CX Dillhunt and Shoshauna Shy were panelists on “Across the Divide” on October 14th at the same place.
      On a different note: Andrea Potos and Marilyn Taylor held a BIG FAT GREEK READING at Schwartz Books in Shorewood on October 27th.
      Also, WFOP member Katrin Talbot paired with trombonist Mark Hetzler for a Multi- Media concert on October 13th at the Mills Music Hall in Madison. The program includes Hetzler’s arrangements of Offering, Lost Wind and Hips Dance from Volcano Songs by Meredith Monk; Wood and Stone from Wood, Stone, Desert by James Fulkerson; Mysterious Mountain from Symphony No. 2 by Alan Hovhaness; and works by George Crumb, Orlando Jacinto Garcia, Matthew Burtner, Charles Ives and others.
      Finally, on Halloween night, a group of poets, including Robin Chapman, Alice D’Alessio, Richard Roe, Daniel Kunene, Judith Strasser, Kathy Miner, Sandy Stark, and Bobbie Krinsky unleashed the Regent Street Poetry Club with a marathon reading at the Froth House in Madison.
      Richard Swanson had a poem in the July issue of Rockford Review and also in The Lyric’s summer issue.
      Sara Parrell won second place in the Wisconsin People & Ideas Poetry Contest. Well, that does it for now. Keep sending in your news! The more, the merrier....

submitted by James P. Roberts, South-Central Regional VP

      Shoshauna Shy was on Radio Literature (WORT 89.7) on May 17th and June 21st, and participated in a reading at Olbrich Gardens on July 8th. Her poems have been published in Sunstone and Quill & Parchment.
      Jeannie Bergmann won an “International Publication Prize” from the Atlanta Review. Twenty such prizes are awarded each year in this competition, which, according to the Review, receives “thousands of entries” from around the world. Jeannie’s poem,“Death Wish,” will be published in the October issue of the Atlanta Review.
      Judith Zukerman’s poem, “Cheshvan” will be in the fall issue of The Deronda Review. This journal was previously titled Neovictorian Cochlea.
      New member, Adam Gregory Pergament’s Madison based group, Venice Gas House Trolley combines music and poetry. In an effort to open space for poetry where it might not have been welcome previously, they regularly play music venues around the Midwest. This August they will appear at the international Minnesota Fringe Festival and have a new CD to be released in September. Folks can find out more about them by checking out: flowpoetry.com and myspace.com/flowpoetry.
      Linda Newman Woito could not remain away from family and friends for long, so she moved back to Fitchburg, Wisconsin on October 1st. Linda’s poetry has been accepted/published in The Rockford Review and In Situ, a collection of literary and visual arts from the Iowa City area (published by Iowa City Press-Citizen).
      Shoshauna Shy’s work was published in the Baltimore Review, Apple Valley Review, Quill & Parchment, Cut Throat Journal of the Arts and Main Street Rag.
      Robin Chapman and Susan Elbe read at the Neville Public Museum in Green Bay on September 27th..


West Central Region

Sandra Lindow, West-Central Regional VP
320 W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com

      In the Chippewa Valley thoughts turn toward preparing for winter by pulling the last of the carrots, raking leaves and washing storm windows, but there is always time for poetry in this beautiful season. Yvette Flaten has completed a manuscript of cancer treatment poems entitled Chemo Sabe.
      Dina St. Louis and Steve Betchkal participated in the Local Writers’ Invitational Reading and the follow-up reading of work in progress as part of the eighth annual Chippewa Valley Book Festival. St. Louis is one of the founding members of the Book Festival.
      Steve Betchkal won first prize in Peg Lauber’s Wild Bird Poetry Contest. His poem, “My Favorite Bird” is published in Free Verse Issue #93. Sue Thibado’s poem “September Morn” received honorable mention in that contest. St. Louis also has three poems in that issue: “Picturing Tilda,” “Tilda in Her Garden,” and “Grandmother to Grandmother.” Peg Lauber has two poems in that issue: “Summer Morning” and “Summer Morning With Birds.” Recently Lauber brought poetry to fourth graders in Bloomer, Wisconsin.
      In celebration of their 10th Anniversary as a writing group, The Chippewa Valley Writers has announced the publication of an anthology of their work, Just Read the Darn Thing, Monarch Press, 2007. The anthology consists of over 160 pages of stories, poems and pictures and includes work by Sue Thibado and Eva Mewes. It sells for $15 plus postage and may be purchased by contacting Thibado@uwstout.edu for more information. Mewes and Thibado also have had poems published in the 2008 Wisconsin Poet’s Calendar.
      September 23rd, Sandra Lindow participated in a reading at the Hunt Hill Audubon Center in Sarona as part of a Soup Stock environmental fundraising event. She has a review of a sonnet series that can be seen at thefix-online.com/ reviews/in-the-yaddith-time/. The Fix is a new on-line magazine that publishes reviews of short fiction and poetry. Her poems “Whistling Asclepius,” “On Calling the Mover,” “Rayna In Utero Dancing Toward Daylight” have been accepted by Free Verse. Her poem, “The Wolf From the Door” can be seen at www.strangehorizons.com.

