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Spring
2007 |
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Remember:
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Welcome
New member inquiries should be directed to Peter Piaskoski,the credentials chair. Join us!
Conference Info & Rotation Schedule
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What's
Happening in Your Region?
Central-Fox
Valley Region
Carol
Pemrich Hauser, Central-Fox Valley Regional Co-VP |
Georgina
Meulemans, Central-Fox
Valley Regional Co-VP 1049 Main Street Wrightstown, WI 54180 meulemans@itol.com |
Estella Lauter’s chapbook Pressing a
Life Together By Hand will be published
by Finishing Line Press in mid-April 2007.
Alicia Ostriker says that it “is a sequence
of poem-chronicles . . . so deftly composed
that the stories feel as intimate as one’s
own life. The poems are astringent and
practical, they sting and soothe.” Ellen
Kort says that Lauter is “a powerful
storyteller with a finely-tuned passion
for language [who] writes with insight
and unflinching truth.” Go to
www.finishinglinepress.com and click on
new releases to order. Free shipping is
included if you order before March 14th.
The price is $14. Credit cards are
accepted on line.
On February 19th a reading took place
at the Peninsula Art School in Fish Creek.
The following WFOP poets participated:
Ralph Murre, Judy Roy, Phil Hansotia,
Anita Beckstrom, June Nirschl, Estella
Lauter, Tom Toerpe and Peter Sherrill.
Cathryn Cofell has had work
accepted
by Through the Kitchen Window: A
Sense of Home and Bleeding on the
Page: Women Writing About
Menstruation. Her poem “Autopsy” was
nominated for a 2006 Pushcart Prize and
two of her poems appear on the CD
“Harmony Blend,” a collection of
performances at Harmony Café. She
served as convocation speaker and
workshop facilitator at the UW—Whitewater
Creative Writing Festival and
gave readings at Harmony Café in
Appleton, Avol’s Bookstore in Madison
Central-Fox Valley Region
Northeast Region
and Woodland Pattern in Milwaukee.
Robin Chapman’s newest collection of poetry is The Dreamer Who Counted the Dead. See the Poetry Publications section for ordering information. Robin Chapman and Judith Strasser are editors of the anthology On Retirement: 75 Poems (University of Iowa Press, April 2007; available on Amazon or at bookstores).
Robin
Chapman & Judith Strasser will teach a weeklong workshop, Poetry
Camp: Connecting to Place, May 27-June
2, 2007 at The Clearing, open to poets at
all levels; internet registration opened
February 15th at www.theclearing.org.
Ia Bolz’s poem “Attitude
Adjustment”
can be heard along with other area poets,
singers and musicians on the CD
“Harmony Blend: Volume I” produced
by Harmony Café in Appleton. She read
her poem at the CD Release Party on
February 23rd at the cafe. Ia was the
featured poet at Appleton North High
School’s global warming presentation
on February 7th, participated as a
storyteller at the Appleton Barnes &
Noble’s “A Night of Bedtime Stories,
Fables & Fairy Tales” on February 12th
and two of her poems “Snow, It’s Only
Frozen Rain” and “Crazed Motorcycle
Man” are featured in the spring 2007
issue of Irish Stew.
East Region
Cary Fellman, East Regional VP
303 E. Clay Street #301
Milwaukee, WI 53217
cary4612@sbcglobal.net
Annie
Parcels’ poem, “Inuit Carving”,
won 3rd place in a contest and will be
published this month in Free Verse. She
participated in the Poetry Marathon at
Woodland Pattern on January 27th. Two
of her poems entitled, “Skiing with My
Father Who is 73” and “One Day Off
Each Summer”, have been accepted for
publication in Wisconsin People and
Ideas. “Skiing With My Father Who is
73” earned “runner up” in the recent
poetry contest “Winter” put on by Free
Verse.
Mary Jo Balistreri has been
nominated for a Pushcart Prize for her
poem, “For Sam (1997-2003).”
Jane Kocmoud had a pantoum in the
December 2006 issue of New England
Writers’ Network, and hosted an open
poetry reading at the Plymouth Arts
Center in Plymouth in February.
