Fall 2007
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President's Message
      Greetings, fellow poets!
      It’s the middle of August as I write this, a bit past my deadline for the Museletter. And that’s as good an introduction as any to my topic: What’s this callow newcomer doing in the WFOP presidency?
      The short answer is: He’s learning.
      For a longer answer, our vice president, Michael Belongie, suggested that I tell you something about myself. I’m 51 years old, married for 31 of those years, the father of four daughters. My wife, Jennifer, and I are both originally from central Illinois, she the daughter of a tenant farmer, me the son of a factory worker. Although I did well in high school, college was almost unimaginable in my family, so I married at 20 and spent the next eight years working in the same factory as my father. A massive layoff finally brought my time there to an end.
      Fortunately, by then I was also a National Guard medic—having gained a Practical Nursing license in the process—and military benefits made college conceivable, even for a fellow with two children and a third on the way. I enrolled at age 30. My wife home-schooled our daughters and babysat handicapped children to help make ends meet, while I drove a school bus and carried a full-time student’s schedule, tackling mainly chemistry and calculus classes in preparation for a Physician’s Assistant program in the Army.
      Given our “scholar’s poverty,” it was critical to rack up credits as quickly as possible, so I accepted an offer from the English department to enroll in a 200-level course, write an extra paper a week, and retroactively earn credit for English 101. That 200-level course—British Romantic Period Literature—changed my life. The earnest passion of Keats, Mary and Percy Shelly, Byron, Wordsworth, and even Coleridge spoke to something very deep in me. I immediately dropped my pre-med major, switched to English, and vowed to somehow make a living of writing.
      There followed a series of publishing jobs, first part-time while I finished my degree, and then a full-time stint at a historical and science-fiction game publishing company. That led to an offer to work in Lake Geneva, Wisconsin, for TSR, which was then the publishers of Dungeons & Dragons. Eventually a connection there pointed me toward an educational publishing house in Burlington, where I work to this day, sometimes as a writer, sometimes as an editor, and more and more frequently of late as a Web technologist.
     That explains the day jobs. But always in the background, I heard Keats, Shelly, and Byron reciting, later joined by Yeats, and then Sandburg, and eventually Philip Larkin. I started writing bits of my own verse and asking novelist friends (whom I had met at TSR) for feedback. They were encouraging, but they weren’t poets, didn’t think of words the same way, and couldn’t give the sort of critique needed. To complicate matters further, the politics of the time were impelling me to a poetic frenzy; I knew the Romantics had viewed poetry as a political force (Shelley: “Poets are the unacknowledged legislators of the world”), but I had no idea how to make a connection between poetry and the public in our modern world.
      Then, in the summer of 2004, I found the WFOP. Searching for valid poetry contests, I stumbled across the Triad and submitted some pieces to it, joining the organization at the same time. That fall, I won a couple of awards and drove up to Ashland to attend the conference. Arriving in time for Friday night’s open-mike session, I found myself overwhelmed with a sudden sense of community. Here was an entire room full of poets—of people who believed in the loveliness and the power of words! The rest of the convention only confirmed that conviction.
     I’ve been fortunate enough to attend every convention since that one. The WFOP has been a gateway into a whole new world of experience. It has fostered my growth as a poet, introduced wonderful new friends, exposed me to great ideas, and provided many opportunities to share my own work.
     So last fall, when the board asked me to consider running for president, I hesitated only slightly. On the one hand, I haven’t been with the organization all that long; there’s a lot I have to learn. On the other, I believe in the organization utterly and am committed to help make sure it continues to foster poetry in general, and Wisconsin poets in particular.
     Our previous president made this job look easy, just as our current board members continue to make their own jobs look easy. That is, of course, the mark of an expert. I’m no expert, so I hope you’ll forgive the occasional blank gaze, forgotten name, delayed e-mail reply, or other such misstep while I catch up.

Sincerely,
Lester Smith

Next deadline: November 2, 2007
Send Museletter contributions to the Editor:
Christine Falk
9556 Upper 205th Street West
Lakeville, MN 55044
(952) 985-5375

thefalks@frontiernet.net

SEND US YOUR E-MAIL ADDRESS if you haven't already, so we can update the WFoP database. Your address will only be used for communication among members.

Museletter Delivery Options
     To read and download the Museletter from our website, request e-mail notice, with a link to the Museletter web page. By choosing this option, members will be removed from the bulk-mail list and will not receive a hard copy of the Museletter except the one they download and print themselves. This will provide the fastest delivery, at a significant savings to the Fellowship.
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     Notify the Museletter editor if you wish to exercise one of these new options. The "default" delivery method will be bulk mail.

Remember:
If you move or change your e-mail address, please notify the Museletter editor. Bulk mail is not forwarded, so you will not receive your Museletters. E-mail is the only way members are notified of Museletter deadlines.

Make Sure Your E-mail Address is Up-to-Date
     In recent years, e-mail communications have increased within the Wisconsin Fellowship of Poets membership. The listing of e-mail addresses is kept within the main membership database. On occasion, announcements are sent out by e-mail to the entire membership. It seems that each time this happens, some e-mails get bounced back to the sender. The main reason this occurs is that the database manager has not been notified that an e-mail address has changed. If you have not received e-mails from the WFOP in recent months, most likely we do not have your most recent address. If you change your e-mail address, please contact Chris Falk at thefalks@frontiernet.net and let her know of the change so it can be corrected in the membership database. This will ensure that you are receiving all electronic correspondences.

Welcome
to the following new members who have joined since the last Museletter issue.