submitted by Sandra Lindow, West-Central Regional VP

       Patrick T. Randolph and his wife, Gamze, have been busy living and breathing the wondrous essence of the living poem. In October, Patrick gave a reading on the Beloit College campus. His poems have appeared or will appear in Falling Star Magazine, The Cherry Blossom Review, The Rockford Review, Bellowing Ark, Quill and Parchment, The Externalist, Storyteller, and Free Verse. Recently, he has been writing verse about the mystical magic of football and his gridiron prophet—Brett Favre.
       Jane-Marie Bahr, Menomonie, has had a poem published in Hummingbirdand two poems have been accepted for publication in Free Verse.

Keep Your Dues Current
      Please remember that membership dues are payable by January first of every year. We no longer offer a "grace period" after nonpayment of dues. Members must be current with their dues to enjoy membership benefits such as:

  • the opportunity to be published in the Museletter's "Poetry Page"
  • listing of recent publications in the Museletter
  • free "chapbook" ad, and reduced advertising rates for other ads in the Museletter
  • eligibility to enter the "Triad" poetry contest
  • reduced entry fee for the "Muse" contest
  • free "member" web page on the Fellowship's web site
  • and, of course, the Museletter itself.

Don't Forget the New Dues Option
Members may pay $100 for a five-year membership. That's five years worth of membership for four years' dues. Please take advantage of this savings. The Fellowship also saves money by reduced mailing cost for all those payment reminders and lapsed memberships.


From the Treasurer
      All members recently received postcards reviewing their membership status. This annual first class mailing is done in connection with WFOP bulk mailing permit requirements. We use this method as a way of updating our data base and to remind lapsed members that it is past time to renew. PLEASE—whenever you move, change your e-dress, or change your telephone number, let me know.

Nancy Rafal—WFOP treasurer
P.O. Box 340
Baileys Harbor, WI 54202
mrsticket@dcwis.com


Markets
Contest Updates
Publications

Museletter Poetry Page
In the Kitchen
Editor: Wendy Vardaman

HOW TO USE THE KITCHEN TABLE

eat on wedding plates
balance budget envelopes
cover with oil-cloth
bathe baby

frost Santa cookies
pickle beets and cucumbers
hear them
snap their lids

tackle homework
sit up straight
play Monopoly and Old Maid
win lose

light candles on cakes
dye eggs
paint sew
figure taxes

mail graduation and wedding announcements
prepare lunch for grandma’s funeral

never exchange
for a counter with stools

             —Anita Beckstrom, Sister Bay

 

WHAT TO DO
UPON LEARNING A FRIEND
HAS BEEN AN ALCOHOLIC
THE WHOLE DECADE
I’VE KNOWN HER

1) soak in a bubble bath?
2) eat a bowl of ice-cream?
3) reread old love letters?
4) hold a purring cat?

5) Fix a stiff martini.

             —Shoshauna Shy, Madison

 

KITCHEN ZEN

Just remember me
as the one whose watched pots
always boiled over.

             —Barbara Coan Houghton, McFarland


EARTHLY DELIGHTS

The cauliflower he had carefully placed in his conch skull
seemed to be making inappropriate decisions lately:
the stacked gourds it had carefully selected
to function as vertebrae kept slipping out
and rolling down the sidewalk. The toes were all right;
the cherry tomatoes had been freshly picked that morning,
plump and taut with ripeness, but most of the fingers,
miniature chili peppers, red to match the toes,
were beginning to shrivel.