Sister Irene Zimmerman again won
First Place in a Free Verse contest
for Autumn Haiku with her poem
“Chill in the air.” She also placed
honorable mention in the Free VerseWriting Contest for her poem “Ars
Poetica” and honorable mention in the
Byline Light Verse Contest for her poem
“Song Mother Goose Didn’t Teach Me.”
On Sunday, April 29th (the day after
the Conference!) Marilyn Taylor will be
reading with Andrea Potos at Avol’s in
Madison at 2 p.m. Hope to see you
there!
Barbara Bache-Wiig, Janet Leahy and
Katy Phillips read at the Woodland
Pattern Poetry Marathon on January 27th.
They represented the Poetry People of
UW-Waukesha.
Charles P. Ries received his fourth
Pushcart nomination from Cezanne’s
Carrot for his short story entitled, “Albino
Prunes.” This story also received the
Editor’s Prize by Cezanne’s Carrot. He
was the featured reader at the Wired
West-Central Region
Wash Café in Santa Cruz, CA. His poetry
will appear in the Voices of Israel
Anthology, and was selected by the
Gorilla Poetics Project for a Broadside.
His poetry reviews and essays have
appeared or will appear in: Fire Weed,
ESC!, On The Bus, Over The Transom,
Asheville Poetry Review, Bathtub Gin,
Small Press Review, Working Writer,
Fullosia, Free Verse, Strange Road, Zen
Baby, Remark, Wilderness House Review,
Pass Port Journal and Poetry Market.
His poetry has appeared or has been
accepted for publication in: Active
Underground, Clara Venus 2, Poetrystet,
Strange Road, and St. Vitus Press.
Stephen Anderson of Milwaukee read
at Woodland Pattern’s 13th Annual
Marathon Benefit Reading held on
January 27th.
Mid-Central Region
Joan Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net
Lincoln
Jones Hartford presented "Lincoln Reads Lincoln II” on February
13th at the Hatch Public Library, Mauston.
The program had two parts: I—Poems of
L. Hartford, funny and not so funny, and
II—The Wit and Wisdom of A. Lincoln.
The presentation also included some
songs, an open mic, and refreshments, all
in honor of Presidents Day.
Cathryn Cofell and Bruce
Dethlefsen will read at Barnes and Noble West,
Madison, on Sunday, March 25th, at 7
p.m.
Barbara Cranford, Rose May Foley,
Joan Wiese Johannes, and Jeffrey
Johannes won recognition in Free VerseContests #88 and #89. Barbara
Cranfordsponsored a cinquain contest in Free
Verse #88. Barbara Cranford, Julie Eger,
Lincoln Hartford, and Michael Krieselhad poetry in Free Verse #88 or #89.
Michael Kriesel was featured in an
interview by Linda Aschbrenner in Free
Verse #88. Michael was recently one of
22 finalists for the North American
Review’s annual James Hearst Poetry
Prize. The contest attracted 429 poets
and 1914 poems. Ted Kooser judged. His
poem will be in their March-April issue.
Kriesel has also recently had poems
accepted by Modern Haiku,
PRESA:PRESS, North American Review
and Free Verse. He also judged the
Writers of Wausau Poetry Contest. He
will be a featured reader at Barnes &
Noble West in Madison on April 29th at
7 p.m.
Linda Aschbrenner, editor/publisher
of Free Verse and Marsh River Editions,
will serve on panels at the WFOP
conference in Appleton on April 28th
and at the AllWriters’ Workplace &
Workshop in Waukesha on March 17th.
All poets are invited to
attend the Final
Friday open mics in Marshfield. An open
mic is held the last Friday of the month at
7 p.m., January through October, at
Thimbleberry Books, 166 S. Central
Avenue, Marshfield.
A new reading series is
held at the
Coffee Cabin, W7829 State Highway 73/
21 at Village East Plaza, Wautoma.
Readings are held the first Thursday of
each month at 7 p.m. Contact Julie
Eger at (920) 787-7663.
Barb Cranford has a new
book of
poems titled No One There which takes
its name from her poem about one of her
drawings. Several readings are scheduled.
Sales information is listed in Publications. Barb
also conducted her
22nd poem-making workshop in January.
