Winter 2003 issue

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President's Message
      Thanks to all the folks who made the Fall Conference such a success. Our joint confab with the Wisconsin Regional Writers’ Association went over well. Congratulations to the winners of the Triad Contest, and to our members who did so well in WRWA’s Jade Ring Contests. We have every reason to be proud of our writers.
      Special thanks to Karla Huston and Cathryn Cofell, who were our representatives on the joint planning committee that put the conference together.
      There were lots of unseen needs to handle, lots of details and negotiations, the needs of two very different organizational styles to reconcile—nice work, ladies. Everyone agreed that we should do this again some time.
      Another thank-you is due to Mike Koehler, who is stepping down as the Fox Cities regional vice president. He and Gary Busha are editors for this year’s Wisconsin Poets’ Calendar. That editorship requires a big time commitment, and Mike decided not to spread himself too thin. Karla Huston has agreed to be the new regional vp. Thanks, Karla.
      Welcome to Peter Piaskoski, our new Membership Chair. He will be responsible for activities such as publicity, recruitment and retention. He’s replacing Karla Huston.
      Welcome, also, to the newly-elected Board members. Candidates elected at the fall conference were: Peter Sherrill, president; Roberta Fabiani, vice president; Bruce Dethlefsen, secretary; and D.B. Appleton, treasurer. We’ve got a mix of new and old faces, and I look forward to the next three years. This group will take office at the spring conference.
      We’ve made a subtle change in the way we handle members not current in their dues. At the fall conference, the Board recommended and the General Membership approved the following policy: any member greater than one year behind in dues will not receive any Fellowship mailings (except the dues-reminder postcard) and will not be eligible to enter WFOP members-only contests. We used to wait till memberships were two years in arrears. Back when re-joining meant going through a credentialing process, this courtesy made sense. Now that joining is simpler, we decided that one year’s delinquent dues was enough. Please remember to stay current with your dues.

      I welcome comments and criticisms. My address is: Peter Sherrill, 8605 County Road D, Forestville, WI 54213; e-mail meadowcroft@dcwis.com; home phone (920) 825-7651.

Hugs, Peter

Send Museletter contributions to the Editor:
Christine Falk
9556 Upper 205th Street West, Lakeville, MN 55044
(952) 985-5375

thefalks@frontiernet.net

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Welcome
to the following new members of the Wisconsin Fellowship of Poets who have joined since the last Museletter issue.

Ron Aygarn
Ixonia
Frances Bock South Milwaukee
Ron Czerwein Madison
Richard Hedderman Wauwatosa
Linda Johnson Esko, MN
Karen Kerans Milwaukee
Mary Beth Koehler Wisconsin Rapids
Connie Krueger Winter
Janet Leahy New Berlin
Dawn Mork Waukesha
Warren Ogren Hayward
Elmae Passineau Wausau
Lucille Rosenberg Milwaukee
Thomas Trinko Oshkosh

New member inquiries should be directed to Peter Piaskoski,the credentials chair. Join us!

Membership List Available to All Members
Fellowship members are entitled to receive a list of members at a cost of $2.00, which covers the postage. Please send cash or check payable to Chris Falk. If a member would like to receive the list via e-mail, the cost is free. E-mailed
lists will be sent as a .PDF which requires Adobe Acrobat Reader. Acrobat Reader is available as a free download from www.adobe.com. In order to receive the list, members must now sign the agreement and submit it with each request.
A Word from the Literary Fund Committee Chair
     Links to the rules and entry form for the Muse contest are below. PLEASE BE SURE TO READ AND FOLLOW ALL THE RULES. If you have any questions, you can contact me at dekelver@itol.com or 10392 CTY RD K, Brussels, WI 54204.
     This is our fifth year of the Literary Fund contest series and I’ve compiled a few statistics that may be of interest. Judges are selected by the Literary Fund Committee and are recognized poets/teachers in the literary field. The Muse Judge is always from outside WI and is paid $300. The Triad judges come from both in and outside of WI but are never WFOP members. They each receive $50. All judges' names and bios are announced after the contest at the awards ceremony and posted in the Museletter and on
the web site.
     Since poets’ names never appear on the entries, each is judged on poetic merit and the appropriateness to the category if applicable. Any entry that does not comply with the rules is disqualified before the judge receives any entry.
     The winner of the Muse prize is ineligible to re-enter that contest for 3 year since the prize is so large. The Triad winners are excluded for 1 year.
     Since the Literary Fund began awarding prizes in 2000 there have been 1713 poems submitted to all the contests. We’ve given out 92 awards (both monetary and honorable mention) to 66 different people. The monetary awards (40 in all for the 4 years) have gone to 34 different people. 32 different people have received honorable mentions but of those, 21 have been monetary winners somewhere along the line. The most important factor is that 66 people have been recognized for their poetic efforts by 16 different judges who only know them as a number.
     The committee has also compiled a list of monetary winners since 1986 and a total of 83 different people have been awarded some money in all those contest years. Of course anyone on that list is ineligible for the NEW POET award.
     We hope you’ll each polish up your best work and enter the 2004 Muse contest. You’ve got a much better chance to win than in the lottery. While the competition is getting tougher each year, just like with the lottery "you can’t win ifyou don’t enter." Believe in yourself as a poet. Believe in your poems, and best wishes,
Sue De Kelver,
Literary Fund Committee Chair