Elise Gregory
River Falls
Mary Kunert Plymouth
Graham Marlowe Pulaski
Marilyn Millhiser Green Bay
Adam Gregory Pergament Madison
Hanna Pinkerton Madison
Andrea Potos Madison
David Sachs Seymour
Virginia Scholtz Oconomowoc

New member inquiries should be directed to Peter Piaskoski,the credentials chair. Join us!

Membership List Available
Fellowship members are entitled to receive a list of members at a cost of $2.00 to cover postage. Please send cash, or check payable to Chris Falk. Receiving the list via e-mail is free. E-mailed lists will be sent as a .pdf which requires Adobe Reader, available as a free download from www.adobe.com. In order to receive the list, members must now sign the agreement and submit it with each request (copy and paste to e-mail it).

Conference Info & Rotation Schedule

"Fellowship" T-Shirts, Sweatshirts & Mugs Available
Sport your Fellowship membership proudly, and support us as well! The WFOP logo now graces T-shirts, sweatshirts and coffee mugs. The "T" is a basic-white model, silkscreened front and back in black. L and XL for $10; XXL costs $11. The sweatshirt, screened yellow-on-blue, goes for $20. The mug, at $5, is white ceramic with fired-on black printing. To purchase, contact membership chair Peter Piaskoski at kppi2105@sbcglobal.net or call (414) 332-9113.

What's Happening in Your Region?
Central-Fox Valley Region

Carol Pemrich Hauser, Central-Fox Valley Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304
iwritepoetry03@hotmail.com

Georgina Meulemans, Central-Fox Valley Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com

      An article about Judy Roy appeared in the Peninsula Pulse along with several of her poems. Other poems were printed in Free Verse. She has three poems and two quilts in a joint exhibit which is currently on display at the Sister Bay library.
      “Almond Joy”, Kathryn Gahl’s short story, will appear in Pindeldyboz this fall. Watch for it on-line in late August or early September. pindeldyboz.com publishes “stories that defy classification.” “Rummage” appears in the 2008 Wisconsin Poets’ Calendar. Lastly, her recent reading at Stumpjack Coffee Company in Two Rivers came off in good company.
      Cathryn Cofell has had work accepted or published by the Aurorean, Arbor Vitae, Free Verse, New York Quarterly, Origami Condom, the WFOP Museletter, the 2008 Wisconsin Poets’ Calendar, and a forthcoming anthology from Wising Up Press. In collaboration with Karla Huston, a poem also appears in Saints of Hysteria, an anthology of Collaborative Poetry just released by Soft Skull Press. Cathryn performed at a CD release party at Harmony Café and assisted with a poetry slam workshop for Einstein Middle School, plus readings at Harmony Café and Conkey’s Bookstore in Appleton, the Montello Public Library and the McMillan Coffee House in Wisconsin Rapids.
      Ellen Kort has been awarded the 2007 Robert E. Gard Wisconsin Idea Foundation Award for Excellence. The Foundation is a collaborating partner of the Wisconsin Academy of Sciences, Arts, and Letters. The award in honor of Robert E. Gard (1910-1992) was presented to Ellen at the Rhinelander School of the Arts in July of 2007.
      June Nirschl, Estella Lauter and Ralph Murre took 1st, 2nd and 3rd place respectively in the Peninsula Pulse Writers Expose Contest. Ellen Kort served as a judge. Poems were published in the August 5th issue of the Pulse.
      Ia Bolz was a participant in the June 2007 videotaping of Fox Cities poets with Time-Warner Cable’s Wisconsin Channel 1111 (Cable On Demand) at Harmony Café in Appleton. Ia as well as other Fox Cities poets can be seen reading their poetry on the cable on-demand channel. Just click on Arts & Entertainment—Poetry.


East Region

Cary Fellman, East Regional VP
303 E. Clay Street #301
Milwaukee, WI 53217
cary4612@sbcglobal.net

      It’s time again for the 4th annual Food for the Heart & the Hungry Poetry Reading sponsored by the Wasteland Poets on Saturday, September 29. The open mic reading begins at 6:30 p.m. at Martha Merrell’s Books & Café, 231 W. Main Street, Waukesha. Poets and audience are asked to bring a nonperishable food donation for the Waukesha County Food Pantry. Last year’s event had 27 poets read, and raised over $400 and filled three barrels with food for the pantry. To sign up early, email Anjie Greene-Martin at poetanj@gmail.com , or call Liz Hammond Rhodebeck at (262) 695-2761.
      Charles P. Ries’ poetry reviews and interviews have or will appear in: Poesia, Philadelphia Poets, Poets West, Free Verse, Barking Dogs, Barbaric Yawp, Bathtub Gin, Sein Und Werden, Poesy, PRESA, Small Press Review, Wilderness House, St. Vitus Press, Penhimalaya, Barking Dogs, Mad Hatters Review, Espresso, Pass Port Journal, Hiram Review, Butcher Shop Press, Axe Factory and Cynic Review. His articles on writing have or will appear in: Small Press Review, Working Writers, Free Verse, Remark, Creativity Connection, Zygote In My Coffee, Quirk and LauraHird.com. His poetry has or will appear in: Poor Mojo’s Almanac, Free Verse, Wisconsin Poets’ Calendar, Phoenix, Kudzu, Harim Review, Temenos, Quirk, Presa, and Cool Plums. His short fiction will appear in: Mannequin Envy’s Print Anthology and Cezanne’s Carrot. He won 3rd Place in The Blind Press Bi-Annual Poetry Contest, honorable mention in the WFOP Muse Prize for Excellence in Poetry, his poem “Perfect Saint” was selected as a Guerillas Poets Project broadside, Cinnamon Press selected his poem “I Love” for its forthcoming anthology Only Connect, he will be a presenter at the 2008 Association of Writing Programs annual conference in New York, four of his poems were selected to appear in the print anthology, Guerilla Poets Project Reader, and his poems “A Very Silent Man” and “Stars Suspended from Branches” were selected for the Capital Book Fest Book Project coffee table anthology.
      Marilyn Taylor won an “International Publication Prize” from the Atlanta Review. Twenty such prizes are awarded each year in this competition, which, according to the Review, receives “thousands of entries” from around the world. Marilyn’s poem is entitled “The Seven Very Liberal Arts.” It will be published in the October issue of the Atlanta Review.