Many of the participants were members
of WFOP: Linda Aschbrenner, Julie
Eger, Mary Lou Judy, Linda Konichek,
Lou Roach and Kris Rued-Clark. The
group spoke a bit about Grace Bushmanwho passed away on January 6th. Grace
had attended Barb’s workshops since
their beginning and her sturdy nononsense
input will be greatly missed.
Northeast Region
Carol
Pemrich Hauser, NE Regional Co-VP |
Georgina
Meulemans, NE Regional Co-VP 1049 Main Street Wrightstown, WI 54180 meulemans@itol.com |
Michael
Farmer and Nancy Rafalparticipated in the 2007 Poetry Marathon
at Woodland Pattern Book Center in
Milwaukee on January 27th. In addition
to reading each introduced an hour’s
worth of poets. The 11am to noon hour
was underwritten by the Wisconsin
Fellowship of Poets through the generous
donation of two members.
Nancy Rafal taught a winter class at
The Clearing in Ellison Bay. The course
was called “Poetry: The Wild Braid” and
was inspired by Christine Swanberg’s
fall Clearing workshop.
Ralph Murre has recently had poems
accepted and published by After Hours,
The Cliffs Soundings, Free Verse, and
Hummingbird. His essay, “On Kellner
Fen,” appears in The Nature of Door, a
book from Cross + Roads Press for the
benefit of the Door County Land Trust.
He also took part in “Word Meets Art,”
in which 15 poets read their work in
conjunction with the Gallery Salon at the
Peninsula Art School.
Mary Jo Stich has received honorable
mention in the West Virginia Poetry
Society’s 56th Annual Contest 2006
Charleston Chapter Award for her poem
“Buddies.” She also has three poems in
the Winter issue of Irish Stew.
Kathryn Gahl taught “Memory: The
Golden Thread,” a writing workshop
during January at the Rahr-West
Museum, Manitowoc. She also appeared
at The Third Avenue Playhouse,
Sturgeon Bay, WI in The Vagina
Monologues, in January. Gahl, a poet
and writer, has work forthcoming in The
Alembic and Spillway.
Camille Wade Maurice, Rhinelander
says the three session course, “The Joy
of Poetry” she facilitates for the Institute
of Learning in Retirement, Nicolet College
has been a joy. It’s been going strong for
five semesters.
Northwest Region
Jan Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com
Rob
Ganson has published his first
book, titled, Float Like a Butterfly, Sing
Like a Tree. Included are poems from the
WFOP’s own Naomi Cochran. His poetry
is published in current issues of Free
Verse and Falling Star Magazine. He is
also published in an anthology of coffee
and coffeeshop poetry from around the
world titled Brother, My Cup, collected
by Ea. Rob remains enamored of spoken
word, appearing often on local radio and
open mics. He recently read at a local
peace rally in Ashland.
Diana Randolph, Drummond,
will teach
a class titled “Exploring Mandalas
Through Drawing and Writing” for the
44th School of the Arts at Rhinelander
July 22—27. The Mandala (the Sanskrit
word for circle) represents an outward
expression of the inner self. This class
will take place in the afternoon and
participants will have the opportunity to
take one or more classes in the morning
in Theatre and Drama, Writing,
Photography, Music, Movement and
Relaxation, Computer Arts, or Art and
Other Media. For more information please
explore www.dcs.wisc.edu/lsa/soa. To receive
Diana’s quarterly arts e-newsletter please
contact her at oiabms@cheqnet.net.
Margaret L. Been, Phillips,
will present
two poetry sessions at the Wisconsin
Fellowship of Christian Authors’ Annual
Conference, to be held on April 21st in
Appleton. Margaret’s poem, “A Day in
B Flat Minor” has been accepted for
publication in Time of Singing.
South Region
Frank Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net
South-Central Region
James Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com
Winter
seems not to have slowed the
activities of our South-Central members.
November 12th saw the members of “Be
Muse,” students of poet Angela Rydell read their work at Avol’s
Bookstore in
Madison.
Richard Swanson and Alice
D’Alessio read at Avol’s on November
19th with Swanson reading from his new
chapbook, Men In The Nude In Socks.
Rusty Russell was among four featured
poets reading at Avol’s on November 26th,
enticing post-Thanksgiving shoppers with
their words.