Triad Winners
What's Happening in Your Region?
Central-Fox Valley Region
      Karla Huston’s manuscript Flight Patterns has won the Main Street Rag chapbook contest. Books can be ordered through the poet ($8.50 includes shipping) as well as from www.mainstreetrag.com online bookstore. Her recent publications include: an interview with four contemporary women poets, “Burying the Red Shoes”, published in Margie: The American Journal of Poetry, and poems and reviews in assorted journals included TMP Irregular, One Trick Pony, Poet Lore, Pearl, Chiron Review and many others. She will be participating in readings on November 9th at Canterbury Books in Madison and on December 6th in Waukesha.
      Red Hydra Press in Tuscaloosa, Alabama has published Mary Wehner’s broadside The Chinese Painting. Five of her poems have been chosen to appear in the December edition of the online literary magazine, Zinkzine. The site can be found at www.zinkville.com.
      Mike Koehler read at Conkey’s Between the Pages in Appleton on October 21st.
submitted by Karla Huston, Central-Fox Valley Regional VP

      Patricia Clark has had work published recently. Her piece, entitled “My Child”, was published in the autumn issue of Chattels of the Heart. She also had a piece entitled, “Between the Tears and the Truth” published in A Cup of Comfort for Mothers and Daughters. A book signing was held at the Oshkosh Public Library sesquicentennial local author book fair on October 12, 2003.


East Region
      Elaine Cavanaugh received a letter from the Assistant Director of the Dwight Foster Public Library in Fort Atkinson, Wisconsin congratulating her on receiving Honorable Mention in the Lorine Niedecker Poetry Award Contest. The award is co-sponsored by the Council for Wisconsin Writers and the Dwight Foster Public Library of Fort Atkinson. Cavanaugh was invited to read the series of five poems which won her an honorable mention in the contest. The reading took place at the Fort Atkinson High School on October 11, 2003. She attended the three-day conference which honored the twentieth-century poet, Lorine Niedecker. The centenary celebration took place in Milwaukee on October 9th and 10th and Fort Atkinson on October 11, 2003.
      Elaine Cavanaugh and other poets read their poetry at an open mic reading at Kozmic Koffee in Waukesha, Wisconsin on October 4th. The reading took place during the Art Crawl and was open to all poets and writers. It was sponsored by The Wasteland Poets. The poets read to a full house. Liz Hammond organized the event.
      
CJ Muchhala’sarticle “Water Rich, Water Poor”, a personal reflection on water needs, was published in the fall 2003 issue of Wisconsin Academy Review.
       The Fall issue of Porcupine Literary Arts Magazine will feature the art-poetry collaboration “Threaded Metaphors: Text & Textiles” in its portfolio section. Threaded Metaphors is on exhibit through November 2nd at the UWM Art History Gallery. Collaborators included 5 fiber artists and poets Phyllis Wax, Helen Padway, Mara Ptacek, Peggy Rozga, and CJ Muchhala, collectively known as The Sparks. A reception and reading were held at the gallery on October 3rd. A CD-ROM of the art and the poems featuring text and voice, is on sale at the exhibit as well as a limited edition handmade book containing the poems only. The book was designed and created by Mara Ptacek. Please e-mail one of the Sparks if you’re interested in purchasing either the book or the CD-ROM. Porcupine Magazine is available at local bookstores or can be ordered from Porcupine, P.O. Box 259, Cedarburg, WI 53012.
      Peggy Rozga, Mara Ptacek, HelenPadway, and CJ Muchhala were the featured readers at the Washington House Inn during Cedarburg’s annual art crawl October 10th. The reading was sponsored by Porcupine Literary Arts Magazine.
      Charles Ries won first place in the Second Annual OnMilwaukee.com Poetry Contest with his poem “Milwaukee’s First Dance.” His poetry has also been accepted for publication in the following publications: Iodine, Poetic Voices, Anthology, and Free Verse.
      Helen Padway had two poems accepted by Clappers and Blind Man’s Rainbow.
      The Wasteland Poets were guests on Wisconsin Public Radio’s Higher Ground program on June 14th. The group consists of Dale Ritterbusch, Liz Hammond, and Anjie Greene-Martin, and others. The Wasteland Poets will sponsor another open mic reading in Waukesha on December 6th with Karla Huston from Appleton as the featured poet.

Mid-Central Region
      Lincoln Hartford has had a busy time this summer and fall, attending various workshops: “Write by the Lake”, Taos Writers Conference, Saturdays with Barbara Cranford and company, Saturday with Ellen Kort at The Clearing. and most dramatically, a week at AnamCara, writer’s retreat, Beara Peninsula, Ireland. He has had poems published in Free Verse and Y Drych.
      Four poets from the Mid-Central Region received awards at the Joint Fall Conference held in Oshkosh. In the WFOP Triad Contest Poet’s Choice Category Jeffrey Johannes won first place with “Where the Rain Begins” and Joan Johannes received an honorable mention. In the Theme Contest, Writers/Writing, Jeffrey Johannes won a third place award for “The Last Poet.” Barb Cranford won an honorable mention in the New Poets Category. In the WRWA Jade Ring Contest, Linda Aschbrenner received a third place award in the adult fiction category with “Taking Chances” and an honorable mention in poetry.
      Marshfield poets have completed their first year of hosting monthly open mic nights. This program, the Final Friday Poetry, Prose and Anything Goes Open Mic Night, will resume on January 30th at 7 pm. Final Fridays are held the last Friday of each month January through October at Simply from the Hearth in Marshfield at 126 S. Central Avenue. All are welcome.
      This fall the Poetry Trail at the UW—Marshfield/Wood County Arboretum featured sonnets selected by Doug Seubert. The winter theme is Savoring the Season with poems selected by Kris Rued-Clark.
      Linda Aschbrenner, editor of Free Verse and publisher of chapbooks with Marsh River Editions, participated on the panel “What Do Poetry Editors Want?” at the Wisconsin Book Festival in Madison.
      Cathy Conger gave a reading at the McMillan Coffeehouse at the McMillan Memorial Library in Wisconsin Rapids in September. DyAnne Korda gave a reading at the Fine Arts Center, UW-Stevens
Point. Bruce Dethlefsen gave a reading at the Ethel Everhard Memorial Library in Westfield in October and at the Montello Public Library, Canterbury Booksellers in Madison, and the Village Booksmith & Coffee House in Baraboo in November.

