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Fall
2007 |
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President's
Message
Greetings, fellow poets!
It’s the middle of August as I write this, a bit
past my deadline for the Museletter.
And that’s as good an introduction as any to my topic: What’s this callow
newcomer doing in the WFOP presidency?
The short answer is: He’s learning.
For a longer answer, our vice president, Michael
Belongie, suggested that I tell
you something about myself.
I’m 51 years old, married for 31 of those years, the father of four daughters.
My wife, Jennifer, and I are both originally from central Illinois, she the daughter
of a
tenant farmer, me the son of a factory worker. Although I did well in high school,
college was almost unimaginable in my family, so I married at 20 and spent the
next
eight years working in the same factory as my father. A massive layoff finally
brought my time there to an end.
Fortunately, by then I was also a National Guard
medic—having gained a
Practical Nursing license in the process—and military benefits made college
conceivable, even for a fellow with two children and a third on the way. I enrolled
at age 30. My wife home-schooled our daughters and babysat handicapped
children to help make ends meet, while I drove a school bus and carried a full-time
student’s schedule, tackling mainly chemistry and calculus classes in preparation
for a Physician’s Assistant program in the Army.
Given our “scholar’s poverty,” it was critical
to rack up credits as quickly as possible, so I accepted an offer from the English
department to enroll in
a 200-level
course, write an extra paper a week, and retroactively earn credit for English
101.
That 200-level course—British Romantic Period Literature—changed my life. The
earnest passion of Keats, Mary and Percy Shelly, Byron, Wordsworth, and even
Coleridge spoke to something very deep in me. I immediately dropped my pre-med
major, switched to English, and vowed to somehow make a living of writing.
There followed a series of publishing jobs, first
part-time while I finished my degree, and then a full-time stint at a historical
and science-fiction game
publishing
company. That led to an offer to work in Lake Geneva, Wisconsin, for TSR, which
was then the publishers of Dungeons & Dragons. Eventually a connection there
pointed me toward an educational publishing house in Burlington, where I work
to this day, sometimes as a writer, sometimes as an editor, and more and more
frequently of late as a Web technologist.
That explains the day jobs. But always in the background, I heard Keats, Shelly,
and Byron reciting, later joined by Yeats, and then Sandburg, and eventually
Philip
Larkin. I started writing bits of my own verse and asking novelist friends (whom
I
had met at TSR) for feedback. They were encouraging, but they weren’t poets,
didn’t think of words the same way, and couldn’t give the sort of critique needed.
To complicate matters further, the politics of the time were impelling me to
a poetic frenzy; I knew the Romantics had viewed poetry as a political force
(Shelley: “Poets
are the unacknowledged legislators of the world”), but I had no idea how to make
a connection between poetry and the public in our modern world.
Then, in the summer of 2004, I found the WFOP.
Searching for valid poetry contests, I stumbled across the Triad and submitted
some pieces to it, joining
the organization at the same time. That fall, I won a couple of awards and drove
up to Ashland to attend the conference.
Arriving in time for Friday night’s
open-mike session, I found myself
overwhelmed with a sudden sense of
community. Here was an entire room
full of poets—of people who believed in
the loveliness and the power of words!
The rest of the convention only
confirmed that conviction.
I’ve been fortunate enough to
attend every convention since that
one. The WFOP has been a gateway
into a whole new world of experience.
It has fostered my growth as a poet,
introduced wonderful new friends,
exposed me to great ideas, and
provided many opportunities to share
my own work.
So last fall, when the board asked me
to consider running for president, I
hesitated only slightly. On the one
hand, I haven’t been with the
organization all that long; there’s a lot
I have to learn. On the other, I believe
in the organization utterly and am
committed to help make sure it
continues to foster poetry in general,
and Wisconsin poets in particular.
Our previous president made this
job look easy, just as our current board
members continue to make their own
jobs look easy. That is, of course, the
mark of an expert. I’m no expert, so I
hope you’ll forgive the occasional
blank gaze, forgotten name, delayed
e-mail reply, or other such misstep
while I catch up.
Sincerely,
Lester Smith |
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Next
deadline: November 2, 2007
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Sure Your E-mail Address is Up-to-Date
In
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to the entire membership. It seems that each time this
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Welcome
to the following new members who have joined since the last Museletter
issue.
Elise
Gregory
|
River
Falls |
| Mary
Kunert |
Plymouth |
| Graham
Marlowe |
Pulaski |
| Marilyn
Millhiser |
Green
Bay |
| Adam
Gregory Pergament |
Madison |
| Hanna
Pinkerton |
Madison |
| Andrea
Potos |
Madison |
| David
Sachs |
Seymour |
| Virginia
Scholtz |
Oconomowoc |
New
member inquiries should be directed to Peter Piaskoski,the credentials
chair. Join us!
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List Available
Fellowship members are entitled to receive a list of members at a cost
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In order to receive the list, members must now sign the agreement and
submit it with each request (copy and paste to e-mail it). |
Conference
Info & Rotation Schedule
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logo now graces T-shirts, sweatshirts and coffee mugs. The "T" is
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$10; XXL costs $11. The sweatshirt, screened yellow-on-blue, goes for $20.
The mug, at $5, is white ceramic with fired-on black printing. To purchase,
contact membership chair Peter Piaskoski at kppi2105@sbcglobal.net or
call (414) 332-9113. |
|
What's
Happening in Your Region?
Central-Fox
Valley Region
Carol
Pemrich Hauser, Central-Fox Valley Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304
iwritepoetry03@hotmail.com
|
Georgina
Meulemans, Central-Fox
Valley Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com |
An
article about Judy Roy appeared in
the Peninsula Pulse along with several
of her poems. Other poems were printed
in Free Verse. She has three poems and
two quilts in a joint exhibit which is
currently on display at the Sister Bay
library.