He wasn’t happy with his buttocks, either;
those white eggplants never seemed to get as large
as the purple ones. The frog in his throat
wouldn’t stay on its apple, and the roses in his cheeks
were slowly shedding their petals on the wind.
But his potatoes were all eyes. Staring
at Lettuce’s enormous melons,
he felt his hard green cucumber
ripen.

             —F.J. Bergmann, Poynette
       (previously appeared on
Tattoo Highway)

 

KITCHEN MAKEOVER

Never
Tiring
Of
Ways
To
Slim
Down

New
Efforts
Are
Born
In
The
Kitchen.

             —Ruth Sellnow, Watertown

Theme for Spring issue:
Illness

Deadline:
Friday, February 1, 2008

THE PORCELAIN-TOPPED TABLE
(WHAT IT REMEMBERS)

Just once, among the apple peels,
the empty cups, the rainbow
of jellies & jams, the carrots

& cabbages, the crayons
& 5-cent tablets; just once
(I would like to think)

how the husband came in from
the fields, or home from the office,
& finding his wife alone,

the children upstairs or in school,
& noticing her hair falling over her face,
her hands as she worked,

or hearing her careless song,
went up to her & turned her around
& kissed her & took her there

as she scolded & laughed
the birds outside in the apple tree,
the cars on the road driving by.

             —Eve Robillard, Madison
(appeared in
everything happens twice)

 

FIFTIES KITCHEN

In my mother’s kitchen, my father
painted the cabinets apple green. Dutifully
she cut up vegetables, chunks of meat,
heated the heavy cast iron pot,
served us stew, washed the dishes, and died.
After the funeral her sisters came,
flung open the apple doors,
took china, goblets, the best silver
we didn’t need, then closed the cupboards
on our memories. It’s better this way,
they said, and she was gone. Only
the red wood trim like folded doilies
made me wonder what I had missed,
what I hadn’t put away
and couldn’t find.

             —Judith Barisonzi, Cumberland


MAKING CHAI

7 whole cardamoms, green,
lightly crushed, for
the children she’ll never bear.

2 cups whole milk, boiling,
for the passion he does not feel.
1 cup water, for the hours
he disappears.

3 black peppercorns.
Pekoe leaves, generous pinches, enough
to darken the milk.

Cinnamon, 1 stick,
for the love she craves. 3 cloves for the men
he desires. 1/2 teaspoon ginger,
fresh, peeled, finely
grated, for the years she can’t regain.

6 heaping spoons
sugar, for deceit.

             —CJ Muchhala, Shorewood
             (previously published in Elixir)

 

THE CHICKENS OF MY MOTHER
WERE RICH WITH EXCITEMENT

In memory I stand with her at the kitchen sink.
Her knife flashes easily, mine can hardly find the joint.
Who, now, can remember how to bring out the wishbone?
(Pulled later with such hope.)

And singeing the pinfeathers!
Chicken in one hand, burning twist of newspaper in the other
Deftly applied here and there and dropped into the open stove eye—
Just in the nick of time!

The gizzard with the unlikely gravel teeth.
You could put your little finger into the heart, then cut it in two.
The liver—less excitement there—good for you.

Then, sometimes, the grand finale,
A real egg! or…
The series of yellow yolks, like a descending string of beads,
Infinity.

             —Fran Rall, Madison

Poems by Our MembershipNOTE NEW E-MAIL ADDRESS
Please send poems along with an SASE to the new editor, Wendy Vardaman, 2336 Monroe St., Madison, WI 53711. You may also send your poems via email (no attachments please) to
wvardaman@hotmail.com. Only submissions containing an SASE or email address will be considered. Previously published poems for which the author retains the rights are acceptable. Please indicate which journal/book in which poem has been published. Membership status must be current to be considered for publication on these pages.