Northeast Region
      Regional members who attended the September WFOP/WRWA Conference in Oshkosh were: Sue De Kelver, Michael Farmer, Barbara Larsen, Margaret Magle, June Nirschl, Nancy Rafal, Kate Rericha, Judy Roy, Joey Wojtusik. Sorry if I missed any other Nor’easterners.
      June Nirschl, Nancy Rafal, and Judy Roy, aka “The Off Q Gals”, read at The Bridge in Egg Harbor on September 20th. The trio’s chapbook, Slightly Off Q, will be published next spring by Marsh River Press.
      Judy Roy, Nancy Rafal, and Michael Farmer were among attendees at the Wisconsin Book Festival in Madison at the end of October. Judy read at Michaelangelo's Café and Nancy at the Bartell Theatre. Sue De Kelver was a member of the “Do You Swear to Tell the Truth” panel at the festival.
      Nancy Rafal and Michael Farmer attended the Lorine Niedecker Centenary Celebration in Milwaukee and Fort Atkinson in October. Presenters at the celebration included John Lehman and many more. Nancy and Mike then hosted Cid and Shizumi Corman, Bob and Susan Arnold, and John and Jasna Phillips at their Baileys Harbor home. Mary Jo Stich won 1st place with her work, “Encompass”, in the West Virginia Poetry Society 2003 Annual Contest—The Walt Swearingen Memorial Award.
      Lyn Hirst has had works regularly published by the Door County Advocate—Resorter Reporter. Her poems also appear in The Discerning Poet, a quarterly journal, and in two anthologies, Theatre of the Mind, published by Noble House, London, and On The Wings of Poetry, poetry.com.
      On Sunday, August 17th, Cynthia Johnson led a service at the Unitarian Universalist Fellowship in Sister Bay. The focus was “The Year of Water: A Celebration in Poetry, Music, and the Visual Arts.” Poems were read by Loraine Brink, Cynthia Johnson, Sue DeKelver, Peg Bresnahan, Barbara Larsen, Hanne Gault, Nancy Rafal, June Nirschl, and Peggy Lott (work by Sarah Stuart). A poetry reading was part of the first annual Door County Festival of the Arts sponsored by the Francis Hardy Center for the Arts on August 9th. Peg Bresnahan, Michael Farmer, Peggy Lott, Margaret Magle, June Nirschl, Nancy Rafal, Judy Roy, and Peter Sherrill shared their work with a standing-room only crowd (there were no chairs).
      Sue DeKelver read with Mary Anne Napoleone and others at Artstreet in Green Bay on August 24th. On September 16th she was featured reader at Conkey’s in Appleton. Sue earned third place in the Peninsula Pulse annual poetry contest. Peg Bresnahan earned first. Sue received 2nd place in the Triad Theme contest and an honorable mention in the Poet’s Choice. She also received an honorable mention in the WRWA Jade Ring Poetry Contest. Sue and Barbara Larsen were winners in Free Verse’s pantoum contest.
      Joey Wojtusik won first prize for short humor in ByLine magazine. Through Nicolet College she did a presentation about writing for the Institute for Learning in Retirement this fall.
      Rolf Olson was part of the Third Avenue Playhouse production, Muse’ical & Thespian Faire, on October 25th in Sturgeon Bay.
      Kristin Alberts has been published in WLA (War, Literature, and the Arts) Issue # 14, 2002 double issue She was also the recipient of the Mary McHale Wood Endowed Scholarship for Excellence in Creative Writing in April.
      Amanda Sabah, another student member, was featured reader at the Neville Public Museum in Green Bay on October 29th.
      The following WFOP members participated in the Poets' Retreat at St. Joseph Retreat on Kangaroo Lake in Baileys Harbor, November 7–9: Loraine Brink, Michael Farmer, Hanne Gault, Barb Germiat, Merle Hazard, David Jones, Judy Kolosso, Barbara Larsen, Peggy Lott, Cheryl McCarthy, Connie Morgenstern, Linda Nett-Duesterhoeff, June Nirschl, William Olson, Nancy Rafal, Richard Roe, Judy Roy, Pat Schutz, and Irene Zimmerman.
submitted by Nancy Rafal, Northeast Regional VP

On October 5th, Poetry 2003 was held at the Green Bay Botanical Gardens. Featured readers were: Amanda Sabah, Kay Saunders, Michael Koehler and others. Special guest was Ellen Kort. Refreshments and an open reading followed the featured readers.
Northwest Region
Ann Penton, Sarona was the Featured Poet at September’s NW Wisconsin gathering of Second Sunday Poets and launched sales of her self-published poetry chapbook Investigating Indigo there. She has re-joined the WordSpinners’ Poetry Round Robin. One of her haiku was accepted for the 2003 Haiku Society of America’s Members’ Anthology and another for the Wisconsin Poets Calendar: 2004. A short art-related poem was published in Dust in the Wind, the newsletter of the Lake Country Pastel Society. Ann attended Rhinelander’s School of the Arts again in July, studying poetry with Ellen Kort and Laurel Mills.