“Almond Joy”, Kathryn Gahl’s short
story, will appear in Pindeldyboz this
fall. Watch for it on-line in late August or
early September. pindeldyboz.com
publishes “stories that defy
classification.” “Rummage” appears in
the 2008 Wisconsin Poets’ Calendar.
Lastly, her recent reading at Stumpjack
Coffee Company in Two Rivers came off
in good company.
Cathryn Cofell has had work accepted
or published by the Aurorean, Arbor
Vitae, Free Verse, New York Quarterly,
Origami Condom, the WFOP Museletter,
the 2008 Wisconsin Poets’ Calendar,
and a forthcoming anthology from Wising
Up Press. In collaboration with Karla
Huston, a poem also appears in Saints of
Hysteria, an anthology of Collaborative
Poetry just released by Soft Skull Press.
Cathryn performed at a CD release party
at Harmony Café and assisted with a
poetry slam workshop for Einstein Middle
School, plus readings at Harmony Café
and Conkey’s Bookstore in Appleton,
the Montello Public Library and the
McMillan Coffee House in Wisconsin
Rapids.
Ellen Kort has been awarded the 2007
Robert E. Gard Wisconsin Idea
Foundation Award for Excellence. The
Foundation is a collaborating partner of
the Wisconsin Academy of Sciences,
Arts, and Letters. The award in honor of
Robert E. Gard (1910-1992) was presented
to Ellen at the Rhinelander School of the
Arts in July of 2007.
June Nirschl, Estella Lauter and
Ralph Murre took 1st, 2nd and 3rd place
respectively in the Peninsula Pulse
Writers Expose Contest. Ellen Kort
served as a judge. Poems were published
in the August 5th issue of the Pulse.
Ia Bolz was a participant
in the June
2007 videotaping of Fox Cities poets with
Time-Warner Cable’s Wisconsin
Channel 1111 (Cable On Demand) at
Harmony Café in Appleton. Ia as well as
other Fox Cities poets can be seen reading
their poetry on the cable on-demand
channel. Just click on Arts &
Entertainment—Poetry.
East
Region
Cary
Fellman, East Regional VP
303 E. Clay Street #301
Milwaukee, WI 53217
cary4612@sbcglobal.net
It’s time again for the 4th annual Food
for the Heart & the Hungry Poetry
Reading sponsored by the Wasteland
Poets on Saturday, September 29. The
open mic reading begins at 6:30 p.m. at
Martha Merrell’s Books & Café, 231 W.
Main Street, Waukesha. Poets and
audience are asked to bring a nonperishable
food donation for the
Waukesha County Food Pantry. Last
year’s event had 27 poets read, and raised
over $400 and filled three barrels with
food for the pantry. To sign up early, email
Anjie Greene-Martin at
poetanj@gmail.com , or call Liz Hammond
Rhodebeck at (262) 695-2761.
Charles P. Ries’ poetry
reviews and
interviews have or will appear in: Poesia,
Philadelphia Poets, Poets West, Free
Verse, Barking Dogs, Barbaric Yawp,
Bathtub Gin, Sein Und Werden, Poesy,
PRESA, Small Press Review,
Wilderness House, St. Vitus Press,
Penhimalaya, Barking Dogs, Mad
Hatters Review, Espresso, Pass Port
Journal, Hiram Review, Butcher Shop
Press, Axe Factory and Cynic Review.
His articles on writing have or will appear
in: Small Press Review, Working Writers,
Free Verse, Remark, Creativity
Connection, Zygote In My Coffee, Quirk and LauraHird.com. His poetry
has
or
will appear in: Poor Mojo’s Almanac,
Free Verse, Wisconsin Poets’ Calendar,
Phoenix, Kudzu, Harim Review,
Temenos, Quirk, Presa, and Cool Plums.
His short fiction will appear in:
Mannequin Envy’s Print Anthology and
Cezanne’s Carrot. He won 3rd Place in
The Blind Press Bi-Annual Poetry
Contest, honorable mention in the WFOP
Muse Prize for Excellence in Poetry, his
poem “Perfect Saint” was selected as a
Guerillas Poets Project broadside,
Cinnamon Press selected his poem “I
Love” for its forthcoming anthology Only Connect, he will be a
presenter at the 2008 Association of
Writing Programs annual conference in
New York, four of his poems were selected
to appear in the print anthology, Guerilla
Poets Project Reader, and his poems “A
Very Silent Man” and “Stars Suspended
from Branches” were selected for the
Capital Book Fest Book Project coffee
table anthology.
Marilyn Taylor won an “International
Publication Prize” from the Atlanta
Review. Twenty such prizes are awarded
each year in this competition, which,
according to the Review, receives
“thousands of entries” from around the
world. Marilyn’s poem is entitled “The
Seven Very Liberal Arts.” It will be
published in the October issue of the
Atlanta Review.
Mid-Central
Region
Joan
Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net
Poets
from this region in the 2008 Wisconsin
Poets’ Calendar are: Linda
Aschbrenner, Barb Cranford, Bruce
Dethlefsen, Lincoln Hartford, Jeffrey
Johannes, Joan Wiese Johannes, Joy
Kirsch, Michael Kriesel, and Kris Rued-
Clark.
Barbara Cranford conducted a poetry
workshop in Hancock in July.
Joan Wiese
Johannes conducted a writing workshop
in Willard in July.
Bruce Dethlefsen read at the Coffee
Cabin in Wautoma on July 5th.
Michael
Kriesel read at Avol’s Bookstore in
Madison on July 5th.
Jim Pollock read
from his new book, A Whole Different
Animal, at Final Friday in Marshfield in
June and July.