And Lenore Coberly closed
out the month at Avol’s with a reading from
her new book Sarah’s Girls: A Chronicle
of Big Ugly Creek, published by Ohio
University Press.
Folks were probably too busy seeking
inspiration in their shopping lists for
Christmas (of course, one item that should
be on everyone’s list is a 2007 WFOP
Poets’ Calendar!) as there were only a
couple of events to list here this time. On
December 3rd Judith Zukerman and
Kimberly Blanchette (who joined the
WFOP in January) read at A Room Of
One’s Own in Madison. Judith read
selections from Amsterdam Days and Dutch
Jewry: A Sacred Remnant, while Kimberly
read from her new book of poetry and
photography Layers of Moments. Judith
also read from Amsterdam Days at the Mt.
Horeb Public Library on January 23rd.
Poets also read from the 2007 Wisconsin
Poets' Calendar at Avol’s on December
5th.
James P. Roberts, Charles Cantrell,
Ray Hsu, and Phil Wissbeck were among
those who read their work at the William
Stafford Birthday Celebration Poetry
Readings at Avol’s Bookstore in Madison
on January 27th.
Once again the WFOP’s Winter Festival
of Poetry is being held at Avol’s Bookstore in Madison. It began on January 21st
and
continues
through March 18th. WFOP members who
participated this year included Barbara
Houghton, Charles Cantrell, Brenda
Lempp, Fran Rall, Ray Hsu, Linda
Newman Woito, Angela Rydell, Richard
Swanson, Shoshauna Shy, R. Virgil
Ellis, Sandy Stark, Alison Townsend,
Gay Davidson-Zielske, Jean Tomasko,
Miriam Hall, Wendy Vardaman, Dave
Scheler, Fran Newhouse, Richard
Merelman, Jennifer Vaughn-Jones,
Judy Strasser, Kathy Miner, Tim Walsh,
Yvonne Yahnke, Jeannie Bergmann,
Brent Christianson, Lenore Coberly,
Daniel Kunene, Mark Kliewer, and
Susan Godwin. This year’s festival also
featured a series of chapbooks containing
a poem by each of the featured poets: 48
poems in all. The chapbooks are for
sale during the festival and the complete
set—each on a different colored paper!—
will be available after March 18th for just
$6, with proceeds going to the WFOP.
F.J. Bergmann read from her new
Parallel Press chapbook Aqua Regia at
Avol’s Bookstore on February 1st.
Peg Sherry keeps busy,
getting the most mileage from her poetry
by taking a third place in the Arizona
State Poetry Society’s 2006 contest in
the Free Verse category while another
poem received an honorable mention in the
Philosophy category.
Catherine Daly has a new
e-book published, Paper Craft, also available in hard copy. An interesting
sidelight
is that the book
can be made into “meta-poem-objects”:
a coffee cup, paper dolls, etc.
Richard
Swanson has had poems published
recently in Free Verse, Lilliput, and (online)
WhyAreWeIn Iraq?
Robin Chapman’s newest collection
of poetry is The Dreamer Who Counted
the Dead. See Publications for ordering information.
Robin Chapman and Judith
Strasser are editors of the anthology On
Retirement: 75 Poems (University of Iowa
Press, April 2007; available on Amazon
or at bookstores).
Susan Elbe’s poem “Some Music” was
a finalist for the James Hearst Poetry
Prize and will be published in the March/
April issue of the North American
Review. Additionally, she has a poem in
88: A Journal of Contemporary
American Poetry (Issue 6) and her poem
“Miracles Enough” has been chosen as
the featured poem in the Midwest
Environmental Advocates’ 2006 Annual
Report. She also has a new web site:
www.susanelbe.com/.
Shoshauna Shy won first
place in
Michael Kriesel’s Threesomes contest
in Free Verse, and had poems published
by California Quarterly and Wisconsin People & Ideas. She also
launched a Call
for Submissions for the Poetry Jumps Off
the Shelf program “No Direct Route
Home”—go to www.PoetryJumpsOfftheShelf.com for
guidelines.
West Central Region
Sandra Lindow, West-Central Regional VP
320 W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com
Greetings from Gamze and Patrick
T.