2008 Calendar Information

       Hi, everyone! By now you all should have seen the 2008 Wisconsin Poets’ Calendar and it is a fine one. The Holidays are pressing and the sooner you order your gift calendars, the sooner you will get them. The post office has new equipment so Media Mail gets there a bit faster, but the Holiday Rush, for them, is considered to start in September and things start getting heavy for timeframes. Be sure to give complete addresses so the post office doesn’t send back a bundle since it had no apartment number. We pay postage for that return with Media Mail! The poetry is great and the next year’s is going to be exciting as well. Be sure to check out the Guidelines. Thank you for contributing, congratulations to those selected for acceptance and thank you for supporting the Fellowship.

—Michael Farmer, Business Manager

2008 Calendar Order Form


How to Choose a Poetry Contest
by F.J. Bergmann

This exciting sequel follows a previous Museletter article, How to Choose a Poetry Contest. The advice below suggests protocol to follow, once you have selected an appropriate contest for your work.

Once more, with feeling
Re-read the guidelines! It’s easy to miss arcane specs buried in paragraph after paragraph of policy and disclaimers. Make sure that there are no restrictions on eligibility (genre, age, geographic location, ethnic origin, etc.—if you don’t know what GBLT means, the contest is not for you). It’s infuriating to realize several days after sending a painstakingly-composed poetry chapbook manuscript that you failed to notice that the contest is fiction in alternate years—and guess what? If you send in an ineligible entry, for whatever reason, they still keep your entry fee. Note any variations from standard formatting and procedure. Occasionally contests may extend a deadline, or even cancel at the last minute; always check the contest website directly, if they have one.

Poetical activism
Not to beat a dead horse, but this may be the time, if you are narrowing down the number of contests to enter, to consider entering only those run in a poet-friendly manner. A properly-run contest, in an ideal world, would involve the following:

a) Ordinary format i.e. a cover sheet and one copy of the manuscript. Avoid places that feel that they have to have umpteen copies, some with and some without the poet’s name, or a little flock of index cards or a disk or CD,

b) Named judge (see rant in previous article)

c) Specific date by which results are available. Lack of a notification date bespeaks poor organization and inconveniences the poet. Do not hesitate to request results from the contest sponsor if you have not been notified within the stated time.

Nearer to our hearts’ desire
Typical submission format for poetry contests (note that this differs from typical journal submission format) would include:

a) Single-spaced poems with no identification; chapbook or book manuscript with title only on first page, table of contents, numbered pages, and acknowledgments page unless directed to omit it. For clarity, I recommend not putting poem titles in all-capital letters, unless it’s necessary. For poems, do not staple or paper-clip unless specified. For book manuscripts, use a spring clip.

b) Cover sheet. It’s pointless to send an actual cover letter unless they ask for it; same thing with a bio. Contest entries are sorted by office flunkies, not editors. Include your name, address, e-mail, phone numbers, and the titles of your poems; also the genre, if the contest is for more than just poetry.

c) SASP (stamped, self-addressed postcard) only if the contest requires it—or you’re one of those super-paranoid folks who send in way before the deadline. Otherwise, your canceled check will indicate receipt at least as reliably.

d) SASE. This should be a number 10 business-size envelope, for results, unless indicated that your e-mail address will suffice. Most places do not want to return your manuscript, so don’t bother sending an envelope big enough for the manuscript. If postage rates go up during the intervening months, the contest staff should add it.

e) Check. Do not forget this! With few exceptions, they will throw away your entry if you omit payment. Don’t forget to sign it, either. Many contests allow online payment through PayPal or are set up to take credit-card payments; this is an easy and risk-free method.

Fold and stuff into a standard #10 envelope unless specifically told to submit unfolded. Trust me, this will not affect the judging. I always submit poems folded, and have won a number of respectable contests. 5 sheets of poetry, a cover sheet, and an SASE will require additional postage— currently, 58 cents.

If a contest allows online entries, by all means use this method, unless your formatting is too peculiar to paste into an e-mail. If attached .docs are allowed, format should not be a problem. Follow directions exactly for online or e-mail submission!

Trivial Pursuit
Be attentive for variations. Contests rarely forbid simultaneous submissions, but you are expected to notify the sponsor immediately if an entry is accepted elsewhere, Although generally an unwritten rule, it is considered extremely bad form to enter a poem (or book) that has already won a monetary prize elsewhere, And while simultaneous publication may not be noticed unless you’re very unlucky, contest winners tend to be publicized much more outside the journal that honored them, and to be carefully noted by non-winning competitors—many of whom will have entered the same contests, and are likely to be resentful.