Joan Wiese Johannes was a Free Verse
poetry contest winner recognized in Issue
#91.
Bruce Dethlefsen and Michael
Krieselhad work in Free Verse #91.
The Final Friday Open Mike is held at 7
p.m. the last Friday of the month, January
through October, at Thimbleberry Used
and Unusual Books, 166 S. Central Avenue,
Marshfield. All poets are invited to attend
and read.
Readings are held the first Thursday of
each month at 7 p.m. at the Coffee Cabin,
W7829 State Highway 73/21 at Village East
Plaza, Wautoma.
Northeast
Region
Carol
Pemrich Hauser, NE Regional Co-VP
2143
Woodcrest Drive
Green Bay, WI 54304
iwritepoetry03@hotmail.com
|
Georgina
Meulemans, NE Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com |
Michael
Kriesel has poems in the
latest issues of North American Review,
Poet Lore, Pearl, Free Verse, Barbaric
Yawp and Nerve Cowboy. He’s also been
chosen to judge the 2007 Writers Of
Wausau Poetry Contest.
Northwest
Region
Jan
Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com
Jan
Chronister will lead a poetry
writing workshop on Thursday evenings
at WITC—Superior September 27th—October 18th. “The Power of Poetry” will
focus on craft, revision, and
strengthening reader connections. The
workshop runs from 6:30-9 pm. There is a
fee and registration must be done through
the WITC website, witc.edu.
For
more information, e-mail Jan at
janchronister@yahoo.com.
Second Sunday Poets will host an
October reading featuring Rob Ganson at
2 pm October 14th at the Drummond Public
Library. Ganson has recently published
his chapbook, Float Like a Butterfly,
Sing Like a Tree. An open reading will
precede the featured reader.
Refreshments will be served. The event
is sponsored by Second Sunday Poets,
WFOP, CHARAC, and the Drummond
Public Library.
On November 11th the poets selected
to have their work illustrated in the Verbal/
Visual competition sponsored by
CHARAC will read their poems. The
artwork will also be on display. This
event will take place at the Park Theatre
in Hayward at 1:30 p.m. The Park Theatre
has been purchased by CHARAC (Cable
Hayward Arts Council) as a venue for the
arts. This event is sponsored by Second
Sunday Poets, WFOP, and CHARAC.
submitted by
Jan Chronister, Northwest Regional VP
Diana
Randolph,
Drummond, had a poem published in Driving Bits, the
Northwoods Harness Club Newsletter.
In July she had a great time at the School
of Arts at Rhinelander teaching an class
titled “Exploring Mandalas through
Drawing and Writing”; and taking a
poetry writing class taught by Mary Sue
Koeppel. She enjoyed reuniting with some
old friends from WFOP in the poetry
class.
South Region
Frank
Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net
South-Central
Region
James
Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com
The summer heat has not stopped some
of our South-Central members from plying
their craft. However, I’ve experienced some
health issues that has curtailed my
attendance at these events and I hope that
all members will continue to send me news
of their upcoming readings, publications,
etc.
Susan Elbe is pleased to
announce that
her collection of poems, Eden in the
Rearview Mirror (Word Press), is now
available for purchase online at Amazon,
Barnes & Noble, and Borders. Check her
web site, susanelbe.com,
for more information.
She has two poems
in the Summer 2007 issue of After Hours: A
Journal of Chicago Writing and Art and
one of her poems will be reprinted on free
postcards in Shoshauna Shy’s Poetry
Jumps Off the Shelf project No Direct
Route Home (Woodrow Hall Editions).
Peg Sherry took second place in the Bo
Carter Memorial Poetry Contest this year.
Shoshauna Shy, author of What
the
Postcard Didn’t Say, and John Lehman,
author of Shorts, read at Avol’s Bookstore
on May 6th.
Robin Chapman, author of The
Dreamer
Who Counted the Dead, and Richard Roe,
author of Knots of Sweet Longing, read at
Avol’s Bookstore on May 8th.
The Popcorn Press authors Shelly
L.
Hall, Patrick T. Randolph, and Lester
Smith read at Avol’s Bookstore in
Madison on May 13th.
Richard Swanson and Charles
P. Ries,
featuring The Spoken Word/Drum &
Bass Tour of Oren Wagner, with Skot
Diablo of Diablo Syndrome gave a
combined reading/performance at Avol’s
Bookstore on June 2nd.
Gay Davidson-Zielske was among the
poets who read at A Room of One’s Own
on Sunday, June 3rd.
Russell Gardner and Robin
Chapman,
co-founders of the Epidemic Peace
Imagery (EPI) read poems with slide
pictures as part of the celebration of the
4th anniversary of Epidemic Peace
Imagery (EPI) and the opening of Russell
Gardner’s mixed media eleven
“Hilgendorf series” at the Escape Gallery
and Coffee Shop, 916 Williamson Street,
Madison on June 4th.
Kimberly A. Blanchette and Adam
Gregory Pergament were the featured
readers at the Second Sunday Open Mike
sponsored by the Wisconsin Fellowship
of Poets at the Madison West Barnes &
Noble on June 10th.
Jean Tomasko, Yvonne Yahnke and
Josey Zell participated in an evening of
poetry celebrating nature and the Summer
Solstice at the Holy Wisdom Monastery
in Middleton, Wisconsin on June 19th.
WFOP Vice-President Michael Belongiehosted the event.
Angela Rydell conducted
a Poetry
Workshop “Striking Sparks: Inviting
Surprise into Your Poem” as part of UW Extension’s
Write-by-the-Lake Writer’s
Workshop and Retreat, Madison, WI
June 18-22, 2007.
I was out in Colorado for a week in July
and may have missed some event
announcements. If anyone wants me to
list them in the next issue, please send me
your information and I’ll add it to the
column.