Mid-Central Region

Joan Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net

      Poets from this region in the 2008 Wisconsin Poets’ Calendar are: Linda Aschbrenner, Barb Cranford, Bruce Dethlefsen, Lincoln Hartford, Jeffrey Johannes, Joan Wiese Johannes, Joy Kirsch, Michael Kriesel, and Kris Rued- Clark.
      Barbara Cranford conducted a poetry workshop in Hancock in July.
      Joan Wiese Johannes conducted a writing workshop in Willard in July.
      Bruce Dethlefsen read at the Coffee Cabin in Wautoma on July 5th.
      Michael Kriesel read at Avol’s Bookstore in Madison on July 5th.
      Jim Pollock read from his new book, A Whole Different Animal, at Final Friday in Marshfield in June and July.
      Joan Wiese Johannes was a Free Verse poetry contest winner recognized in Issue #91.
      Bruce Dethlefsen and Michael Krieselhad work in Free Verse #91.
      The Final Friday Open Mike is held at 7 p.m. the last Friday of the month, January through October, at Thimbleberry Used and Unusual Books, 166 S. Central Avenue, Marshfield. All poets are invited to attend and read.
      Readings are held the first Thursday of each month at 7 p.m. at the Coffee Cabin, W7829 State Highway 73/21 at Village East Plaza, Wautoma.


Northeast Region

Carol Pemrich Hauser, NE Regional Co-VP
2143 Woodcrest Drive
Green Bay, WI 54304

iwritepoetry03@hotmail.com

Georgina Meulemans, NE Regional Co-VP
1049 Main Street
Wrightstown, WI 54180
meulemans@itol.com

      Michael Kriesel has poems in the latest issues of North American Review, Poet Lore, Pearl, Free Verse, Barbaric Yawp and Nerve Cowboy. He’s also been chosen to judge the 2007 Writers Of Wausau Poetry Contest.


Northwest Region

Jan Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com

      Jan Chronister will lead a poetry writing workshop on Thursday evenings at WITC—Superior September 27th—October 18th. “The Power of Poetry” will focus on craft, revision, and strengthening reader connections. The workshop runs from 6:30-9 pm. There is a fee and registration must be done through the WITC website, witc.edu. For more information, e-mail Jan at janchronister@yahoo.com.
      Second Sunday Poets will host an October reading featuring Rob Ganson at 2 pm October 14th at the Drummond Public Library. Ganson has recently published his chapbook, Float Like a Butterfly, Sing Like a Tree. An open reading will precede the featured reader. Refreshments will be served. The event is sponsored by Second Sunday Poets, WFOP, CHARAC, and the Drummond Public Library.
      On November 11th the poets selected to have their work illustrated in the Verbal/ Visual competition sponsored by CHARAC will read their poems. The artwork will also be on display. This event will take place at the Park Theatre in Hayward at 1:30 p.m. The Park Theatre has been purchased by CHARAC (Cable Hayward Arts Council) as a venue for the arts. This event is sponsored by Second Sunday Poets, WFOP, and CHARAC.

submitted by Jan Chronister, Northwest Regional VP

       Diana Randolph, Drummond, had a poem published in Driving Bits, the Northwoods Harness Club Newsletter. In July she had a great time at the School of Arts at Rhinelander teaching an class titled “Exploring Mandalas through Drawing and Writing”; and taking a poetry writing class taught by Mary Sue Koeppel. She enjoyed reuniting with some old friends from WFOP in the poetry class.