Orchid: A Literary Review says: “Our guidelines page shows why simultaneous submissions are generally a good idea and we do accept simultaneous submissions for our contest. However, we have to ask: Why would you want to do that? Contests are somewhat different than regular submissions. Why have your story accepted somewhere for little or no money when you could have had publication and a thousand dollar prize? You kinda, gotta assume that if the story is good enough for publication it’s good enough for the prize or publication as a runner-up. Think about it.”

With Fate Conspire
How to win poetry contests? That’s easy. Write good poetry and enter it appropriately. That is:

Format correctly (this includes eliminating all typos) Select contests where the publication involved—or the judge—is publishing poetry similar to yours, This would mean not submitting your urban rap to a journal that normally publishes only cowboy poetry, or to a judge who only writes spare, image-driven nature poems—you get the idea.

Enter contests where you are being published at the level of past winners. Sure, you could have no prior publications and still win a major contest, and yes, most of these things really are being judged fairly and blindly, but you are likely to be wasting your money, based on an inflated conception of the quality of your poems, unless you can substantiate it by getting poems accepted in journals like the ones where the contest winners have been published.

Note that many contests run by literary journals also consider the submissions for publication. I have frequently had poems accepted from contest submissions, even though they were not prize-winners, and recently, a press asked me to resubmit a chapbook manuscript for publication.

Good luck!

Links to previous Museletter articles by F.J. Bergmann at fibitz.com/poemfactotum/submit.html.


Workshops, Contests, Etc.

Plan Ahead for After the Holidays!
Join a Poetry Critique Group with Marilyn Taylor at Redbird Studio

Marilyn Taylor will lead a continuing twice-a-month poetry critique group at Redbird Studio in Bay View, starting in January. It offers the perfect opportunity for poets to present works in progress for discussion and feedback in a supportive atmosphere. There will be two 4-week sessions, as follows: Session #1—Wednesdays: January 23, February 6, 20, and March 5 6:30-8:30 pm Session #2—Wednesdays: April 2, 16, 30 and May 14, 6:30- 8:30 pm For further info, contact Judy Bridges at Redbird Studio: jb@redbirdstudio.com or by phone at 414-481-3195. And for more about Marilyn, check out her website: www.mlt-poet.com.

Call for Submissions
Patrick T. Randolph will edit a poetry anthology titled Empty Shoes: On the Hungry and The Homeless. Profits from the book will go to Wisconsin based food and homeless shelters.
Theme: “The Homeless and The Hungry.” Poems may focus on either of these topics. In addition, poets may choose to write on the “homelessness of the human spirit.”
Guidelines: Send 1-5 poems, any style, up to 40 lines. Poems must be well-crafted, and show rather than tell. Please check your poems for punctuation and clarity. Poets who have worked with the homeless or food shelters are encouraged to submit. Try to look beyond the dark, stereotypical notion of homelessness and write with inspiration and a song of celebration.
Deadline: January 15, 2008
Send poems to: Patrick T. Randolph, 804 Cass Street, Apt. 828, La Crosse, WI 54601.

Wisconsin People & Ideas Poetry Contest 2008 featuring
the John Lehman Poetry Award (1st Place)

All 3 winners and 10 runners-up will be published in Wisconsin People & Ideas and be invited to a public reading in April, National Poetry Month. Winners also will be invited to read at the Wisconsin Book Festival 2008. New this year: The first-prize winner receives a one-week stay at Edenfred, the creative arts residence of the Terry Family Foundation. (www.edenfred.org) Cash prizes: First place $500, Second place $100, Third place $50. For more information see www.wisconsinacademy.org or e-mail editor Joan Fischer at jfischer@wisconsinacademy.org. Send entries to: Wisconsin People & Ideas Poetry Contest, Wisconsin Academy of Sciences, Arts and Letters, 1922 University Avenue, Madison, WI 53726.