Randolph of La Crosse! Happy New Year
to all Wisconsin Poets and Writers, and
to all lovers of the written word’s
wonderful way of whispering worth to
the world. Patrick’s book signing and
poetry reading at Pearl Street Books in
downtown La Crosse went very well. A
small crowd of 20 attended the reading,
making it the second most attended
reading for a single author in 2006.
Patrick’s poetry has also recently
appeared in Bellowing Ark, Ceremony,
Goose River Anthology 2006, Irish Stew,
3rd Muse Poetry Journal (Australia)
www.3rdmuse.com/journal/
issue34/index.html, The Rockford
Review, Main Channel Voices, and New
Author’s Journal. Check out his new
volume of poetry, Father’s Philosophy,
Popcorn Press, 2006: www.popcornpress.com/pubs.htm.
Jane-Marie Bahr won an honorable
mention for her poem “Wild Winds
Bluster” in the Autumn Haiku Contest
#87 sponsored by Free Verse.
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Keep
Your Dues Current
Don't Forget the New Dues
Option |
| Fall
Conference Planners Need Panel Members There are some poets who audiences love to listen to because they not only write wonderful poems but deliver them in a way that captivates the listeners. The organizers of the fall conference in Marshfield would like to have a panel of four poets to share the techniques they use to make their delivery as effective as their writing. The committee would like to hear from you about poets who you would like to have on this panel. Please send your suggestions to Joan Johannes, Regional VP, at joanjeff@wctc.net by April 26th. You can also give names to Joan at the spring conference. Thanks! |
Meet
Your Key Personnel: Richard Roe |
In
Memoriam: Grace Bushman, 76, of Hancock passed away January 6, 2007, at St. Michael’s Hospital in Stevens Point. Her husband, John J. Bushman, 79, passed away on January 8, 2007. Grace’s poetry was published in numerous publications, including Rosebud, Chrysanthemum, Free Verse, and Wisconsin Poets’ Calendar. Her chapbook, Libra In Balance, was published in 2002 by Jack Pine Press. Grace was a regular at Barb Cranford’s poetry workshops and often helped Barb with desktop-publishing work related to the workshops. Grace was very artistic and loved crafting and painting. Her greatest joy were her children, grandchildren, and great-grandchildren. Grace will be missed for her kindness, sense of humor, and generous nature. |
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How to Choose
a Poetry Contest It’s a given that most contests are fundraisers for the entities that sponsor them, or at least fund publication of the winning manuscript, unless they are lucky enough to be endowed with a huge hunk o’money from a benefactor. Nonetheless, there is a vast range of prize/entry fee ratios, from Stunningly Lavish to Pure Greed—and a similar range in prestige, from Extremely Desirable to Embarrassing, What contests are worth entering depends on your experience and goals. Some poets are sucked into scams, like Poetry.com or the American Poets Society, because their epitome of bliss is ending up with a book—any book—with one of their poems in it, even if they had to pay through the nose for the privilege. However, an overview of the more respectable contests, i.e., those sponsored by university presses and literary journals, indicates that certain ethical practices have become standard. Most contests run by reputable literary endeavors have an entry fee that is no more than 2% of the prize money—say, a $10 entry fee to a $500 prize. Sometimes entry fees are much less, or even nonexistent. Almost always, significant publication is involved as well. I personally don’t enter contests whose entry fee is much more than 2% of the prize, unless other perks, like a subscription to their journal or a copy of the winning book, are involved. Full-length-book-manuscript contests typically involve prizes of $1,000 or more and book publication, with distribution and promotion, royalties and/or a stated number of author copies as well. Sometimes a book tour or readings are arranged; however, it should be noted that public readings should not be viewed as a prize in themselves, Paying for a chance to read your work in public is equivalent to vanity-press publication; it’s demeaning, rather than being an honor. Chapbook awards usually have smaller prizes, rarely include royalties, and have correspondingly smaller entry fees. Contests for single poems cover a broader range, but normally involve only prize money and publication. A few contests, like our Muse Prize, do not include publication; you are subsequently free to submit the poem elsewhere. An unspoken but salient rule: it is unethical to submit a poem that has already won a prize—no matter how small—to any other contest, even if the poem is unpublished. Carefully examine contests that offer finalists publication only as a prize. If the press is a very good one this may be worthwhile, but I was disappointed, upon being selected as a finalist for a chapbook contest and offered publication, to discover that I would be expected to pay $6 per