South Region

Frank Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net


South-Central Region

James Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com

      The summer heat has not stopped some of our South-Central members from plying their craft. However, I’ve experienced some health issues that has curtailed my attendance at these events and I hope that all members will continue to send me news of their upcoming readings, publications, etc.
      Susan Elbe is pleased to announce that her collection of poems, Eden in the Rearview Mirror (Word Press), is now available for purchase online at Amazon, Barnes & Noble, and Borders. Check her web site, susanelbe.com, for more information. She has two poems in the Summer 2007 issue of After Hours: A Journal of Chicago Writing and Art and one of her poems will be reprinted on free postcards in Shoshauna Shy’s Poetry Jumps Off the Shelf project No Direct Route Home (Woodrow Hall Editions).
      Peg Sherry took second place in the Bo Carter Memorial Poetry Contest this year.
      Shoshauna Shy, author of What the Postcard Didn’t Say, and John Lehman, author of Shorts, read at Avol’s Bookstore on May 6th.
      Robin Chapman, author of The Dreamer Who Counted the Dead, and Richard Roe, author of Knots of Sweet Longing, read at Avol’s Bookstore on May 8th.
      The Popcorn Press authors Shelly L. Hall, Patrick T. Randolph, and Lester Smith read at Avol’s Bookstore in Madison on May 13th.
      Richard Swanson and Charles P. Ries, featuring The Spoken Word/Drum & Bass Tour of Oren Wagner, with Skot Diablo of Diablo Syndrome gave a combined reading/performance at Avol’s Bookstore on June 2nd.
      Gay Davidson-Zielske was among the poets who read at A Room of One’s Own on Sunday, June 3rd.
      Russell Gardner and Robin Chapman, co-founders of the Epidemic Peace Imagery (EPI) read poems with slide pictures as part of the celebration of the 4th anniversary of Epidemic Peace Imagery (EPI) and the opening of Russell Gardner’s mixed media eleven “Hilgendorf series” at the Escape Gallery and Coffee Shop, 916 Williamson Street, Madison on June 4th.
      Kimberly A. Blanchette and Adam Gregory Pergament were the featured readers at the Second Sunday Open Mike sponsored by the Wisconsin Fellowship of Poets at the Madison West Barnes & Noble on June 10th.
      Jean Tomasko, Yvonne Yahnke and Josey Zell participated in an evening of poetry celebrating nature and the Summer Solstice at the Holy Wisdom Monastery in Middleton, Wisconsin on June 19th. WFOP Vice-President Michael Belongiehosted the event.
      Angela Rydell conducted a Poetry Workshop “Striking Sparks: Inviting Surprise into Your Poem” as part of UW Extension’s Write-by-the-Lake Writer’s Workshop and Retreat, Madison, WI June 18-22, 2007.
      I was out in Colorado for a week in July and may have missed some event announcements. If anyone wants me to list them in the next issue, please send me your information and I’ll add it to the column.
      Richard Roe has announced he will no longer be co-ordinating the Second Sunday Poetry Open Mike Series at Madison’s West Side Barnes & Noble. Shoshauna Shy will host the August 12th event and Jeannie Bergmann will host the September 9th event. Anyone interested in continuing this series can contact me for more information.
      Finally, I’ll be doing “A Ghostly Evening with James P. Roberts” at the Stringfish Lounge in Madison on Saturday, October 20th. See you at the Fall Conference.

submitted by James P. Roberts, South-Central Regional VP

      Shoshauna Shy was on Radio Literature (WORT 89.7) on May 17th and June 21st, and participated in a reading at Olbrich Gardens on July 8th. Her poems have been published in Sunstone and Quill & Parchment.
      Jeannie Bergmann won an “International Publication Prize” from the Atlanta Review. Twenty such prizes are awarded each year in this competition, which, according to the Review, receives “thousands of entries” from around the world. Jeannie’s poem,“Death Wish,” will be published in the October issue of the Atlanta Review.
      Judith Zukerman’s poem, “Cheshvan” will be in the fall issue of The Deronda Review. This journal was previously titled Neovictorian Cochlea.
      New member, Adam Gregory Pergament’s Madison based group, Venice Gas House Trolley combines music and poetry. In an effort to open space for poetry where it might not have been welcome previously, they regularly play music venues around the Midwest. This August they will appear at the international Minnesota Fringe Festival and have a new CD to be released in September. Folks can find out more about them by checking out: flowpoetry.com and myspace.com/flowpoetry.
      Linda Newman Woito returned to her native Iowa in March of this year—but is already missing all those great Wisconsin writers! Linda’s poetry has appeared in Main Street Rag, Free Verse, the 2008 Wisconsin Poet’s Calendar, and The Rockford Review, and she is trying to pull together a chapbook. Two satirical Nursery-Rhyme poems appeared online in “Saturday at the Diner,” a group organized by Clark Street Review editor Ray Foreman. In January, Linda read at WFOP’s Winter Festival of Poetry 2007 in Madison where—thanks to James Roberts—small chapbooks were available ($1) for each Sunday’s reading. In February, Linda read “Love on the Autobahn” at The Fabulous Crone Show: Lives and Loves of Elder Women, in Madison. Linda wants you to know she’ll be keeping in touch with you as a WFOP member (with strong ties to Wisconsin) ... since the only reason she started writing poetry in the first place— was Wisconsin!
      Lou Roach has a book coming out in September entitled For Now. She had five poems accepted by Free Verse and also earned second place in the most recent Free Verse haiku competition. Earlier this summer Lou had a poem accepted by Fox Cry Review.


West Central Region

Sandra Lindow, West-Central Regional VP
320 W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com

      Summer creativity sizzles in the Chippewa Valley. The Writers’ Group at the Library is in its nineteenth year. Yvette Flaten and Gail Sosinsky-Wickman just returned reenergized from the Rhinelander Writer’s Conference. Soon Gail will be moving to the East Coast where she will be teaching college writing. Steve Betchkal, Yvette Flaten, Peg Lauber, Eva Mewes, Dina St. Louis, and Sue Thibado all had poems published in the 2008 Wisconsin Poets’ Calendar. Bruce Taylor’s story “Hiccup Tricks” appears in Bar Stories, edited by Nan Byrne. It can be purchased at Amazon.com.
      August 4th, Sandra Lindow was part of a speculative poetry reading at Diversicon Science Fiction Convention. Her poem, “The Shine” has been accepted by Dragons, Knights and Angels magazine. “Gothic Milk Toast,” will appear in the March 2008 issue of Star*line. “A Crisis of Forest,” has been accepted by Asimov’s Science Fiction Magazine and “Doorways,” will appear next year in The Magazine of Speculative Poetry.