Posner Book Award; Lorine Niedecker Poetry Award
Wisconsin poets! Submit your poetry book published in 2007 for the Posner Book-Length Poetry Award (48 page minimum) and your 5 poems (2 published in 2007) for the Lorine Niedecker Poetry Award from the Council for Wisconsin Writers. Each winner will receive $500 and a one-week residency at Edenfred in Madison. $10 entry fee; outof- state judges judge. See www.wisconsinwriters.org for entry forms or write Marilyn L. Taylor, 2825 E. Newport Ave., Milwaukee 53211, indicating the contest categories needed for guidelines. Postmark deadline: January 31, 2008.


FINANCES
First Quarter Financial Report**

July 1, 2007 through September 30, 2007

General Account:  submitted by Nancy Rafal, treasurer
Balance
July 1, 2007                  $$51,083.08
Income: Dues
$2,162.50
  SOAR Scholarship Donation
$250.00
  5 for 4 CD Interest
$65.64
  Interest Lit Fund CD
$1,190.28
  ’07 Fall Conference Registrations
$6,061.00
  Calendar Loan Repayment
$3,132.38
  Total Income
$12,861.80
Expenses: Museletter
$1,085.23
  Outgoing President Gift

$95.07

  Webmaster
$60.00
  Actelite-webhosting
$41.00
  Urban Spoken Word Poetry Collective, Inc
$800.00
  ’07 Fall Conference Overpayment Refund
$25.00
  Calendar Account Loan
$3,132.38
  Lit Fund CD Interest to Lit Fund
$1,190.28
  Ledger Correction
$1,802.86
  Total Expenses
$8,231.82

Outstanding checks ($881.00)

Closing Statements Balance as of September 30, 2007   $56,594.06

General Account Balance September 30, 2007   $55,713.06*

*$25,000 of this is invested in three interest-bearing CDs: one $5,000 CD (22 months) for the General Account to help bridge the gap created by “5 for 4,” and two $10,000 CDs (13 months) the interest of which goes to the Literary Fund for our contest prizes.


Literary Fund Account:  submitted by Susan Kileen, Literary Fund Co-Chair
Balance
July 1, 2007                        $558.58
Income: Donations (Spring Conference)
$25.00
  CD Interest
$1,190.28
  George Saunders Est.
$200.00
  Total Income
$$1,415.28
 Expenses: Triad Judge
$200.00
  Triad Supplies
$65.57
  Total Expenses
$265.57

Outstanding Check #1071 ($100.00)

Closing Statement Balance on September 30, 2007           $1,708.29

Literary Fund Balance on September 30, 2007      $1,608.29


Calendar Account:  submitted by Michael Farmer, Calendar Business Manager
Balance
July 1, 2007            $610.53
Income:
Calendar Sales
$5,244.60
  Total Income
$5,244.60
Expenses: Postage
$473.92
  Deposit Correction
$8.00
  Packaging Tape
$21.23
  Repay Gen Acct-DPI Balance
$3,123.38
 
Total Expenses
$3,626.53
Calendar Account Balance September 30, 2007  $2,228.60

General Fund
$55,713.06
Literary Fund
$1,608.29
Calendar Fund
$2,228.60
Total
$59,549.95

Fiscal year is April 1 to March 31 to coincide with our federal tax filing; the quarterly designations are now as follows:

First Quarter April 1 — June 30
Second Quarter July 1 — September 30
Third Quarter October 1 — December 31
Fourth Quarter January 1 — March 31

submitted by Nancy Rafal, treasurer

Wisconsin Poets' Calendar
Calendar Info Page
Order Form

Conference Rotation Schedule

Spring 2008
April 25-26
South-Central
VP James P. Roberts
Fall 2008
November 7-8
Northwest
VP Jan Chronister
Spring 2009
April 24-25
South

Fall 2009
November 6-7
East-Milwaukee

Spring 2010
April 23-24
Northeast
Fall 2010
November 5-6
Central-Fox Valley


Book Design &
Professional Editing Services
Christine Falk
952.985.5375
datadesign@frontiernet.net

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Remember!
The next Museletter DEADLINE
is
February 1, 2008
How to reach the Museletter Editor:
Christine Falk
9556 Upper 205th Street
West Lakeville, MN 55044

(952) 985-5375
email: thefalks@frontiernet.net