South-Central Region
      Note to all WFOP members: mark your calendars now for the spring conference, April 23rd-24th. We will be gathering at the Inn on the Park, right on the Capitol Square in Madison. Program details and a registration form will appear in the next Museletter.
       Note to all South Central chapter members: after the first of the year, I will be looking to form a committee to work on said conference, so please be expecting an E-mail or a phone call. The last time we hosted a WFOP conference—can it really have been the fall of 2000?—we had a great group and the work and the time positively flew. People will be needed to help with producing the program, assembling packets and giveaway items, registrations, food details, the book sales tables, the “roll call” reading, and so forth. Please be thinking about what you might like to do. On to recent achievements by our chapter
members.
       Susan Fiore reports that her poem “Sarcoma” was published in the Spring/Summer issue of Medical Encounter. ME is a publication of the American Academy on Physician and Patient, an organization dedicated to improving the doctor-patient relationship and the practice of medicine. Always nice to see poetry appearing in unexpected places!
       Josey Zell was a featured reader at the Barnes and Noble/WFOP poetry reading on July 27th. Richard Roe does a great job pulling these monthly readings together. And for those who need a “poetry fix” mid-month, remember that WFOP’s Fran Rall organizes the Writer’s Place readings at Barnes and Noble on the second Sunday evening of each month.
       The Montello Public Library continues to be an excellent venue for WFOP poets. Yours truly read there on September 8th, and Lou Roach did the same on October 8th. (A vote of thanks to a certain librarian there for supporting and promoting poetry and the fellowship!) Lou recently has had poetry published in Free Verse, Hummingbird, and the Rockford Review.
       Susan Elbe has a poem appearing in the Fall/Winter issue of the Atlanta Review. Her chapbook, Light Made from Nothing, was reviewed in the Sept/Oct issue of the North American Review. And Susan, along with Richard Roe, read at the Village Booksmith in Baraboo on October 10th.
       The artistically versatile Lynn Patrick Smith is featured performing his song “Comedy of Errors” on a new compilation CD. Released in October and titled Made at Home, the CD features the 19 members of the Madison Songwriters’ Group. (Hey, Lynn—will you be bringing some CDs to the spring conference??)
       F.J. “Jeannie” Bergmann’s poem “In the Final Analysis” was published in The Margie Review, Vol II.—The American Journal of Poetry (although they didn’t quite get her name right on the list of credits). See the “Tribal Council” page at http://www.margiereview.com to understand what fine company she is keeping! Jeannie will have several upcoming publications—watch this space for further news. She read from her chapbook Sauce Robert at Canterbury Booksellers in September.
      It would not be possible in this space to list all of the WFOP poets who facilitated, participated, or attended the diverse events of the Wisconsin Book Festival, held October 22nd-26th in and around Madison. There were readings, panel discussions, salons, workshops, and more. Suffice it to say that we are all grateful for the opportunity to hear, present, and talk about so much poetry, and that we look forward to even more next year.
      John Lehman, poetry editor at the Wisconsin Academy Review and the founder of Rosebud magazine, has just published America’s Greatest Unknown Poet, about the life and writings of Wisconsin’s Lorine Niedecker. The book is available from Zelda Wilde Publishing, better-writer.com, amazon.com, bn.com, and in bookstores.
      When the South Central poets gather this winter for our annual Calendar and Winter Festival readings, there will be a presence missing. Marjorie Pettit, a WFOP stalwart and a character with a capital “C”, passed away in August. Perhaps we should all wear red berets in her memory. Marge would like that.
submitted by Kathy Miner, South-Central Regional VP

      Shoshauna Shy has had poems published in West Wind Review, Phoebe, The Baltimore Review, The Mid-America Poetry Review, One Trick Pony, New Laurel Review, Wisconsin Academy Review, Wisconsin Poets Calendar: 2004 and Story House Labels. She was a panelist at the Wisconsin Book Festival poetry event titled “Do You Swear to Tell the Truth?” on October 25th along with Sue DeKelver. Cathryn Cofell served as moderator. Shoshauna performed as part of the Prairie Fire Poetry Quartet with Richard Roe, Robin Chapman and John Lehman at Canterbury Booksellers in Madison on November 20th.


South Region

West Central Region
      Fall tends to be a poetically productive time in the Chippewa Valley. Something about it sets creative birds flying. September 27th, at the WFOP and WRWA Joint Fall Writers Conference in Oshkosh, Candace Hennekens won second prize in the Jade Ring Contest for her fine poem “Looking for Exotica.”
      The Eau Claire (Turning Leaves) Book Festival, now in its fourth year, took place October 16th-19th. There were well-attended workshops, readings and a slam that attracted many young poets. Headlining the event was a reading by poet/editor Sam Hamill of Copper Canyon Press and the Hayden Carruth Poetry Awards. Hamill, who recently gained the national spotlight by initiating the Poets Against the War movement, gave a powerful, thought-provoking reading along with some pointed comments about
national policy.
       On October 24th-25th, the UW-System Women’s Studies Conference, Reconfigured Traditions: Engaging, Redefining, and Reconstructing Gendered Space took place at UW-Stout, Menomonie. It featured a reading by Lois Michaelson and others.
      Nadine St. Louis has had three poems accepted by Kaleidoscope Magazine’s upcoming aging issue “Things to Do When You Turn Fifty,” “Meditations of an Aging Wife,” and “Like Sweet Bells Jangled.” Her poem, “Poetry, You Say, Is Slow Talk” was accepted by Byline.
      Sandra Lindow’s poem “Mary Sweeny: Wisconsin Window Smasher” has been accepted by Robert Nazarene for his annual anthology Margie: The American Journal of Poetry. Her poem “Checkout, the Home Place” has been accepted by Kaleidoscope Magazine.
submitted by Sandra Lindow, West-Central Regional VP

      Jane-Marie Bahr has a poem, “Sanctuary”, selected for a future issue of Free Verse.