submitted by Sandra Lindow, West-Central Regional VP

       Jane-Marie Bahr, Menomonie, has two poems, “Abandoned” and “Mating”, forthcoming in Free Verse.
      Patrick T. Randolph and his wife, Gamze, would like to greet the WFOP with blissfully, beaming grins and kind salutations. In June, Patrick had a poetry reading at the University Bookstore in the Hilldale Mall in Madison. It was a success with 30 people attending. In July, Patrick received the “best podium poem award” at The Rockford Review Gala. Since the last Museletter, his poetry has been published or accepted for publication in Bellowing Ark, The Flask Review, The Cherry Blossom Review, Storyteller, Quill & Parchment, and the Goose River Press 2007 Anthology. His work will also appear in Ceremony Celebrated, a new anthology due out in the summer of 2007. In October, Patrick will have a poetry reading on the Beloit College campus, and his work will be featured in Quill & Parchment. Also be aware that he is sponsoring a poetry contest for Free Verse. The theme is on “The Hungry and The Homeless.” Please feel free to submit your work.
      Poet/artist Candace Hennekens and her two grown daughters, Anne Hennekens and Jenn Louviere, will again be opening their art gallery in the hayloft of their old barn at Swooping Swallows farm for the Falling Leaves Studio Art Tour. Candace will be demonstrating in her studio which used to be the farm's milk house. More information on the Falling Leaves Art Studio Tour scheduled for October 6th and 7th through Fall Creek, Augusta, Fairchild, and Humbird is available at fallingleavesarttour.com, including a map of the fourteen sites on the tour.

Keep Your Dues Current
      Please remember that membership dues are payable by January first of every year. We no longer offer a "grace period" after nonpayment of dues. Members must be current with their dues to enjoy membership benefits such as:

  • the opportunity to be published in the Museletter's "Poetry Page"
  • listing of recent publications in the Museletter
  • free "chapbook" ad, and reduced advertising rates for other ads in the Museletter
  • eligibility to enter the "Triad" poetry contest
  • reduced entry fee for the "Muse" contest
  • free "member" web page on the Fellowship's web site
  • and, of course, the Museletter itself.

Don't Forget the New Dues Option
Members may pay $100 for a five-year membership. That's five years worth of membership for four years' dues. Please take advantage of this savings. The Fellowship also saves money by reduced mailing cost for all those payment reminders and lapsed memberships.


From the Treasurer
      All members recently received postcards reviewing their membership status. This annual first class mailing is done in connection with WFOP bulk mailing permit requirements. We use this method as a way of updating our data base and to remind lapsed members that it is past time to renew. PLEASE—whenever you move, change your e-dress, or change your telephone number, let me know.

Nancy Rafal—WFOP treasurer
P.O. Box 340
Baileys Harbor, WI 54202
mrsticket@dcwis.com


WFOP Poetry Marathon at Olbrich Gardens
July 8, 2007
      The 15th Annual WFOP Invitational Poetry Marathon took place in the atrium of Olbrich Gardens in Madison on Sunday, July 8th. A dedication of Engraved Bricks to honor Ellen Kort and Readers at the Poetry Marathon took place in the Herb Garden. The bricks read as follows:

ELLEN KORT                   WFOP POETS
FIRST POET                     SINCE 1993
LAUREATE
OF WI 2001

      It was a Red Letter Day to have Ellen Kort come to read at Olbrich and see her bricks. She and the Calendar Editors, Michael Belongie and Josephine Zell were the featured readers. Otherwise mostly former readers at Olbrich read after we went into the Herb Garden to look at the bricks. These included: Jeannie Bergmann, Cliff Dillhunt, Ron Ellis, Michael Farmer, Barbara Houghton, Susan Kileen, Judy Kolosso, John Lehman, Jeri McCormick, Nancy Rafal, Fran Rall, Richard Roe, David Scheler, Shoshauna Shy, Lynn Smith, Marilyn Taylor and Wendy Vardaman.
      An additional twist to the planning of this event was the fact that Ellen didn’t know about this project, having not been present during any discussions of it during board meetings or floor presentations of it. I would like to thank people who donated toward buying the bricks for Ellen. The bricks honoring the Olbrich Readings on their 15th year were purchased by the Ralls. Unfortunately, Olbrich has discontinued the Bricks Program, so no more names can be added.
      One note might be in order... recently renovated air conditioning made the atrium even more a lovely place to meet.
      I would like to announce that Fran and Lou have asked Wendy Vardaman to be a member of the planning committee for the Olbrich Readings. She will be a valued member as we move toward future years, which I hope will continue for a long time.

Poetically speaking,
Fran Rall.


Markets
Publications

Museletter Poetry Page
Inspired by Science
Editor: Wendy Vardaman

DOLOMITE ESCARPMENT

one day i showed up to geology class late
and dressed in a long skirt,
blouse, pearls, and straw hat.
the teacher did not ask about the straw hat
but rather why i was late. it was snowing
hard-maybe six inches by then.
and then we turned to the lesson,
dolomite escarpments, maybe; or
mohs hardness scale of talc, gypsum,
quartz, topaz, and diamond; or
the inscrutable squiggles
on a topographical map. i wondered
what widow douglas, the character
i was portraying from tom sawyer,
would have cared for this science
of rocks when all she really wanted
was a whitewashed fence and to soon
see her husband in heaven—
and outside from heaven came whitewash
over all the dolomite escarpments in town
when one day i showed up to geology class
wearing pearls over my blouse, and late.

             —B.J. Best, West Bend

 

SYSTEM ERROR

This planet has an atmospheric depth of 80 kilometers.
I am a bottom-dweller.

This planet swirls with cloud, stirred, not shaken.
I am experiencing motion sickness.

This planet is watery and blue.
I will allow it to weep on my shoulder.

This planet has a liquid core.
I’d like to review the warranty on my liver.

This planet tilts away from the sun.
I long for the solstice.

This planet is not a perfect sphere.
I am losing my figure of speech.

This planet has performed an illegal operation
and will be shut down.