Richard Roe has announced he will no
longer be co-ordinating the Second
Sunday Poetry Open Mike Series at
Madison’s West Side Barnes & Noble.
Shoshauna Shy will host the August
12th event and Jeannie Bergmann will
host the September 9th event. Anyone
interested in continuing this series can contact me for more information.
Finally, I’ll be doing “A Ghostly
Evening with James P. Roberts” at the
Stringfish Lounge in Madison on
Saturday, October 20th.
See you at the Fall Conference.
submitted by
James P. Roberts, South-Central Regional VP
Shoshauna
Shy was on Radio
Literature (WORT 89.7) on May 17th and
June 21st, and participated in a reading
at Olbrich Gardens on July 8th. Her poems
have been published in Sunstone and
Quill & Parchment.
Jeannie Bergmann won an
“International Publication Prize” from the
Atlanta Review. Twenty such prizes are
awarded each year in this competition,
which, according to the Review, receives
“thousands of entries” from around the
world. Jeannie’s poem,“Death
Wish,” will be published in the October
issue of the Atlanta Review.
Judith Zukerman’s poem,
“Cheshvan” will be in the fall issue of The
Deronda Review. This journal was
previously titled Neovictorian Cochlea.
New member, Adam Gregory
Pergament’s Madison based group,
Venice Gas House Trolley combines
music and poetry. In an effort to open
space for poetry where it might not have
been welcome previously, they regularly
play music venues around the Midwest.
This August they will appear at the
international Minnesota Fringe Festival
and have a new CD to be released in
September. Folks can find out more
about them by checking out:
flowpoetry.com and
myspace.com/flowpoetry.
Linda Newman Woito returned
to her
native Iowa in March of this year—but is
already missing all those great Wisconsin
writers! Linda’s poetry has appeared in
Main Street Rag, Free Verse, the 2008 Wisconsin
Poet’s Calendar, and The
Rockford Review, and she is trying to
pull together a chapbook. Two satirical
Nursery-Rhyme poems appeared online
in “Saturday at the Diner,” a group
organized by Clark Street Review editor
Ray Foreman. In January, Linda read at
WFOP’s Winter Festival of Poetry 2007
in Madison where—thanks to James
Roberts—small chapbooks were
available ($1) for each Sunday’s reading.
In February, Linda read “Love on the
Autobahn” at The Fabulous Crone Show:
Lives and Loves of Elder Women, in
Madison. Linda wants you to know
she’ll be keeping in touch with you as a
WFOP member (with strong ties to
Wisconsin) ... since the only reason she
started writing poetry in the first place—
was Wisconsin!
Lou Roach has a book coming out in
September entitled For Now. She had
five poems accepted by Free Verse and
also earned second place in the most
recent Free Verse haiku competition.
Earlier this summer Lou had a poem
accepted by Fox Cry Review.
West
Central Region
Sandra
Lindow, West-Central Regional VP
320
W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com
Summer
creativity sizzles in the
Chippewa Valley. The Writers’ Group at
the Library is in its nineteenth year. Yvette
Flaten and Gail Sosinsky-Wickman just
returned reenergized from the
Rhinelander Writer’s Conference. Soon
Gail will be moving to the East Coast
where she will be teaching college writing.
Steve Betchkal, Yvette Flaten, Peg
Lauber, Eva Mewes, Dina St. Louis, and
Sue Thibado all had poems published in
the 2008 Wisconsin Poets’ Calendar.
Bruce Taylor’s story “Hiccup Tricks”
appears in Bar Stories, edited by Nan
Byrne. It can be purchased at
Amazon.com.
August 4th, Sandra
Lindow was part of a speculative poetry
reading at Diversicon Science Fiction
Convention. Her poem, “The Shine” has
been accepted by Dragons, Knights and
Angels magazine. “Gothic Milk Toast,”
will appear in the March 2008 issue of
Star*line. “A Crisis of Forest,” has been
accepted by Asimov’s Science Fiction
Magazine and “Doorways,” will appear
next year in The Magazine of Speculative
Poetry.
submitted by
Sandra Lindow, West-Central Regional VP
Jane-Marie
Bahr, Menomonie, has
two poems, “Abandoned” and “Mating”,
forthcoming in Free Verse.
Patrick T. Randolph and
his wife, Gamze, would like to greet the WFOP with blissfully, beaming grins
and kind
salutations. In June, Patrick had a poetry
reading at the University Bookstore in
the Hilldale Mall in Madison. It was a
success with 30 people attending. In
July, Patrick received the “best podium
poem award” at The Rockford Review Gala. Since the last Museletter,
his poetry
has been published or accepted for
publication in Bellowing Ark, The Flask
Review, The Cherry Blossom Review,
Storyteller, Quill & Parchment, and the
Goose River Press 2007 Anthology. His
work will also appear in Ceremony
Celebrated, a new anthology due out in
the summer of 2007. In October, Patrick
will have a poetry reading on the Beloit
College campus, and his work will be
featured in Quill & Parchment. Also be
aware that he is sponsoring a poetry
contest for Free Verse. The
theme is on “The Hungry and The
Homeless.” Please feel free to submit
your work.
Poet/artist Candace Hennekens and
her two grown daughters, Anne
Hennekens and Jenn Louviere, will again
be opening their art gallery in the hayloft
of their old barn at Swooping Swallows
farm for the Falling Leaves Studio Art
Tour. Candace will be demonstrating in
her studio which used to be the farm's
milk house. More information on the
Falling Leaves Art Studio Tour scheduled
for October 6th and 7th through Fall
Creek, Augusta, Fairchild, and Humbird
is available at
fallingleavesarttour.com, including
a map of the fourteen sites on the tour.
|
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Your Dues Current
Please remember that
membership dues are payable by January first of every year. We no longer
offer a "grace period" after nonpayment of dues. Members must
be current with their dues to enjoy membership benefits such as:
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in the Museletter
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to enter the "Triad" poetry contest
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entry fee for the "Muse" contest
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of course, the Museletter itself.