In Memoriam

Marjorie Pettit
The WFOP lost a long-time member on August 11, 2003. Marjorie Pettit passed away at the age of 81. Marjorie was born in Pardeeville, Wisconsin, graduated from college at Stevens Point and taught high school English for several years. Marjorie served as secretary and president of the WFOP during her long tenure with the organization. Lenore Coberly reminisced about Marjorie: “When I first joined WFOP, Marjorie was secretary. She would mimeograph the Museletter and I addressed them by hand!” She was active as a volunteer, playing piano for adult day care centers, retirement homes and giving poetry readings to these places as well. She traveled extensively, including trips to the Galapagos Islands and Easter Island. Marjorie is survived by her son, Perry.

John Faragher
John Faragher, founder of the www.spondee.net website and friend of the WFOP, died on October 16, 2003 at the age of 81, the result of complications from heart bypass surgery. John grew up on Milwaukee’s near south side. After graduation from South Division High School, he served in World War II. He was involved in a glider crash where everyone else in the glider was killed and he was far inside enemy lines. He managed to find friendly forces in German territory. After the war, John earned a degree in English from Marquette University. He taught science and literature at Pilgrim Park in Elmbrook until his retirement. John had a strong interest in computers which led him to his interest in the internet and the creation of www.spondee.net. In his retirement, John taught poetry at the old LaFarge Institute for Lifelong Learning. John is survived by his wife, Billylu, his seven children, Mary, Michael, Patrick, Peter, John, Thomas, and Robert, and grandchildren.

Edith Nash
The Mid-Central Region will greatly miss Edith Nash, who died on November 9th at the age of 90. Edith was not only a wonderful poet but was also one of Wisconsin Rapids' most dedicated supporters of the arts and a cherished friend to the poets in her region. She was the founder of the Riverwood Round Table, the local writers’ group, and a member of the Wisconsin Humanities Committee. Edith loved attending Norbert Blei’s workshops in the summer, and her most recent book, Practice the Here and Now was published in his series. Together with her husband, Philleo, Edith was active in the Democratic Party of Wisconsin, when her husband served as lieutenant governor in the late 50s. They returned to live in Washington, DC and Edith helped found and direct one of the first integrated schools in the DC area, the Georgetown Day School. She served as director from 1961–1975. After her husband’s death in 1987, Edith ran the family cranberry business until she sold it in 1992. She spent the rest of her life devoted to the arts and philanthrophy in and around the Wisconsin
Rapids area.

Controversies in the Fellowship
      I’d like to open debate on topics that generated heated discussion among the Fellowship’s Board and members. I’ll introduce the subject, and offer my opinion/approach. In some cases, members with other points of view reply. I invite all of you to join the discussion—either through letters to the Museletter editor, or by contacting your regional vice-president. We will be discussing these at the Board and General Membership meetings in the near future.

Poets’ Calendar Dates
      A number of our members have noticed that recent issues of the Fellowship’s Wisconsin Poets’
Calendar
have only Christian and secular holiday dates. At the last spring conference, the Board adopted a list of dates recommended for inclusion in the Calendar. We intended to be more inclusive. The list includes, among others, Kwanzaa, and important Jewish holidays.
      Unfortunately, the 2004 Calendar was too far along in the publishing process to implement these changes. When the Calendar was released, it did not contain the expanded list of dates. Several members took offense.
      On behalf of the Board, I apologize for the confusion surrounding the adoption of recommended dates so close to the release of a Calendar that did not conform. My apology comes with the following qualifications:
      The list of dates is recommended. The Fellowship has traditionally left essentially all of these editorial decisions to the Calendar’s editor. Selection of poems, layout, artwork, typesetting, proofing—all of these are the editor’s prerogative.
      It’s hard to find an editor (or editors) who are both qualified and willing to take on the task. I routinely make a dozen or more calls before finding someone able and available. The editor is unpaid, except for direct expenses such as postage. The broad editorial discretion they enjoy is small payment
for many hours of work.
      Editorship of the Calendar is an honor reserved for Fellowship members who have a proven record—both as published poets, and as astute judges of others’ work. With the honor comes the curse—the long, thankless, and often-controversial job of receiving over a thousand submissions, winnowing them down to a manageable collection, preparing them for publication—and fielding the compliments and complaints that always follow.
      The finished Calendar is more the editor’s work than the Fellowship’s. We, as publisher, are not endorsing a particular set of holidays any more than we are endorsing the content of the individual poems. Frankly, if we had a Muslim editor who wanted to include only Muslim holidays, I’d consider it an interesting variation on the theme and welcome it. The Fellowship would still get its primary values: a venue for our members’ work, and a source of income.
      My policy has been to stand back and let the editor(s) show us what they can do. I worry that if we impose too many restrictions and regulations, we will not find editors of the quality we’ve grown used to. Nor would we get the rich and varied editions of the Calendar that we’ve enjoyed (and in some cases, cursed).
      If asked, I would advise an editor to take one of three approaches in picking holidays: none at all, legal holidays only, or The-List-and-Then- Some. But then I’d finish by saying “You’re the editor. It’s your decision.” I think it needs to stay that way.

E-Mail as a Means of Board Communication
      Between regular meetings, Board members often use e-mail to exchange ideas, request information, and propose agenda items for upcoming meetings. This practice has been around for at least the six years I’ve been on the Board. As president, I expanded its use to get Board members’ opinions and advice on a broad range of topics.
      These e-mail exchanges are conversations. We are not transacting Board business outside the regularly scheduled, face-to-face meetings. E-mail has proven a quick and inexpensive way to communicate routine messages, and develop consensus on day-to-day decisions.
      Several members have complained that this practice excludes Board members who do not have access to e-mail. There is concern that some of our Board may be left out of conversations they would have an interest in.
      My reasons for using e-mail are that it provides a very rapid, inexpensive forum for the great majority of Board members. We now routinely communicate on matters that previously would have been decided by one officer alone. The expense of conference calls, and the time lag of postal mail, make these media impractical.
      I feel the advantage of such quick, easy communication outweighs the disadvantage that it excludes those few Board members who are not online. I intend to continue using e-mail, but welcome comments and criticisms.