             —F.J. Bergmann, Poynette
               previously published in
Chiron Review



MY PHYSICIST FRIEND

A question for you, my physicist friend.
are strings absolutely where it will end?
When I ask what they’re made of you say “energy.”
Pretty vague! Is it some sort of synergy?

Theorists tell us we have eleven dimensions.
This tends to deflate a lot of pretensions.
Just when I felt good about gravity bending time
you got me spinning on a pretty thin dime.

You kept coming out with subatomic particles,
like a tabloid printing a series of articles.
Up and down and charm and other quarks
seemed nothing but physicists’ quirks.

But now we can rejoice in a theory of everything.
Whatever you see is just—string!
A universe of threads that crackle and sizzle,
from the sharpest edge to the dullest drizzle.

How great to unite the weak and the strong!
Or maybe you’re stringing us along?.

             —Ron Ellis, Cambridge

 

NIGHTS WITH AN ENTOMOLOGIST

Before going to bed we watch
fireflies. You tell me
they flash in certain patterns
to attract mates. The females
wait in the grass, or here
like this one, on a broken
piece of wicker, while the males
fly around, fancy-free.
They watch each other’s
burning, carefully.

There are some dangerous females
you say, who’ve learned to mimic
the flash of another kind—
when the deceived male lands,
she eats him.
Nature is not about love
you say, it’s about food
and sex
and learning over and over
all that flashes is not fair.

             —Jeanie Tomasko, Middleton

CRYO-SIMULATION

If the body stood
frozen in a cryovat,
would the soul linger
like an English fog
obscuring the solid form
of curb and lamp post
so that we unwittingly
stumble into the traffic,
endangered by death’s death
losing even the hope
of a final rest?

Would it have been the same
miracle if Lazarus
had been raised from a
cryostatis chamber, or be
only Frankenstein’s brother
never born with a soul?

Frosty blooms on the window
mimic the dainty rose
in form and beauty,
mesmerize the eye
with its sham life;
but cold and bloodless
they vanish in the warm breath
never to rise again.

             —Liz Hammond Rhodebeck, Waukesha

 

FEAR OF BIRDS AND OTHER PHOBIAS

I tell myself there is nothing to fear
         that it’s just a big white box
                  but runaway terror
has forced me
         to step outside myself
                  and watch
as the wide mouth of this machine
         swallows me trussed and tied
                  into its belly
where it maps with x-ray detail
         the pale moonscape of my brain
                  exquisite images
that show just where the tumor lies
         curled behind my frontal lobe
                  looking pale and benign
                           morbid
as a baby bird dead in its nest

             —Janice Hysell, Sturtevant


WOVEN UNIVERSE

Stretching woven strands from branch to leaf
preoccupies the spider’s day.
It holds the singing insect still,
restrains the fluttered wings of moths.
Outside, shadows sift beyond its orb
as I, centered in my narrow sphere,
pass and re-pass each daily task with infinite care
inside the wheel I shape.
Through the silence, I only imagine
what might move beyond my narrow universe.

             —Peg Sherry, Madison

 

TO BREATHE

From my position here
on earth, it looks as if a cumulus

cloud has plunged down
through a cirro-cumulus, like an arm

clawing into a lower stratum
to carry up more oxygen. Or maybe it’s

a cirro-cumulus breaking
into alto-stratus, like a swimmer

coming up for air. As you
can see, I’m trying to learn

cloud names, as I’ve tried
to learn flowers, constellations, people,

streets. Each has a name and each
fits yet doesn’t fit, like

that cloud; like me, always delighted
by another name, by another name-defying

detail; each phylum, genus, species,
each individual, another gulp of air.

             —Sheryl Slocum, Burlington

 

Theme for Fall issue:
In the Kitchen

Deadline:
Friday, November 2, 2007

Poems by Our MembershipNOTE NEW E-MAIL ADDRESS
Please send poems along with an SASE to the new editor, Wendy Vardaman, 2336 Monroe St., Madison, WI 53711. You may also send your poems via email (no attachments please) to
wvardaman@hotmail.com. Only submissions containing an SASE or email address will be considered. Previously published poems for which the author retains the rights are acceptable. Please indicate which journal/book in which poem has been published. Membership status must be current to be considered for publication on these pages.

Can Poets Enter the “Club” Scene?
by Sarah Busse
       What could be better, as a writer, than to know your book was being picked up by a handful of readers together, to be read, mulled over and discussed thoughtfully? Every month, countless book groups and reading circles do just this. Of all the hundreds such groups in Wisconsin alone, how many ever include a book of poems? I would guess at most a mere handful. Why do these readers, who could be such a great audience, avoid poetry? There may be many answers to this question, but here are three big possibilities:

  1. They think they don’t get poetry.
  2. They have misconceptions of poetry based on ignorance: I once told someone I wrote poetry and he replied, “Oh, the sweet stuff.”
  3. They aren’t against the idea, but simply boggled by choices: how to start, where to start? What to talk about?

       We poets—and publishers of poetry—have an opportunity here that we are not yet taking advantage of. This was brought home forcefully to me at the library one day this summer, as I casually paged through the June 2007 issue of Writer’s Digest. I came across an article by novelist John Shors about his experience with book groups, which I will quote at length:

“… that summer, I started talking to local book clubs about my novel and made a sincere effort to connect with area readers. I started out small-talking in-person with a group or two a week. The feedback I received from these first groups was extraordinary. People said they’d tell their friends about my novel and my book-club program. The word started to slowly spread, and before I knew it, a true grass-roots buzz was underway….No longer were my conversations with only clubs in my immediate area; thanks to speakerphones and low long-distance rates, I was able to start chatting with book clubs from San Francisco to Sarasota.
       In June 2006, the trade paperback version of Beneath a Marble Sky was released. In an effort to take my book-club idea to the next level, I included a letter with my e-mail address in the back of the paperback, encouraging readers to invite me to their book clubs. Well let’s just say I opened the floodgates by writing that letter.”