Don't Forget the New Dues
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Members may pay $100 for a five-year membership.
That's five years worth of membership for four years' dues.
Please take advantage of this savings. The Fellowship also saves money
by reduced mailing cost for all those payment reminders and lapsed memberships. |
From
the Treasurer
All members recently received
postcards reviewing their
membership status. This annual first
class mailing is done in connection
with WFOP bulk mailing permit
requirements. We use this method as
a way of updating our data base and
to remind lapsed members that it is
past time to renew.
PLEASE—whenever you move,
change your e-dress, or change your
telephone number, let me know.
Nancy
Rafal—WFOP treasurer
P.O. Box 340
Baileys Harbor, WI 54202
mrsticket@dcwis.com
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WFOP
Poetry Marathon at Olbrich Gardens
July 8, 2007
The
15th Annual WFOP Invitational Poetry Marathon took place in the atrium
of Olbrich Gardens in Madison on Sunday, July 8th. A dedication of Engraved
Bricks
to honor Ellen Kort and Readers at the Poetry Marathon took place in the Herb
Garden. The bricks read as follows:
ELLEN
KORT WFOP POETS
FIRST
POET SINCE 1993
LAUREATE
OF WI 2001
It
was a Red Letter Day to have Ellen Kort come to read at Olbrich and
see her bricks. She and the Calendar Editors, Michael Belongie and
Josephine
Zell were
the featured readers. Otherwise mostly former readers at Olbrich read after
we went into the Herb Garden to look at the bricks. These included:
Jeannie Bergmann,
Cliff Dillhunt, Ron Ellis, Michael Farmer, Barbara Houghton, Susan Kileen,
Judy Kolosso, John Lehman, Jeri McCormick, Nancy Rafal, Fran Rall,
Richard Roe,
David Scheler, Shoshauna Shy, Lynn Smith, Marilyn Taylor and Wendy
Vardaman.
An additional twist to the planning of this event was the fact that Ellen
didn’t
know about this project, having not been present during any discussions of
it during board meetings or floor presentations of it. I would like
to thank people
who donated toward buying the bricks for Ellen. The bricks honoring the Olbrich
Readings on their 15th year were purchased by the Ralls. Unfortunately, Olbrich
has discontinued the Bricks Program, so no more names can be added.
One note might be in order... recently renovated
air conditioning made the atrium even more a lovely place to meet.
I would like to announce that Fran and Lou have asked Wendy Vardaman to be
a member of the planning committee for the Olbrich Readings. She will be
a valued member as we move toward future years, which I hope will continue
for a long
time.
Poetically
speaking, Fran
Rall.
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Inspired
by Science
Editor: Wendy Vardaman
DOLOMITE
ESCARPMENT
one
day i showed up to geology class late
and dressed in a long skirt,
blouse, pearls, and straw hat.
the teacher did not ask about the straw hat
but rather why i was late. it was snowing
hard-maybe six inches by then.
and then we turned to the lesson,
dolomite escarpments, maybe; or
mohs hardness scale of talc, gypsum,
quartz, topaz, and diamond; or
the inscrutable squiggles
on a topographical map. i wondered
what widow douglas, the character
i was portraying from tom sawyer,
would have cared for this science
of rocks when all she really wanted
was a whitewashed fence and to soon
see her husband in heaven—
and outside from heaven came whitewash
over all the dolomite escarpments in town
when one day i showed up to geology class
wearing pearls over my blouse, and late.
—B.J.
Best, West Bend
SYSTEM
ERROR
This
planet has an atmospheric depth of 80 kilometers.
I am a bottom-dweller.
This
planet swirls with cloud, stirred, not shaken.
I am experiencing motion sickness.
This
planet is watery and blue.
I will allow it to weep on my shoulder.
This
planet has a liquid core.
I’d like to review the warranty on my liver.
This
planet tilts away from the sun.
I long for the solstice.
This
planet is not a perfect sphere.
I am losing my figure of speech.
This
planet has performed an illegal operation
and will be shut down.
—F.J.
Bergmann, Poynette
previously published in Chiron Review
MY
PHYSICIST FRIEND
A
question for you, my physicist friend.
are strings absolutely where it will end?
When I ask what they’re made of you say “energy.”
Pretty vague! Is it some sort of synergy?
Theorists
tell us we have eleven dimensions.
This tends to deflate a lot of pretensions.
Just when I felt good about gravity bending time
you got me spinning on a pretty thin dime.
You
kept coming out with subatomic particles,
like a tabloid printing a series of articles.
Up and down and charm and other quarks
seemed nothing but physicists’ quirks.
But
now we can rejoice in a theory of everything.
Whatever you see is just—string!
A universe of threads that crackle and sizzle,
from the sharpest edge to the dullest drizzle.
How
great to unite the weak and the strong!
Or maybe you’re stringing us along?.
—Ron
Ellis, Cambridge
NIGHTS
WITH AN ENTOMOLOGIST
Before
going to bed we watch
fireflies. You tell me
they flash in certain patterns
to attract mates. The females
wait in the grass, or here
like this one, on a broken
piece of wicker, while the males
fly around, fancy-free.
They watch each other’s
burning, carefully.
There
are some dangerous females
you say, who’ve learned to mimic
the flash of another kind—
when the deceived male lands,
she eats him.
Nature is not about love
you say, it’s about food
and sex
and learning over and over
all that flashes is not fair.