Methods of Delivery for the Museletter
      We’ve had a surprisingly vigorous debate over one Board member’s suggestion that the Museletter be delivered first-class, rather than by bulk mail. Here are the issues currently on the table:

  1. Bulk mail can take as long as two weeks. This can make some time-sensitive news items (contests,
    conference registration forms, event dates) outdated before the Museletter arrives. The NFSPS Strophes is often outdated, since the NFSPS mails the Strophes to Chris Falk, who then packages them for mailing with the next edition of the Museletter.
  2. Bulk mail is substantially cheaper than first-class. Our typical bulk-mail cost is about $100 - $150 per Museletter issue. We mail four issues per year. First-class for the same number of items and weight would be about $300–$400. The Fellowship’s finances are roughly break-even right now. This means that we’d have to find some way to cover the additional cost if we decided to use first class mail.
  3. It is possible to publish the Museletter in .pdf format on our website. Online members could
    download it and print it for themselves, instead of receiving a hard copy via mail. This could cut costs.
  4. Chris Falk, our Museletter editor, tells me it is not difficult to maintain multiple lists indicating members’ delivery preferences: online, bulk mail, first-class. The disadvantage is that it might increase administrative costs, and/or the possibility of errors.
  5. Members who want the first-class option might be surcharged for the service. Again, this increases level of complexity and chance for error.
  6. If enough members decided to receive the Museletter online, we might save enough in postage to cover the additional cost for those who want first-class delivery.
  7. If the Fellowship chose to discontinue membership in the NFSPS, the savings (both in dues to national and decreased mailing weight without Strophes) might pay for everyone to get first-class postage.

    So—what do you think? I have no problem with receiving the Museletter as I do now. But then again, I’m prez and so most of the stuff is old news to me by the time it goes to press. I welcome your opinions and will do my best to develop a consensus on this surprisingly thorny issue.

Do We Continue Membership in the NFSPS?
    One way of controlling Fellowship expenses is by discontinuing our membership in the National Federation of State Poetry Societies. We pay $2 per member per year to belong to this organization. I think we should quit. Here’s why:
    There are two reasons to belong to NFSPS. First is Strophes, their newsletter. It has listings for contests, publications, and other poets’-interest contacts. Second is the annual poetry contest, which allows NFSPS members to enter up to 50 separate competitions at a reduced fee. Winners get cash prizes, some of which are pretty generous by poet standards.
    There are other benefits, as well—such as the annual convention and eligibility for chapbook contests and scholarships. For most members, though, the Strophes and the annual contest are the reasons to belong.
     Strophes is now available online at the NFSPS website. As far as I can tell, there’s no restriction on access. You don’t need to be a member to read it online. In fact, it’s more timely than our current mailing system (see above).
    Essentially all of the national contests can be entered by non-members, for an additional fee. I’m not sure how many of our members take advantage of this, but I suspect that, dollar-for-dollar, we’d be better off letting those members who want to enter, to pay the extra fee.
    I think our money is better spent supporting our local activities and contests. I suggest we not renew our membership in NFSPS.

Okay, Now It’s Your Turn
    One of the joys of this organization is the way folks from so many different places, with so many different points of view, can come together and still treat each other as colleagues. The WFOP is my gold-standard for what fellowship is all about. We have some contentious topics here. I understand that there are good reasons to disagree with me. Not all of us will be happy with whatever decision is made. But let me know what you think. I hardly need to tell a bunch of poets this, but silence is consent. If you don’t make your wishes known, you’ve got no reason to gripe about the outcome.

Response from D.B. Appleton, WFOP Treasurer (received, as it would happen, following an email consensus-gathering discussion):
    Thank you, Peter, for taking the time to clearly present these issues, with which you've done a first-rate job. My thoughts (in no particular order) are as follows:

1)Re: delivery method for the Museletter, all I can offer is my own personal preference of wanting to get the Museletter in its current, hard-copy format—I would have no interest in an online version.
2) I too would recommend discontinuing NFSPS membership. The benefits are minimal, and WFOP withdrawal does not preclude any member from individually taking advantage of anything NFSPS has to offer. And the cost of NFSPS membership for the entire organization is nearly $1000 a year—I can think of a lot of other things on which we can better spend a thousand dollars each year.
3) Re: Calendar holidays—My gripe is not with giving editors latitude with the calendar. It is with publishing a calendar that is not a viable calendar to be used for those who purchase it expecting it to be such, and not just a collection of poetry. If we are just interested in publishing poetry, we could simply publish an annual collection, which perhaps should be a consideration. The bulk of our sales is undoubtedly from members whose poems are published in each edition, and they would most probably continue to purchase the same number of copies (or maybe even more) if it were simply a published collection, not a one-year-limited calendar. There would be a substantial benefit to publishing a straight collection vs. a calendar, in that it would not be chronologically restricted to a calendar year, and so could be sold as a viable collection well past the end of any calendar year, both to members and in bookstores, gift shops and other appropriate outlets. (And then editors could simply focus on poetic content and artistic considerations, over which they should indeed have control, and would not have the pressure or additional time & effort requirements of dealing with calendar dates and formats and proofing.) But if we put the collection out as a calendar, I think we owe it to those to wish to use it as such to make it a viable, usable calendar—otherwise, it’s sort of unfair to promote it as a calendar when it’s lacking the basic inclusions that you’d find in any (every?) other calendar on the market. When I buy a calendar to use, I expect it to have a reasonably complete list of major religious holidays, as well as pertinent info such as when Daylight Savings begins and ends, Election Day, and other dates that have been regularly missing, incomplete or incorrect. Inclusion of certain holidays, Jewish or otherwise, is of course not an endorsement of any particular spiritual viewpoint. It is simply being thorough and professional. Just go into any bookstore and look at any number of calendars at random, published by any organization you wish, and see what holidays they feel are necessary. I don’t think we have any particular insights that all these other hundreds of groups have somehow missed—the consistent inclusion of Jewish holidays, DST dates, Election Day, etc. are there for a good and time-tested reason, and it would seem incredibly presumptuous of us to think that they are superfluous in anything promoted as a usable calendar. We should have pride in what we publish as an organization, and it is not just the editors’ names that appear—the calendar is published first and foremost by the organization. If we are publishing a calendar of poetry, it should be well-edited poetry in a well-edited calendar. Otherwise, we should simply be publishing an annual collection, and not well-edited poetry in a sub-standard calendar; putting a first-class product in shoddy packaging does a great disservice to not only WFOP, but insults the poets whose work appears therein. Thanks for listening (reading?)—DB