       Even if one is reluctant to converse by speakerphone, surely there are some ideas here to consider. It is clear many readers are seeking connection. Some may wander out to a poetry reading or open mike to find it. But for those readers who wouldn’t dream of going to a poetry reading—can we still reach them? Here are a few ideas:

  1. Include some guide or guidance in the book itself.
           Why couldn’t those of us who have a chapbook or book coming out include a “reader’s guide” at the back— list three or five or eight questions for readers to consider as windows into particular poems. These could look at issues of theme, image, form and/or personal experience, etc. Alternately, we could include a brief letter to the reader at the front or back, explaining perhaps the genesis for these poems, or a little bit about what we were living with and considering during the writing. I would suggest to those of us on the publishing end of the business that every book of poetry you publish could have some such guide or guidance included, as a way to encourage readers that poetry is not so tricky, nor “above their heads.” I do not think this necessarily need be seen asdumbing down or compromising—no one wants the Cliffs’ Notes for their work. On the other hand, who wouldn’t love the equivalent of a good teacher there, pointing up an interesting feature here, asking a provocative question there, leading the reader deeper into the poems?
  2. Write something to be given away.
           If it isn’t feasible or desirable to include such a guide in the book itself, another option would be to give away a single page with every book sold. Include it with any promotional materials. Make it available on your website.
  3. Become an ambassador for poetry.
           For those of us so inclined, would it hurt to invite people, as Shors did, to contact us to visit with their book club, class, or circle? Or if we don’t have time or inclination to meet in person, we could carry on a conversation through email, or invite groups to submit a list of questions which we could answer and send back.
           More than just a tool for marketing your own work, there is a larger possibility that we may each become an ambassador for poetry to the broader world of readers. Those of us that already belong to reading groups could slip in a favorite book of poetry we’d be willing to lead discussion on once a year, say. (Two good references here: Molly Peacock’s book How to Fall in Love with Poetry and Start a Poetry Circle, and the Academy of American Poets: www.poets.org/bookclub.) Some of us might offer our services to book clubs in the area who are interested, to come in and lead discussions on any of a number of books—celebrating a local poet like Lorine Niedecker, or choosing a book of poems structured around a narrative or theme (which may be more accessible to a group of readers attempting their first foray into poetry), might be good places to start.
           Even for those of us who have no books currently in print, we have the chance, any time we talk to a group or give a reading of our own work, to share one or two poems by other poets that we enjoy, were influenced by, or that have been important in some way. This gives the audience a way to follow us into the intimidating poetry section of bookstores and libraries.
           As someone relatively new to the area, I am curious how many in WFOP have already acted on these ideas (or similar ones). I would love to hear from anyone who has stories of their experiences bringing poetry to book groups. Please feel free to contact me at sarah.busse@tds.net.

Workshops, Etc.

Unleash the Power of Your Poems—How to Write Poetry That is Uniquely Your Own but Speaks Evocatively to Others
John Lehman, Cedarburg, WI 1:00-4:00 p.m. September 23rd Washington House Inn, WriterGallery.com for details.
Learn to use movement, dramatic contrast, imagery, musical devices and uncovered narration in order to recreate sensations and feelings others can experience. To break lines purposefully, develop titles that appeal to editors, read your work with appeal and go deeper and farther with your subject in revision than you ever dreamed possible.

Ongoing Contemplative Writing classes with Miriam Hall
(including a September weekend retreat in southwestern WI for current students only) continue in Madison, WI.
Contemplative Writing—inspired by the teachings of Natalie Goldberg which combine Zen Buddhism and writing in a single practice—is a highly personal practice, done in small groups, encouraging writers and “non-writers” alike to work more directly with the creative process and find it less intimidating and more inspiring. More than just a “spiritual journaling class”, Contemplative Writing is a formal practice which can be useful for writers of any ilk. For further information or to register, please contact Miriam over phone or email: (608) 217-2132 or herspiral@yahoo.com.

How to Make a Good Poem Even Better
REMINDER! Marilyn Taylor’s five-day workshop in Door County!
Sunday, September 30th through Friday, October 5th - Lawrence University’s beautiful Bjorklunden Seminar Center in Baileys Harbor.
Marilyn would be delighted if you’d consider joining this supportive, always-energized gathering of poets. For all the info you’ll need, contact Mark Bresemen at (920) 839-2216 or visit www.lawrence.edu/dept/bjork. Or email Marilyn at mlt@uwm.edu.

New Poetry Critique Group at Redbird Studio in Milwaukee
Award-winning poet and WFOP member Marilyn Taylor will facilitate a new twice-a-month critique group starting Wednesday, September 12, 2007. Poets at all levels will be warmly welcomed to present works-in-progress for supportive discussion and feedback. Group meets at Redbird, which is located right across the street from Lake Michigan in Bay View: 3195 S. Superior St., #429, Milwaukee. Specifics: two Wednesday evenings per month: September 12, 26, October 10, 24, November 7, 28, 2007. 6:30-8:30p.m. Fee: $145. See guidelines and registration information at www.redbirdstudio.com, or call Judy Bridges (414) 481-3195.

Poetry Writing Workshop with John Rezmerski: Three Keys to Poetry: Repetition, Repetition, and Repetition
Everybody knows how to use surface repetition-rhymes, refrains, and extended metaphors-but repetition can develop in more sophisticated ways, and often operates at the deepest levels of a poem. Sponsored by the WFOP.