—Jeanie
Tomasko, Middleton
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CRYO-SIMULATION
If
the body stood
frozen in a cryovat,
would the soul linger
like an English fog
obscuring the solid form
of curb and lamp post
so that we unwittingly
stumble into the traffic,
endangered by death’s death
losing even the hope
of a final rest?
Would
it have been the same
miracle if Lazarus
had been raised from a
cryostatis chamber, or be
only Frankenstein’s brother
never born with a soul?
Frosty
blooms on the window
mimic the dainty rose
in form and beauty,
mesmerize the eye
with its sham life;
but cold and bloodless
they vanish in the warm breath
never to rise again. —Liz
Hammond Rhodebeck, Waukesha
FEAR
OF BIRDS AND OTHER PHOBIAS
I
tell myself there is nothing to fear
that it’s just a big white box
but runaway terror
has forced me
to step outside myself
and watch
as the wide mouth of this machine
swallows me trussed and tied
into its belly
where it maps with x-ray detail
the pale moonscape of my brain
exquisite images
that show just where the tumor lies
curled behind my frontal lobe
looking pale and benign
morbid
as a baby bird dead in its nest
—Janice
Hysell, Sturtevant
WOVEN
UNIVERSE
Stretching
woven strands from branch to leaf
preoccupies the spider’s day.
It holds the singing insect still,
restrains the fluttered wings of moths.
Outside, shadows sift beyond its orb
as I, centered in my narrow sphere,
pass and re-pass each daily task with infinite care
inside the wheel I shape.
Through the silence, I only imagine
what might move beyond my narrow universe.
—Peg
Sherry, Madison
TO
BREATHE
From
my position here
on earth, it looks as if a cumulus
cloud
has plunged down
through a cirro-cumulus, like an arm
clawing
into a lower stratum
to carry up more oxygen. Or maybe it’s
a
cirro-cumulus breaking
into alto-stratus, like a swimmer
coming
up for air. As you
can see, I’m trying to learn
cloud
names, as I’ve tried
to learn flowers, constellations, people,
streets.
Each has a name and each
fits yet doesn’t fit, like
that
cloud; like me, always delighted
by another name, by another name-defying
detail;
each phylum, genus, species,
each individual, another gulp of air.
—Sheryl
Slocum, Burlington
Theme
for Fall issue:
In the Kitchen
Deadline:
Friday, November 2, 2007
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Poems
by Our Membership—NOTE NEW E-MAIL ADDRESS
Please send poems along with an SASE
to the new editor, Wendy Vardaman, 2336 Monroe St., Madison,
WI 53711. You may also send your poems via email (no attachments
please) to wvardaman@hotmail.com.
Only submissions containing an SASE or email address will be considered.
Previously published poems for which the author retains the rights
are acceptable. Please indicate which journal/book in which poem
has
been published. Membership status must be current to be considered
for publication on these pages. |
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Can Poets Enter the “Club” Scene?
by Sarah
Busse
What could be better, as a writer,
than to know your book was being picked up by a handful of readers
together, to be
read, mulled over and discussed thoughtfully? Every month,
countless book groups and reading circles do just this. Of all
the hundreds such groups in Wisconsin alone, how many
ever include a book of poems? I would guess at most a mere
handful. Why do these readers, who could be such a great
audience, avoid poetry? There may be many answers to this
question, but here are three big possibilities:
-
They
think they don’t get poetry.
-
They
have misconceptions of poetry based on ignorance: I once told someone
I wrote poetry and he replied, “Oh,
the sweet stuff.”
-
They
aren’t against the idea, but simply boggled by
choices: how to start, where to start? What to talk about?
We poets—and publishers of poetry—have an
opportunity here that we are not yet taking advantage of.
This was brought home forcefully to me at the library one
day this summer, as I casually paged through the June 2007
issue of Writer’s Digest. I came across an article by novelist
John Shors about his experience with book groups, which I
will quote at length:
“… that summer, I started talking to local book clubs about
my novel and made a sincere effort to connect with area
readers. I started out small-talking in-person with a group or
two a week. The feedback I received from these first groups
was extraordinary. People said they’d tell their friends about
my novel and my book-club program. The word started to
slowly spread, and before I knew it, a true grass-roots buzz
was underway….No longer were my conversations with only
clubs in my immediate area; thanks to speakerphones and
low long-distance rates, I was able to start chatting with
book clubs from San Francisco to Sarasota.
In June 2006, the trade paperback
version of Beneath
a Marble Sky was released. In an effort to take my book-club
idea to the next level, I included a letter with my e-mail
address in the back of the paperback, encouraging readers to
invite me to their book clubs.
Well let’s just say I opened the floodgates by writing that
letter.”
Even
if one is reluctant to converse by speakerphone, surely there are
some ideas here to consider. It is clear many
readers are seeking connection. Some may wander out to a
poetry reading or open mike to find it. But for those readers
who wouldn’t dream of going to a poetry reading—can we
still reach them? Here are a few ideas:
-
Include
some guide or guidance in the book itself.
Why couldn’t those of
us who have a chapbook or book coming out include a “reader’s guide” at
the back—
list three or five or eight questions for readers to consider
as windows into particular poems. These could look at
issues of theme, image, form and/or personal experience,
etc.
Alternately, we could include a brief letter to the reader
at the front or back, explaining perhaps the genesis for
these poems, or a little bit about what we were living with
and considering during the writing. I would suggest to those of us on the publishing end of the business that every book of poetry you publish could have
some such guide or guidance included, as a way to encourage readers that poetry is not so tricky, nor “above their heads.” I
do not think this necessarily need be seen asdumbing down or compromising—no one wants the Cliffs’ Notes for their work.