Counterpoint
WFOP members,
     Peter Sherrill has asked me to give some views that I will share and offer some rationale. Some of you may not be aware that I served as president in 1992–1995, During that presidency, board members encouraged me to form some codifying of job descriptions and to began utilizing emerging technology. Early in that presidency I enlisted Chris Falk to build data bases and allow her expertise in computers to enroll the WFOP into the technology lane.
     Peter continues to upgrade and lead the WFOP, continuing to deal with this ever-daunting task on behalf of all WFOP members. Peter and I and any other past presidents are granted lifetime membership on the Board. Let me ensure that I will forward several opinions, which may or may not be ideas we agree on; yet, I believe that early leaders of the WFOP foresaw the need to honor our senior members by respecting and seeking their counsel.
     I recommend that first-class mailing for members of the Museletter should be provided as the timeliness will again provide satisfying our goal of serving all members. Those members without internet are currently the majority. Recently, Chris Falk has advised board members several data fields could be set up—those wishing to read the Museletter on-line could make that request and those wanting the Museletter mailed first class in turn have that service.
     Encouraging “fellowship” seems seminal to our mission as poets. Change is all about us and the demographics are daunting relating to age divide. As a member and educator, I have begun to realize how technology is related to economics. Affluence allows acquiring the technology to participate in this electronic whirlwind of information.
     I have in the last year cautioned the computer and internet board members to keep the forum open to non-internet board members. I have not accused any board member of carrying on business of the board this way, but until Mardi Fries “promised” to keep the non-connected board members in the dialogue or “loop” I am obliged to speak on their behalf.
     When I venture opinions to other WFOP leaders, my guiding principle is to ask what this fifty-three year-old poet organization is about. We as poets are to encourage practicing our art. Membership for many is centered in the Museletter. Most members do not attend the semi-annual conventions so providing members timely delivery seems paramount to meeting this goal.
     At present, Chris Falk has voiced her willingness to satisfy request from members wanting to have first-class delivery. My opinion is that membership dues should accord this service.
     We, members of the board, are to be representatives of all poet members, attentive to individuals and guided by policies and opinions to promote fellowship. Peter and other board members continue to operate the WFOP organization with this primary focus of service and support to our members.
     I hope other members will feel welcomed to carry on dialogues so that we poets can benefit from the feeling of support that I encountered when I was welcomed as a new member twenty years ago.
Michael Belongie

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WFOP General Meeting Minutes, October 27, 2003, Oshkosh, Wisconsin

Museletter Poetry Page

Communication, Connection—Our Keyboards, Our Cell Phones

IN TOUCH

Communicating from keyboard porches
Making do with the web sidewalk
Runners rushing by with instant messages
Keeping in touch by fingers walking
World wide web of yodels.

             —Ruth Sellnow, Watertown


NOT ENOUGH STRING

With emptied tin cans
tied together with string,
and converted to walkie-talkies,
the two young mid-century siblings
could get farther apart
             (out of punching range?)
             (was this Mom's idea?)
and relay hushed messages un-intercepted.

By middle age, they were driven even further apart,
had access to all the communication tools
of this new century,
and didn't interact at all.

             —Ann Penton, Sarona


COVER-UP: NO NEWS TODAY

For three seasons
the narrow bay waters
have headlined with
often-colorful stories
about trees on the opposite shore.
But now it's winter.
The editors have dropped
mention of the matter,
leaving the front page
ice-white empty.

             —Ann Penton, Sarona
             from Investigating Indigo.

CLEANING THE MOUSE

It is recalcitrant, not doing as it's told,
Sticking in a slough of screen.
I say Move and it doesn't,
There and it stays here,
Failing to tuck neatly into a word
Or draw the proper shape.

And sometimes it does what it shouldn't,
Skittering to unpredictable places
Like a Mexican jumping bean.
Cursed cursor.

St. Paul knew the predicament:
Doing what one shouldn't
And not doing what one should.

So I open the mouse,
Dump its heavy heart onto the desk
To extract the latent lint.
Working carefully, I rub the debris
From the rollers
And drop it in the trash,
Amazed that such a little mass
Can cause so large a mess.

It's simple, really, this clean-up job.
And if I too could be opened and cleaned
Maybe my life would stay on course.

             Lois Michaelson, River Falls


BORN THE WRONG ERA

Eyes tell a story
bodies communicate thoughts
beyond the tangible timbre of voices.

Faces connecting psyches
even Mr. Bell didn't want to obliterate.
My cell phone number—two longs and a short.