Saturday October 20, 2007, 10 a.m. to 4 p.m.; break for lunch (not included in fee). Limited to 12 participants. At Avol’s Bookstore, 315 West Gorham St., Madison, WI.

John Rezmerski performs as part of the “Lady Poetesses from Hell.” His first book, Held for Questioning, won the Devins Award. Since then he has published a number of collections; What Do I Know?: New and Selected Poems (Holy Cow! Press) appeared in 2000. His most recent chapbook is 22 from TOTU, poems that appeared in the science-fiction magazine Tales of the Unanticipated. Publications include Poetry Today, New Letters, Dacotah Territory, Sumac, Common Ground, the Wall Street Journal, Where One Voice Ends Another Begins, and most recently The Blueroad Reader. His poems have been featured on The Writer’s Almanac. He is also widely experienced as an editor. Committed to bringing poetry to non-traditional audiences, in the 1970s he led Minnesota Poetry Outloud, taking poets to perform poetry and music in parks, bars, nursing homes, bookstores, and small-town festivals. He has performed for over a thousand audiences, including an appearance on “What D’ya Know?” He taught poetry, creative writing, linguistics, science fiction, journalism, and storytelling at Gustavus Adolphus College in St. Peter, MN. He has conducted workshops and classes for schools, libraries, arts centers, and museums, and he has frequently served as a judge.

“Last Saturday you critiqued my poem…. By the time I got home, I had re-worked the poem in my mind, and when I rewrote it, it was much better to my eye. Also, when I started re-reading the poems in [my] collection, I immediately could spot written phrases, literally thinking, ‘John would say this or that about this line.’ Thank you for the help.” —a note from a workshop participant

John Rezmerski will read and critique beforehand a manuscript of up to 10 pages of poems from each participant (send by October 1st; fee must be paid in advance) and hold individual discussions during group writing exercises. He will also give a reading of his poetry, open to the public, after the workshop at 7 p.m. Saturday evening at Avol’s and will have books of his poetry for sale.

Workshop fee: $65 WFOP members, $90 non-members. Make check out to WFOP; non-member fee includes Wisconsin Fellowship of Poets membership if desired. Please include contact information. Mail by October 1st, with 10 pages of your poetry, to:

Jeannie Bergmann
W5679 State Road 60
Poynette, WI 53955-8564

For more information, call Jeannie at (608) 635-3966 (h) or (608) 255-4730 (w), or e-mail demiurge@fibitz.com.


FINANCES
First Quarter Financial Report**

April 1, 2007 through June 30, 2007

General Account:  submitted by Nancy Rafal, treasurer
Balance
April 1, 2007                  $51,109.93
Income: Dues
$1,775.00
  Merchandise Sales
$60.00
  5 for 4 CD Interest
$64.13
  Barnes & Noble contributions
$17.89
  Member contributions—Poet Laureate Fund
$40.00
  Total Income
$1,957.02
Expenses: Museletter
$1,120.86
  Outgoing President Gift

$78.07

  Student Contest Expenses
$388.63
  Student Contest Prizes
$200.00
  N. Rafal—postage
$145.00
  Other postage
$11.31
  Member contributions—Poet Laureate Fund
$40.00
  Total Expenses
$1,983.87

Outstanding checks ($25.00)

General Account Balance on June 30, 2007   $51,083.08*

*$25,000 of this is invested in three interest-bearing CDs: one $5,000 CD (22 months) for the General Account to help bridge the gap created by “5 for 4,” and two $10,000 CDs (13 months) the interest of which goes to the Literary Fund for our contest prizes.


Literary Fund Account:  submitted by Susan Kileen, Literary Fund Co-Chair
Balance April 1, 2007                        
$911.71
Income: Donations (Spring Conference)
$70.00
  Total Income
$70.00
 Expenses: Muse Judge
$300.00
  Muse Cash Awards
$375.00
  Muse Trophy
$213.38
  Triad Flyers
$11.25
  Total Expenses
$899.63

Closing Statement Balance on June 30, 2007           $558.58

Literary Fund Balance on June 30, 2007      $558.58


Calendar Account:  submitted by Michael Farmer, Calendar Business Manager
Balance
April 1, 2007            $5,455.65
Income:
Calendar Sales
$335.30
  Total Income
$335.30
Expenses: Postage
$82.00
  DPI—Calendar Brochures
$98.42
  DPI—First Payment '08 Calendars
$5,000.00
 
Total Expenses
$5,180.42
Calendar Account Balance on June 30, 2007  $610.53

General Fund
$51,083.08
Literary Fund
$558.58
Calendar Fund
$610.53
Total
$52,252.19

Fiscal year is April 1 to March 31 to coincide with our federal tax filing; the quarterly designations are now as follows:

First Quarter April 1 — June 30
Second Quarter July 1 — September 30
Third Quarter October 1 — December 31
Fourth Quarter January 1 — March 31

submitted by Nancy Rafal, treasurer

Wisconsin Poets' Calendar
Calendar Info Page
Order Form

Conference Rotation Schedule

Fall 2007
November 2-3
Mid-Central
VP Joan Johannes
Spring 2008
April 25-26
South-Central
VP James P. Roberts
Fall 2008
November 7-8
Northwest
VP Jan Chronister

Spring 2009
April 24-25
South

Fall 2009
November 6-7
East-Milwaukee
Spring 2010
April 23-24
Northeast
Fall 2010
November 5-6
Central-Fox Valley
 


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The next Museletter DEADLINE
is
November 2, 2007
How to reach the Museletter Editor:
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