On the other hand, who wouldn’t love the equivalent of a good teacher there, pointing up an interesting feature here, asking a
provocative question there, leading the reader deeper into the poems?
- Write
something to be given away.
If it isn’t feasible or desirable to include
such a guide in the book itself, another option would be to give away a single
page with every book sold. Include it with any promotional materials.
Make it available on your website.
-
Become
an ambassador for poetry.
For those of us so inclined, would it hurt
to invite people, as Shors did, to contact us to visit with their
book club, class,
or circle? Or if we don’t have time or inclination to meet in person, we could carry on a conversation through email, or invite
groups to submit a list of questions which we could answer and send back.
More than just a tool for marketing your
own work, there is a larger possibility that we may each become an ambassador
for poetry to the broader world of readers. Those of us that already belong
to reading groups could slip in a favorite book of poetry we’d be willing to
lead discussion on once a year, say. (Two good references here: Molly Peacock’s
book How
to Fall in Love with Poetry and Start a Poetry Circle, and the Academy
of American Poets: www.poets.org/bookclub.) Some of us might offer
our services to book clubs in the area who are interested, to come in and
lead discussions on any of a number of books—celebrating a local poet like
Lorine Niedecker, or choosing a book of poems structured around a narrative
or theme (which may be more accessible to a group of readers attempting their
first foray into poetry),
might be good places to start.
Even for those of us who have no books currently in print, we have the chance, any time we talk to a group or give a
reading of our own work, to share one or two poems by other poets that we enjoy, were influenced by, or that have been
important in some way. This gives the audience a way to follow us into the intimidating poetry section of bookstores and
libraries.
As someone relatively new to the area,
I am curious how many in WFOP have already acted on these ideas (or similar ones).
I would love to hear from anyone who has stories of their experiences bringing
poetry to book groups. Please feel
free to contact me at sarah.busse@tds.net.
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Workshops, Etc.
Unleash
the Power of Your Poems—How to Write Poetry That is Uniquely
Your Own but Speaks Evocatively to Others
John Lehman, Cedarburg, WI 1:00-4:00 p.m. September 23rd
Washington House Inn, WriterGallery.com for
details.
Learn to use movement, dramatic contrast, imagery, musical devices and
uncovered narration in order to recreate sensations and feelings others can
experience. To break lines purposefully, develop titles that appeal to editors, read
your work with appeal and go deeper and farther with your subject in revision than
you ever dreamed possible. Ongoing
Contemplative Writing classes with Miriam Hall
(including
a September weekend retreat in southwestern WI for current students
only) continue in
Madison, WI.
Contemplative Writing—inspired by the teachings of Natalie Goldberg which
combine Zen Buddhism and writing in a single practice—is a highly personal
practice, done in small groups, encouraging writers and “non-writers” alike
to work more directly with the creative process and find it less intimidating
and more
inspiring. More than just a “spiritual journaling class”, Contemplative Writing
is a formal practice which can be useful for writers of any ilk. For further
information or
to register, please contact Miriam over phone or email: (608) 217-2132 or
herspiral@yahoo.com.
How to Make
a Good Poem Even Better
REMINDER! Marilyn Taylor’s five-day workshop in Door
County!
Sunday, September 30th through Friday, October
5th - Lawrence University’s beautiful Bjorklunden Seminar
Center in Baileys Harbor.
Marilyn would be delighted if you’d consider joining this
supportive, always-energized gathering of poets. For all the
info you’ll need, contact Mark Bresemen at (920) 839-2216 or
visit www.lawrence.edu/dept/bjork. Or email Marilyn at
mlt@uwm.edu.
New Poetry
Critique Group at Redbird Studio in Milwaukee
Award-winning poet and WFOP
member Marilyn Taylor
will facilitate a new twice-a-month critique group starting
Wednesday, September 12, 2007. Poets at all levels will be
warmly welcomed to present works-in-progress for
supportive discussion and feedback. Group meets at
Redbird, which is located right across the street from Lake
Michigan in Bay View: 3195 S. Superior St., #429, Milwaukee.
Specifics: two Wednesday evenings per month: September
12, 26, October 10, 24, November 7, 28, 2007. 6:30-8:30p.m.
Fee: $145. See guidelines and registration information at
www.redbirdstudio.com, or call Judy Bridges (414) 481-3195.
Poetry Writing
Workshop with John Rezmerski: Three Keys to Poetry: Repetition, Repetition,
and
Repetition
Everybody knows how to use surface repetition-rhymes,
refrains, and extended metaphors-but repetition can develop
in more sophisticated ways, and often operates at the
deepest levels of a poem. Sponsored by the WFOP.
Saturday October
20, 2007, 10 a.m. to 4 p.m.; break for lunch (not included in fee). Limited
to 12 participants. At Avol’s
Bookstore, 315 West Gorham St., Madison, WI.
John Rezmerski
performs as part of the “Lady Poetesses
from Hell.” His first book, Held for Questioning, won the
Devins Award. Since then he has published a number of
collections; What Do I Know?: New and Selected Poems (Holy
Cow! Press) appeared in 2000. His most recent chapbook is 22
from TOTU, poems that appeared in the science-fiction magazine
Tales of the Unanticipated.
Publications include Poetry Today, New Letters, Dacotah
Territory, Sumac, Common Ground, the Wall Street
Journal, Where One Voice Ends Another Begins, and most
recently The Blueroad Reader. His poems have been
featured on The Writer’s Almanac. He is also widely
experienced as an editor.
Committed to bringing poetry to non-traditional
audiences, in the 1970s he led Minnesota Poetry Outloud,
taking poets to perform poetry and music in parks, bars,
nursing homes, bookstores, and small-town festivals. He has
performed for over a thousand audiences, including an
appearance on “What D’ya Know?” He taught poetry,
creative writing, linguistics, science fiction, journalism, and
storytelling at Gustavus Adolphus College in St. Peter, MN.