book for my half-price copies! The editor claimed that their chapbooks sold for $12, but the press was small, very obscure, and all its published authors were unknown as well. Given that their chapbook quality could have been easily duplicated at Kinko’s for $2 apiece, this did not seem worth it, especially in contrast to a previous chapbook award from the highly-regarded Pavement Saw Press, where, as co-winner, I got $250, national distribution of my chapbook, 30 free copies and more available for $3 apiece—half of the much-more-reasonable purchase price of $6. No poet should ever have to pay a fee just to be considered for publication, even if the press pays royalties. For an editor to receive a fee for manuscript advice, when you intend to submit to a book contest sponsored by the press, is also considered unethical. Publication is not necessarily an honor; there is nothing inherently wrong with having your poems on bookmarks, coffee cups, brochures and the like, but when an entry fee is required for consideration, in the absence of prize money, I’d consider it a pure scam. If a non-profit or charitable group is involved, it ill-behooves them to prey upon poets in this way. Poets should not support egregious competitions, even if the goals of the supporting organization are laudable. Encourage these folks to seek corporate donations, instead. Judges should be named (and it should go without saying that friends and students should be specifically barred from entering). This is an idea whose time has come. No poet wants to waste time and entry fees on a contest for which it turns out they are ineligible as a friend or student of the anonymous judge. The Council of Literary Magazines and Presses (CLMP) has undertaken a well-meant effort to implement a Code of Ethics for literary contests in the wake of Foetry.com and the scandals it exposed, but the means of actually enforcing the standards that everyone now claims to espouse is absent, sometimes idiotically so. Contests are not barred from allowing students of the judge to compete, for example, as long as this is disclosed in advance. Contests that do not name the judge, are judged blind, and state that no acquaintances or professional associates of the judge will be allowed to enter are, by not naming the judge, making it impossible for entrants to self-police. They can only try to identify the ineligible after all the judging has been completed. Judges may not remember students, or be able to identify a poem as having been written by an acquaintance, but students don’t forget their professors, and their friends know who they are. As far as style goes, while some idea of judges’ preferences may be gained by reading their books, if possible, or Googling their work, I look more closely at what the sponsoring press or journal normally publishes—a press that devotes itself to experimental and concrete work is unlikely to send your collection of lyrical Petrarchan sonnets on to the final judge—and the reverse is probably also true. A response date should be specified. Poets ought to complain loudly and vociferously to—and about—contests that do not honor a date by which winners will be named. There’s no good reason to be indefinite about this; recently, I was pleasantly surprised (well, it was a rejection—but you know what I mean) to get a response from one contest within two weeks of submitting! Contests that can’t generate prompt results and notification should be prodded to reorganize their procedures. And that brings me to the aspect of entrant responsibility: very few of us can afford to enter every poetry contest that exists. If we limit ourselves to contests run according to ethical and reasonable guidelines, we are effectively boycotting those with unsavory or ill-considered practices. Further, it would have a profound effect if poets wrote to even one or two contests that do not meet these standards, and informed them, politely, why they chose not to enter. Blogging, posting to listservs and forums, and writing articles (like this one) can have a salutary effect as well—go for it! Links to previous Museletter articles by F.J. Bergmann at fibitz.com/poemfactotum/submit.html. |
Poets’ Calendar Prices Change Buy Big! Buy Early! Save on Postage! Place your 2008 order before the Calendar is printed, and save big! If you order ten or more copies prior to printing, they will be drop-shipped free of charge directly from the printer. Not only will you save the cost of postage, but you’ll be the first on your block to have the new Calendar in hand. Don’t want that many copies? Get together with your friends and combine your orders. As long as 10 or more Calendars are shipped in one package to one address, the no-cost-shipping applies. Contact the Calendar’s Business Manager, Michael Farmer, for details. Calendar ordering information (includes list of stores that stock the Calendar). 2009 Wisconsin Poets’ Calendar Editors
Announced Note to 2008 Poets’ Calendar Contributors |
Poet Laureate Fund Still Incomplete
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