Stationery says hello
penmanship expresses love
beyond the visual texture of handwriting.

Paper letters bonding friends
even the Pony Express needs job security.
My email address—second left fork
in the road.

             —Tina Jackson, Madison

OF MEN AND MICE AND BITS AND BYTES

                   Using an
                   electronic mouse,
                   small and gray
                   and possessed
                                    of
                                    a
                                    ve-
                                    ry
                                    lo-
                                    ng
                                    ta-
                                    il,
I gather
nibbles of data
just as the live mouse
gathers bits of grass
and seeds;
neither ventures far
from soft safe nest, and both scurry
nearsightedly about, holding tight
their little treasures, seeking
a proper place
in which to store them.

             —Kathy Dodd Miner, Madison

BOXED

companion, little box
with face of changing view
sounds of laughter grieving news
fictitious lives requests to buy
through transmitted light
taking for her only friend
companion, little box

             —Pamela Spencer, Madison


NOBODY'S ANYWHERE

The phone rings on in a mighty vacuum,
ending in pre-packaged words. I imagine
your dark wood paneling spattered
with sunlight; the lake, plowed
aimlessly by ducks, shimmers
beyond the willow, beyond
the rift of lilies, bluebells. A sanctuary
for easing pain.
Why would you not be there?

I try another, and wait while rings
echo up and down Victorian halls,
entering high-ceilinged rooms
with querulous call
where children's books and toys
are strewn; the washer churns
endlessly in the back hall. I need to know
the tangled structure of your plans.
Are you off for a latté or errands squeezed
into childfree time?

I push more buttons, seeking a voice
to reassure me. How go our lives?
Are we dividing up our assortment
of kids, of love and precious time
equitably? Am I at fault?
And how can I make it right?
The shrill bleats ricochet
on office walls, riffling corners
of stacked journals, sweeping across
the reprints, grant proposals.
Only an electronic voice responds.
I mouth my questions
into space and go on wondering.

             Alice D'Alessio, Madison


Theme for Spring issue:
Poems Inspired by Other Poems

Poems by Our Membership
Please indicate when submitting to Shoshauna if you wish your work to appear here as well as in the print version of the Museletter – separate permission is needed to publish online. Past contributors are welcome to notify the webmaster at
demiurge@fibitz.com in order to have their poems posted on this site.

Shoshauna Shy, Editor
222 S. Bedford Street, Suite F
Madison, WI 53703
(please include SASE)

or e-mail: shaunshy@netscape.net
(NO attachments, please!)
Please note new email address

White House Responds to Letter
Last fall, First Lady Laura Bush canceled a poetry event in the nation’s capital, fearing it would be “politicized” in light of the upcoming Iraq invasion. As the Fellowship’s president, I wrote a note to Mrs. Bush expressing my concern (see Spring 2003 issue). Quite some time later, I received a reply. I shared the original letter and the reply with the Board, and invited poetic responses. Watch the spring Museletter for the responses.
Hugs, Peter.
Calendar Notes

2005
Poems for the 2005 Wisconsin Poets’ Calendar are due February 28, 2004. All Wisconsin adult residents are eligible to submit. To ensure consideration, please follow these procedures:

  • Submit up to three original, unpublished poems.
  • Maximum of 20-25 lines. Seasonal or about Wisconsin.
  • Poems should be sent without name or address; include cover sheet with title of poems.
  • Include a three-sentence biography on a separate page.
  • Enclose a self-addressed, stamped envelope if you would like to be notified.
  • Poems will not be returned.

Co-editors are Mike Koehler and Gary Busha. Mail submissions to:

Michael Koehler
2011⁄2 N. Appleton St. #2
Appleton, WI 54911
(920) 378-1061

2004
The Calendar is available for purchase. Please use the order form to place your 2004 Calendar order. A correction needs to be made for the poem written by Josephine Zell. Please note that line 6 of her poem should read “and leaves like Passion palms”, not “Passion psalm” as was written in the Calendar. Also, Calendar co-editor, Alice D’Alessio, has been alerted by one member, claiming that page 100 in her Calendar was blank. If you should run across this situation, please contact Alice D’Alessio at adalessio@aol.com/(608) 231-1939 or Jackie Langetieg at jackielang@charter.net/(608) 271-9072. The printer should be notified if blank pages exist in multiple issues.

FINANCES
Third Quarter Financial Report

July 1, 2003 through September 30, 2003

Literary Fund Account:
Balance July 1, 2003 $1,277.83

Income: None
 Expenses: Triad Contest Judges
$250.00
  Triad Contest Expenses
$150.00
  Postage and Supplies
$66.21
  Total Expenses
$466.21

Balance September 30, 2003 $811.62

General Account:
Balance July 1, 2003 $33,535.01

Income: Dues
$650.00
  Calendar Profit
$156.18
  Advertising
$55.00
  Memorials
$125.00
  Total
$2,396.18
Expenses: Museletter
$1,103.42
  Website
$99.95
  Regional Expenses
$46.07
  Bank Charges
$22.25
  Total
$1,271.69

Balance September 30, 2003 $34,659.50

Calendar Account:
Balance July 1, 2003 $10,632.36

Income:
Calendar Sales
$7,609.25
Expenses:
Printing
$7,217.53
  Postage
$907.78
  Supplies
$197.38
  Profit Distribution
$3,132.36
  Total
$11,455.05

Balance September 30, 2003 $6,786.56

submitted by D.B. Appleton, treasurer


Remember!
The next Museletter DEADLINE
is
February 6th, 2004

How to reach the Museletter Editor:

Christine Falk
9556 Upper 205th Street
West Lakeville, MN 55044

(952) 985-5375
email: thefalks@frontiernet.net