He has conducted workshops and classes for schools,
libraries, arts centers, and museums, and he has frequently
served as a judge.
“Last Saturday you critiqued my poem…. By the time I got
home, I had re-worked the poem in my mind, and when I rewrote
it, it was much better to my eye. Also, when I started
re-reading the poems in [my] collection, I immediately could
spot written phrases, literally thinking, ‘John would say this
or that about this line.’ Thank you for the help.” —a note from a workshop participant
John Rezmerski
will read and critique beforehand a manuscript of up to 10 pages of
poems from each participant
(send by October 1st; fee must be paid in advance) and hold
individual discussions during group writing exercises. He
will also give a reading of his poetry, open to the public,
after the workshop at 7 p.m. Saturday evening at Avol’s and
will have books of his poetry for sale.
Workshop
fee: $65 WFOP members, $90 non-members. Make check out to WFOP; non-member
fee includes
Wisconsin Fellowship of Poets membership if desired.
Please include contact information. Mail by October 1st, with
10 pages of your poetry, to:
Jeannie
Bergmann
W5679 State Road 60
Poynette, WI 53955-8564
For more
information, call Jeannie at (608) 635-3966 (h) or (608) 255-4730 (w),
or e-mail demiurge@fibitz.com. |
FINANCES
First Quarter Financial Report**
April
1, 2007 through June 30, 2007
General
Account: submitted by Nancy Rafal, treasurer
Balance April
1,
2007 $51,109.93 |
| Income: |
Dues |
$1,775.00 |
| |
Merchandise
Sales |
$60.00 |
| |
5
for 4 CD Interest |
$64.13 |
| |
Barnes
& Noble contributions |
$17.89
|
| |
Member
contributions—Poet Laureate Fund |
$40.00
|
| |
Total
Income |
$1,957.02 |
| Expenses: |
Museletter |
$1,120.86 |
| |
Outgoing
President Gift |
$78.07 |
| |
Student
Contest Expenses |
$388.63 |
| |
Student
Contest Prizes |
$200.00 |
| |
N.
Rafal—postage |
$145.00
|
| |
Other
postage |
$11.31
|
| |
Member
contributions—Poet Laureate Fund |
$40.00
|
| |
Total
Expenses |
$1,983.87 |
Outstanding
checks ($25.00)
General
Account Balance on June 30, 2007 $51,083.08*
*$25,000
of this is invested in three interest-bearing CDs: one
$5,000 CD (22 months) for the General Account
to help bridge the gap created by “5
for 4,” and two $10,000 CDs (13 months) the interest
of which goes to the Literary Fund for our contest prizes. |
Literary
Fund Account: submitted by Susan Kileen, Literary
Fund Co-Chair
Balance April
1, 2007 $911.71 |
| Income:
|
Donations
(Spring Conference) |
$70.00 |
| |
Total
Income |
$70.00 |
| Expenses: |
Muse
Judge |
$300.00 |
| |
Muse
Cash Awards |
$375.00
|
| |
Muse
Trophy |
$213.38
|
| |
Triad
Flyers |
$11.25
|
| |
Total
Expenses |
$899.63 |
|
Closing Statement
Balance on June 30, 2007 $558.58
Literary
Fund Balance on June 30, 2007 $558.58 |
Calendar
Account: submitted by Michael Farmer, Calendar
Business Manager
Balance April
1, 2007 $5,455.65 |
| Income: |
Calendar
Sales |
$335.30 |
| |
Total
Income |
$335.30
|
| Expenses: |
Postage |
$82.00 |
| |
DPI—Calendar
Brochures |
$98.42 |
| |
DPI—First
Payment '08 Calendars |
$5,000.00
|
| |
Total
Expenses |
$5,180.42 |
| Calendar Account Balance on
June 30, 2007 $610.53 |
| General
Fund |
$51,083.08 |
| Literary
Fund |
$558.58 |
| Calendar
Fund |
$610.53 |
| Total |
$52,252.19 |
| Fiscal
year is April 1 to March 31 to coincide with our federal tax
filing; the quarterly designations are now as follows:
|
| First
Quarter |
April
1 — June 30 |
| Second
Quarter |
July
1 — September 30 |
| Third
Quarter |
October
1 — December 31 |
| Fourth
Quarter |
January
1 — March 31 |
submitted
by Nancy Rafal, treasurer |
|
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Conference
Rotation Schedule
Fall
2007
November 2-3
Mid-Central
VP Joan Johannes |
Spring
2008
April 25-26
South-Central
VP James P. Roberts |
Fall
2008
November 7-8
Northwest
VP Jan Chronister |
Spring
2009
April 24-25
South |
Fall
2009
November 6-7
East-Milwaukee |
Spring
2010
April 23-24
Northeast |
Fall
2010
November 5-6
Central-Fox Valley |
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Book
Design &
Professional Editing Services |
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Museletter
Advertising Rates
Books
for Sale in Poetry Publications
section..................... $5.00 per listing
(This price is not discounted to Members. Discount is built into
the one free listing per book, per year)
Business
Card ....... $25.00
Quarter Page ........ $50.00
Half Page.............. $100.00
Prices
are for camera-ready advertisements. Specialty designs or advertisement
setups at a price to be determined. Contact Museletter editor
if interested in purchasing advertisements.
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Remember!
The
next Museletter DEADLINE
is
November 2,
2007
How
to reach the Museletter Editor:
Christine
Falk
9556 Upper 205th Street
West Lakeville, MN 55044
(952) 985-5375
email:
thefalks@frontiernet.net
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